Government Documents for Indian Boarding Schools

It can be said that the worst outcomes come from the best of intentions. Of course, we look back in history and find that the definition of ‘best’ is thoroughly different between cultures, backgrounds, classes, races, etc. And obviously, if one were to take the extremely low-hanging fruit, it requires an impressive amount of logic leaps to find the ‘best intentions’ in some of the greatest historical tragedies, such as the Holocaust, any number of catastrophic wars, or the Trail of Tears.

While the history of Indian boarding schools is undoubtedly tragic, the discussion of the goals behind them is surprisingly frank and positive. As a report from a member of the Advisory Council on Indian Affairs to the Secretary of the Interior (one who had the fantastic decency to write his name in an illegible scrawl at the end of his letter to said Secretary of the Interior, at the time Hubert Work; I therefore have absolutely no idea who wrote thing beyond this) notes that the primary goal is to “place the American Indian… upon the same basis as the rest of our citizenship, politically, intellectually, and industrially…” with the disturbance of “community life or tribal or family relationships” no more “than a growing degree of general participation in economic and… political affairs has interfered with… the Negro…”1

An excerpt from page 2 of a letter written to the Secretary of the Interior Hubert Work

Piercing through the incredible wordiness of this statement, it is perhaps difficult to gauge the true opinion of the report’s author. There is much wiggle-room presented in the goal, particular in the definition of an appropriate level of disturbance, but there does not seem to be explicit mention of disrupting family groups, of squashing heritage, and the like. Indeed, the report author notes that “the average American Indian should be educationally as well equipped and as self-reliant and self-sufficient as the average citizen of any other racial descent.”2 A noble goal, if not for the fact that the peoples in question had been self-reliant for well before the arrival of Europe in the New World.

Turning attention to the boarding schools established for the purposes of educating American Indians to the degrees mentioned above, analysis of their curriculum identifies that a significant amount of effort seems to have been put in to ensure a full coverage of all subjects, in science, history, math, and more. One example from the Office of Indian affairs, prepared for use throughout the Indian school service in 1915, dedicates 30 pages in its curriculum overview to Industrial work and over 130 pages to various vocational studies (trade, agriculture, home economics, nursing, etc)3.

A excerpt from the table of contents from curriculum proposed for American Indian students. Note the wide variety of topics available, especially relating to ‘practical’ work.

A section is, of course, dedicated to music. Although there is attention given to the coverage of ‘good’ music (which is something that many others have covered, I will therefore not beat a dead horse), interesting emphasis is placed on proper vocal techniques. Notes to have a “light, pure tone”, with special exercises for “preventing huskiness” and “the elimination of monotones” in the lower grade levels, perhaps were included specifically to ‘correct’ vocal styles that are used for Native American singing 4.

A excerpt from the table of contents from curriculum proposed for American Indian students. A guideline for vocal standards lays out what to prioritize while singing.

For example, in an analysis of different pow-wow singing styles, it is noted that the Great Lakes style uses a “medium-high voice, often with a gravelly or rough timbre” while in both the Great Lakes and Midplains style the women’s part is described as “high and tense”.5 These assertions are difficult to confirm, as during the early 20th century musical analysis of Native American styles was in its infancy, and unfortunately there is little literature that refers directly to behaviors or tendencies that need to be prevented (which would have been an obvious indicator of this type of connection), but the possibility of a link is still there.

In conclusion, this serves as a slightly different approach, as I was surprised to see that reports regarding Native Americans in the 20th century were not as overtly hostile as I might have suspected, going from history. This, of course, could entirely be fancy political language, and there is the additional factor of the majority not understanding the minority and wishing to impose upon them an idea of ‘correctness’, but I found it interesting regardless.

Works Cited:

1 Member of the Advisory Council on Indian Affairs, Report on Indian Affairs (United States Government, 1923), 1-2. Retrieved from American Indian Histories and Cultures https://www.aihc.amdigital.co.uk/Documents/Images/Ayer_MS_668/3#Chapters (accessed Oct 26, 2023).

2 Ibid

3 Department of the Interior (Office of Indian Affairs), Tentative Course of Study for United States Indian Schools (Washington D.C: Government Printing Office, 1915), Table of Contents. Retrieved from American Indian Histories and Cultures https://www.aihc.amdigital.co.uk/Documents/Images/Ayer_386_U5_1915/5 (accessed Oct 26, 2023).

4 Dept. of Interior, Tentative Course of Study, 111-113.

5 Tara Browner, Judith Vander, et al., Music of the First Nations: Tradition and Innovation in Native North America (University of Illinois Press: 2009), 137-138. Retrieved from https://ebookcentral.proquest.com/lib/stolaf-ebooks/reader.action?docID=3413835&ppg=147 (accessed on Oct 26, 2023).

