Turner’s turn in the spotlight

Turner Layton was an American composer and pianist that was a part of Layton and Johnstone, a duo that had immense popularity in Europe in the 1920s and 30s. Before his transition to a performer overseas, he was a composer for several years in New York, often working with Henry Creamer for lyrics. One of their more notable compositions was “After you’ve gone”, with several recordings by big names, including Louis Armstrong, Duke Ellington, and Bing Crosby. One of the original 1918 recordings with Marion Harris is below.

Even with the most popular performers recording his compositions and tens of millions of records sold of his own performances, Layton is a fairly unknown name in that era of music (I had not heard of him until this post). Part of that may be his location; after Layton and Johnstone ended their professional relationship in 1935, Layton stayed in Europe the rest of his life, where he continued to find solo success until his retirement in 1946.

My biggest question is why he has continued to stay out of the figurative spotlight. There are still notable recordings of his songs being made today, such as “After you’ve gone” appearing on Hugh Laurie’s 2011 album “Let Them Talk”. Even while overseas, Layton obviously still had an effect on the American music scene, but seems to have lost the notoriety that some of his peers have maintained or even gained. A question lost to time is how different American music would have been if he had found greater success here than across the pond, and stayed in the front of American musical tastes.

Bourdon, R., Harris, M., Creamer, H. & Layton, T. (1918) After You’ve Gone
. [Audio] Retrieved from the Library of Congress, https://www.loc.gov/item/jukebox-313413/.

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