William Dawson, America’s symphonic one hit wonder

American-composed classical music is mostly a myth. This is because of the European teachings which influenced most of America’s largest composers. Even though there is a rich and vibrant community of folk musicians, there used to be no music besides the group of followers that Davořák had grown. One of the first major original American symphony compositions was created by a black composer William Dawson, and was premiered just under a year after Davořák’s New World Symphony premiered. Dawsons Negro Folk Symphony was a huge success and received an enormous standing ovation after its premiere in Carnegie Hall 1. William Dawson’s legacy is being a choir director at Tuskegee University 2. Dawson received his education at Tuskegee as well as founded its music department in 1931 4.


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After the premiere of his Negro Folk Symphony, Dawson decided to focus on his career at Tuskegee University and work on its choral program as he continued to compose and arrange pieces for his choirs. During this time, he continued to push for black composers and pushed a narrative of black empowerment:

I have’ never doubted the possibilities of our music, for I feel that buried in the South is music that somebody, some day, will discover. They will make another great music out of the folksongs of the South. I feel from the bottom of my heart that it will rank one day with the music of Brahms and the Russian composers 1

Dawson took direct inspiration from African-American spirituals and other forms of African-American music to create a symphony for the culture he knew. Another African-American composer at this time was Florence Price. Her compositions took more of a European aspect because of the composition education she received 1.

William Dawson’s symphonic career was short-lived because of the lack of further compositions 1. He has formed a lasting impact on the African-American community with the founding of Tuskegee University’s music program, which continues to benefit young musicians from all over the United States 2.

1 BROWN, GWYNNE KUHNER. 2012. “Whatever Happened to William Dawson’s Negro Folk Symphony?” Journal of the Society for American Music 6 (4): 433–56. https://doi.org/10.1017/S1752196312000351. Accessed October 4th, 2023

2 “Founder’s Day at Tuskegee Institute Sunday, April 4.” Capitol Plaindealer (Topeka, Kansas) 1, no. 29, April 4, 1937: PAGE EIGHT. Readex: African American Newspapers. https://infoweb.newsbank.com/apps/readex/doc?p=EANAAA&docref=image/v2%3A12ACD7F5186B1E69%40EANAAA-12C55C2E116B2EC8%402428628-12C55C2E55C768B0%407-12C55C2FA4B97D40%40Founder%2527s%2BDay%2Bat%2BTuskegee%2BInstitute%2BSunday%252C%2BApril%2B4. Accessed October 4th, 2023

3 “A TUSKEGEE SYMPHONY – Stokowski to Present Dawson’s Pioneer Work on Negro Themes.” New York Times, November 18, 1934. https://nyti.ms/3Q4Ezyb.

4 Huizenga, Tom. “Someone Finally Remembered William Dawson’s ‘Negro Folk Symphony’.” NPR, June 26, 2020. https://www.npr.org/sections/deceptivecadence/2020/06/26/883011513/someone-finally-remembered-william-dawsons-negro-folk-symphony. Accessed October 8th, 2023

Horowitz, Joeseph. 2022. DovořáK’s Prophecy: And the Vexed Fate of Black Classical Music. New Yourk: W.W. Norton & Company.

William Grant Still for a White Audience

On July 23, 1936, William Grant Still made his debut in Los Angeles conducting at the Hollywood Bowl. The article I found on this, written by Lawrence LaMar, describes how “an outstanding history making triumph as been achieved.” This performance was only a couple of years after Still won the Guggenheim Fellowship award for “Land of Romance” and “Afro-Symphony Orchestra.” Our class has been looking at the impacts of black nationalism within “American” music and how it has shaped today’s music. This discussion couldn’t be held without William Grant Still and his “Afro-American Symphony.” Even during the 1930’s, the public knew of its impact and what was taking shape, and how it could change history in music. Out of the 20,000 seats at the Hollywood Bowl, 12,000 of them were filled. This sounded like an average amount of attenders based off how the author was describing it. However,

“about 250 of the 12,000 people assembled in the Hollywood Bowl that seats 20,000 were of the Race. This number, although small in comparison to the whole, represents an increase over past regular season bowl attendance of Negroes.”

 

It is interesting to read how 250 might not have been a large number of people “in comparison to the whole” but that it shows that persons of color are increasing in numbers for attending the bowl.
This article views William Grant Still and thus his pieces as valuably important for American and American music. The writer states, “Each of the gripping symphonies that conveyed the feeling of the Race American toward the land of his folklore was marvelously rendered by the great orchestra that responded readily under the left guidance of its first Race conductor.” I found that this article showed some of the feelings that the BIPOC community was feeling towards Still and his compositions. The article can be used to shed light on this aspect as well as the ideas of how that ties into the impact on American music.
Another interesting aspect of this article is the literal, physical context around it. Surrounding this column in the Chicago Defender are many more negative articles about “members of race.” Titles such as “State Picnic To Be Feature Of Kentucky Hanging” stand out instantly to the viewer upon opening this paper. The article on Still is captivatingly uplifting and hopeful right next to the article that paints such a horrific image for the BIPOC community.
Another aspect of the context around the article on Still is the emphasis on music that this community holds. Simply turning the page of this newspaper brings you to BOLD headlines you can view in the following photos.
Citations:
LaMAR, LAWRENCE F. “WM. GRANT STILL CONDUCTS SYMPHONY AT LOS ANGELES: 20,000 HEAR WORLD-FAMED COMPOSER IN DEBUT AT HOLLYWOOD BOWL; APPLAUSE DEAFENING.” The Chicago Defender (National Edition) (1921-1967), Aug 01, 1936. https://www.proquest.com/historical-newspapers/wm-grant-still-conducts-symphony-at-los-angeles/docview/492575722/se-2?accountid=351.