Music in Native American Boarding Schools

Tentative course of study for United States Indian schools. Prepared under the direction of commissioner of Indian affairs.1

In the 19th and 20th centuries, the United States was attempting to assimilate Native American students in the white American culture. This was done in part by placing Native American children in boarding schools, and by 1925, “over 357 boarding schools were being
operated in thirty states.”2 The United States government the education of Native American children was the key solution to assimilation. Since that is what the government believed, they also believed that “Only by complete isolation of the Indian child from his savage antecedents can he be satisfactorily educated.”3 A major part of the curriculum when assimilating Native American’s into white culture was music.

The document above is a few pages from a course study made for Native American boarding schools specifically focusing on the music aspect of their education. This document really emphasizes the importance of music in a young person’s education as music “develops all the powers and functions of the human mind.”4 This document lists some requirements in educating the students with music. The first requirement listed is that the students are only allowed to listen to “only hear good music, aiming consistently in this way to develop musical appreciation.”5 It proceeds to list selections that someone deemed “good” for the Native American students such as the march from the opera “Aida” and William Tell” but “rag time” music is not good since it is mostly enjoyed by the “average person”.6 This document states that these students should learn about music by Haydn and Mozart for special occasions, and special attention should be pay to patriotic songs such as “the Star-Spangled Banner.”7 It is stated that the purpose of this course study is to lead the children to “an interest in singing” and to “preserve” their voice, “secure the ability to read music at sight” and to perform it correctly and pleasantly, and “to cultivate enjoyment and appreciation of good music.”8

In many cultures, music is rooted into their tradition, especially oral tradition. In Native American culture, music is not simply a form of entertainment, it is an essential part of everyday life and ceremony. Where Western tradition focuses primarily on music in terms of entertainment at a distance, Native Americans view music as an active and personal experience, not simply something that is for personal entertainment.9

Bibliography

Bureau of Indian Affairs. 1915. Tentative course of study for United States Indian schools. Prepared under the direction of commissioner of Indian affairs, page 110-111. Available through: Adam Matthew, Marlborough, American Indian Histories and Cultures, http://www.aihc.amdigital.co.uk/Documents/Details/Ayer_386_U5_1915

The role of music in assimilation of students at … – gettysburg college. Accessed October 25, 2023. https://cupola.gettysburg.edu/cgi/viewcontent.cgi?article=1217&context=ghj.

Footnotes

1 Bureau of Indian Affairs. 1915. Tentative course of study for United States Indian schools. Prepared under the direction of commissioner of Indian affairs, page 110-111. Available through: Adam Matthew, Marlborough, American Indian Histories and Cultures, http://www.aihc.amdigital.co.uk/Documents/Details/Ayer_386_U5_1915

2 The role of music in assimilation of students at … – gettysburg college, accessed October 25, 2023, https://cupola.gettysburg.edu/cgi/viewcontent.cgi?article=1217&context=ghj.

3 The role of music in assimilation of students at … – gettysburg college, accessed October 25, 2023, https://cupola.gettysburg.edu/cgi/viewcontent.cgi?article=1217&context=ghj.

4 Bureau of Indian Affairs. 1915.

5 Bureau of Indian Affairs. 1915.

6 Bureau of Indian Affairs. 1915.

7 Bureau of Indian Affairs. 1915.

8 Bureau of Indian Affairs. 1915.

9 Bureau of Indian Affairs. 1915.

Musical Assimilation in Native American Schools

When finding a text to research and write about in this post, the Tentative Course of Study for United States Indian Schools immediately caught my attention. This text, drafted by the Office of Indian Affairs, states that the Course of Study provided in the text is to be adopted by schools of the Indian school service.1 Children were required to attend these schools as a part of a treaty deal between a tribe and the United States government; both male and female children between the ages of six and sixteen were to endure the process of cultural assimilation and be instructed in the English language.2

 

Article VI; Treaty with the Navajo Tribe at Fort Sumner3

 

 

Within the text, an entire section is dedicated to the importance of, “training the senses,” and develop[ing] all the powers and functions of the human mind.”4 Music is named as the only subject that can synchronize the senses in a way that is “enjoyable to the individual and helpful to the community,” but this is quickly followed by a list of particular criteria that must be followed in the classroom when music is being taught.5 Unsurprisingly, these specifications uphold a legacy of cultural superiority. For example, in order to help students develop a sense of musical appreciation, they are only allowed to hear music deemed as good, which according to the text, seems to be limited to American patriotic songs and classical music composed by well-known European composers, such as Mozart, Haydn, and Beethoven.6 Additionally, the text presents individual aspects of music that can be used to further assimilate students into Western culture, like preferring a “good, smooth, sweet, light, pure tone,” over “raggedness” and “huskiness.”7

 

These schools masqueraded as institutions that concerned themselves with the education and futures of Native American children. However, when considering how these schools use subjects like music to perpetuate cultural supremacy, the deeply problematic intention of these school to assimilate Native American children becomes blatantly obvious.

