Marching for Social Justice

War, political and social inequality, poverty, and other obstacles to economic and development prospects have all sparked protests calling for social justice as an alternative to the status quo.  Although social justice is frequently associated with politics, many justice movements have employed music to encourage and encourage widespread participation in their cause.1 One form of music that has been involved in many protests is the ‘marching band’. The history of marching bands may be traced to the Middle Ages, when musicians were used by feudal armies to inspire and motivate their troops. Although the bulk of countries still use marching bands in their military facilities, America has started using them in classrooms. In the majority of high schools and colleges across the country, music ensembles are now an obligatory subject. Even though marching bands were predominantly white, that did not stop people of color from making use of this brilliant genre.2 We can hear recordings of marching bands dating all the way back to 1923, as seen in the recording done by ‘Victor’ recording label and ‘Sousa’s Band’.3

In the picture above4, we can see the March 3, 1913, National American Woman Suffrage Association parade in Washington, D.C. The parade’s organizers deliberately timed the procession to take place the day before President-elect Woodrow Wilson’s inauguration, which further boosted interest in the occasion. This tactic was effective. The women marched from the U.S. Capitol toward the Treasury Building, where they were met by thousands of spectators, many of whom were in town for the inauguration.5 The all-women marching band, added to the huge spectacle of this parade, is credited in having an active role in the passing of the Nineteenth Amendment, signed 7 years later. Protests, like the National American Woman Suffrage Association parade, highlight the importance of music as a medium for social justice.

Although we see marching bands used as a medium for protest all the way back in the early 20th century, we can see bands making their way to protests still today. At the Honk! festival of activist street bands, which began on Thursday and ran for five days, it was difficult to determine where politics ended and the party started. Honk! Fest takes place in Somerville, Massachusetts, around the weekend of Indigenous Peoples’ Day. The Rude Mechanical Orchestra, whose ‘fists-up anthems’ encouraged the spontaneous dance party on Saturday, was directed by sousaphone player Matt Arnold, 39. “It’s kind of a band jamboree, something we all look forward to,” Arnold said. Eight years ago, this marching band came together to express its disapproval of the Republican National Convention in New York. Since then, it has performed at each Honk! festival, taking a break from a busy itinerary that includes picket lines, antiwar demonstrations, and, as of last year, Occupy Wall Street rallies6.

 

1 “Music and Social Justice | Internet Encyclopedia of Philosophy.” n.d. https://iep.utm.edu/music-sj/.

2 Hall, Sophia Alexandra. 2021. “How the Marching Band Became a Staple of American Music Education.” Classic FM, November. https://www.classicfm.com/discover-music/music-education/marching-band-american-schools/.

3 “High School Cadets March.” n.d. The Library of Congress. https://www.loc.gov/item/jukebox-117939/?

4 “Woman Band – Suffrage Parade.” n.d. The Library of Congress. https://www.loc.gov/item/2014691491/.

5 “This Day in History: The 1913 Women’s Suffrage Parade.” 2016. Whitehouse.Gov. March 3, 2016. https://obamawhitehouse.archives.gov/blog/2016/03/03/this-day-history-1913-womens-suffrage-parade.

6 Wikipedia contributors. 2023. “HONK!” Wikipedia, August. https://en.wikipedia.org/wiki/HONK!

HBCU Marching Bands Take the Big Screen….Now the Stage

Historically Black Universities and Colleges (HBCUs) have been known for their marching bands for over a century. Marching band competitions flood most of the southern states throughout the marching band season with the big competitions such as Nationals and the Honda Battle of the Bands being greatly anticipated. It wasn’t until 2002 when Charles Stone decided to showcase HBCU marching bands and the culture that has been born from this musical community. The film is labeled as a drama, musical, comedy, and romance and features a young man from Harlem who joins a Southern university’s marching band but antagonizes the musical director and its leader. There is a coming-of-age element to the film as the young college student finds his way in college and the band.

Almost a decade later in 2011, a new version of Drumline came out for a different audience. Drumline was made into a theatre production.

 

When researching the culture behind black marching bands from HBCUs I was intrigued when coming across not only the Drumline Film but also the Drumline LIVE production. It is curious to note the audience that usually sits for a marching band performance and a football game is not usually an audience that would sit for a theatre production.  

 

 

 

Reading into a newspaper article from the Philadelphia Tribune on the year that Drumline Live came out as a theatre production it was clear that the production made quite an impact on the audience and was a surprising success.

“Drumline Live” is the brainchild of Atlanta native Don P. Roberts, a former Florida A&M University (FAMU) drum major who began his musical journey as a trumpeter. An educator who has served as the instrumental music coordinator of the DeKalb County School System since 1996, Roberts was recruited by “Drumline” producer Dallas Austin, an accomplished drummer who is also an Atlanta native, to serve as executive band consultant for the film.”

It was a booming success amongst HBCUs, BIPOC communities, musical communities, theatre-goers, and so many others. Roberts could not keep himself from boasting of the accomplishment that was Drumline Live.

“This show is absolutely the most dynamic, exciting theatrical production to come out in years. These are big words, but every time people see the show, they tell me I was right! I don’t think there’s anything that’s comparable, and I go to shows all the time. I feel like there’s some really good shows out there, but there’s nothing like us. We touch every emotion in your body. We’re going to make you sing, we’re gonna make you shout, we’re gonna make you cry, we’re gonna make you smile, we’re gonna make you laugh – we touch all of the emotions. You will totally be surprised by the things that you see in the show, and that’s one of the beautiful things about it.”

As I read through the newspaper clippings, looked further into the film and the comparison of the theatre production, one question kept coming to mind: Why this way? I do not have an answer for why these two avenues of art would be chosen to inform an audience of the culture of a HBCU marching band yet it was. What art forms are we using to spread knowledge of something that doesn’t seem like it should fit there?

 

Bibliography:

Drumline Live. 2011-12-03. Retrieved from the Digital Public Library of America, http://hdl.handle.net/11134/510002:20109259. (Accessed November 24, 2021.)

Roberts, Kimberly C. 2011. “‘Drumline Live’ Thrilling Audiences.” Philadelphia Tribune, Oct 21, 6-7. https://www.proquest.com/newspapers/drumline-live-thrilling-audiences/docview/903433037/se-2?accountid=351.