 

 

1 Tentative course of study for United States Indian Schools. Govt. Print. Off., 1915. https://www.aihc.amdigital.co.uk/Documents/Images/Ayer_386_U5_1915/61?searchId=8c6fcef2-55e4-4583-b1cf-9be3f19eeaff

2 “Page 10 – Navaho Tribe at Fort Sumner – Article VI – June 1st 1868.” Fold3. Accessed October 19, 2023. https://www.fold3.com/image/6589725/372?terms=school%2Cschools.

3 Ibid.

4 Ibid.

5 Ibid.

6 Ibid.

7 Ibid.

Wampum and its importance to Eastern Woodland Native Americans

Wampum is a traditional shell bead of the Native American tribes of the Eastern Woodlands. The beads are harvested from the shells of Western North Atlantic hard-shelled clams and are typically white and purple. Native Americans would harvest the clams in the summer and eat their contents before working on the shells. The process of creating wampum was long and hard, usually taking a full day to make just one bead. Shells would be ground or drilled down very carefully using rocks. Not only was the process difficult, but it was also somewhat dangerous, fine dust from the shaved off shells could cut up the lungs if ingested so Native Americans would often use water to limit the dust.

Wampum belt made of shell beads, buckskin, & ribbon. Anthro #A738.1

After the beads were made, they were placed on strings made of either plant fibers or animal tendons. They were often worn decoratively and sometimes even formed into belts which were used to tell stories and mark agreements between peoples. There were usually only two colors of wampum, white and purple, each having their own meanings. White wampum usually denoted purity or light while purple wampum typically represented war, grieving, and death. The two colors would often be combined to represent the duality of the world. 

 

 

Wampum strings and belts had many uses such as currency, gifts, and a means of telling stories. Tribes would often trade wampum with each other in exchange for other goods. Due to the meaning of each color of bead, wampum was also used as a gift, white wampum being given to celebrate things like births or marriages and purple wampum being used for condolences after the loss of loved ones. Moreover, mixed belts, which represented the duality of the world, were given as peace treaties and used to tell stories to others and future generations. 

 

 

 

The worth of wampum was also recognized by many European settlers. A letter written to Thomas Penn from James Logan in 1937 shows that the Europeans knew the significance of wampum. In a proposal to meet the chiefs of the Six Nations at Albany, Logan proposed that Governor Gooche accompany his letter with 2 to 3 fathoms of wampum as a peace offering. Wampum beads and belts even became a commodity in Europe. In a receipt written from Isaac Low in 1769, a paper bundle of wampum was sold to someone in Europe for £15 11s. 6d. 

Although the significance of wampum has dwindled for non-Native Americans, wampum and the process of making it is still unquestionably important to the culture and traditions of Native Americans. This video shows the traditional process of making wampum by hand, still followed by Native Americans today.

References:

Manuscripts and Archives Division, The New York Public Library. “Letter to [Jelles Fonda, Caghnawaga]” New York Public Library Digital Collections. Accessed September 23, 2022. https://digitalcollections.nypl.org/items/b8a373ad-28d8-942d-e040-e00a18065263

Manuscripts and Archives Division, The New York Public Library. “Letter to the Proprietary [Thomas Penn]” New York Public Library Digital Collections. Accessed September 23, 2022. https://digitalcollections.nypl.org/items/bb4ebb8a-0e86-c85e-e040-e00a18063bc4

Scott Dressel-Martin. Wampum belt. 7/26/2010. Retrieved from the Digital Public Library of America, https://dmns.lunaimaging.com/luna/servlet/detail/DMNSDMS~4~4~11333~100798. (Accessed September 20, 2022.)

Traditional Wampum Belts. PBS. Public Broadcasting Service, 2018. https://www.pbs.org/video/traditional-wampum-belts-gy05in/. 

Tweedy, Ann C. “From Beads to Bounty: How Wampum Became America’s First Currency-and Lost Its Power.” ICT. ICT, October 5, 2017. https://indiancountrytoday.com/archive/from-beads-to-bounty-how-wampum-became-americas-first-currencyand-lost-its-power. 

Tweedy, Ann C. “From Beads to Bounty: How Wampum Became America’s First Currency-and Lost Its Power.” ICT. ICT, October 5, 2017. https://indiancountrytoday.com/archive/from-beads-to-bounty-how-wampum-became-americas-first-currencyand-lost-its-power.

Wallace, Anthony F C. “The Iroquois Wampum Belts.” Anthropology News (Arlington, Va.) 12, 4 (1971): 7–7. https://doi.org/10.1111/an.1971.12.4.7.2.

Wampum Belt. 1682. Retrieved from the Digital Public Library of America, https://dlgadmin.galileo.usg.edu/iiif/2/dlg%2Fguan-dpla%2Fartsus%2Fguan-dpla_artsus_in26%2Fguan-dpla_artsus_in26-00001.jp2/full/1000,/0/default.jpg. (Accessed September 20, 2022.)