{"id":467,"date":"2016-12-06T11:47:45","date_gmt":"2016-12-06T17:47:45","guid":{"rendered":"https:\/\/pages.stolaf.edu\/musicandreligion\/?p=467"},"modified":"2016-12-06T11:47:45","modified_gmt":"2016-12-06T17:47:45","slug":"on-motivation-and-the-senior-slide","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/musicandreligion\/2016\/12\/06\/on-motivation-and-the-senior-slide\/","title":{"rendered":"On Motivation and the Senior Slide"},"content":{"rendered":"<p>Over the Christmas Festival Weekend, I had an idea to look into BWV 80 Ein Feste Burg for my final paper\/podcast combo. I started researching. I listened to it. I immediately got bored. I&#8217;m not quite sure why I felt so unmotivated by this topic, but I decided to try to follow something I was more passionate about.<\/p>\n<p>I really want to look into the Magnificat (D Major, BWV 243) and specifically the 3rd and 4th movements &#8211; <em>Quia Respexit<\/em> into <em>Omnes Generationes<\/em>. The third movement has such an incredibly different sound than anything else in the Magnificat; the chromaticism, the descending lines, and the starkness of oboe and basso continuo aren&#8217;t seen anywhere else in the Magnificat. Right now, I have a lot of ideas about this piece and am not fully sure where to take them. These movement focus on the section of the Magnificat dealing with humility: &#8220;He\u00a0hath regarded the lowliness of His servant, for behold from henceforth all generations shall call me blessed.&#8221; It&#8217;s clear that Bach intended to apply an entire mood to this movement, but I find the incredibly quick change into\u00a0<em>Omnes Gereationes<\/em> startling and interesting. I feel like there&#8217;s something there.<\/p>\n<p>Right now, I&#8217;m doubling back on the Rathey and Heller articles we read earlier. I really want to avoid just regurgitating information that we already discussed, and I&#8217;m hoping that by focusing on the two movements will allow me the freedom to discuss many things about those movements. One interesting thing that I want to pursue more is when one author (and I honestly thought it was Rathey, but now I can&#8217;t find it) called Mvmt. 4 a turba chorus. Of course, I have no idea where this thread will go, but right now I&#8217;m digging to see if there&#8217;s anything important there.<\/p>\n<p>One last idea that I think would be interesting is analyzing how these two movements are inherently Lutheran Marian theology as opposed to Catholic Marian theology. This would require a comparison of the religious side of things and an application directly into the text. This is super intriguing to me but I&#8217;m scared to dive in because of the difficult research and sort of abstract method of coming to a thesis.<\/p>\n<p>All in all, I&#8217;m glad that I&#8217;m at least excited about my topic now. It will possibly be more difficult, as I really have to make sure I&#8217;m not copying the articles we read already, but at least the motivation is there. Fight the senior slide. It&#8217;s only fall semester.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the Christmas Festival Weekend, I had an idea to look into BWV 80 Ein Feste Burg for my final paper\/podcast combo. I started researching. I listened to it. I immediately got bored. I&#8217;m not quite sure why I felt &hellip; <a href=\"https:\/\/pages.stolaf.edu\/musicandreligion\/2016\/12\/06\/on-motivation-and-the-senior-slide\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1899,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[1],"tags":[],"series":[],"class_list":["post-467","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"episode_featured_image":false,"episode_player_image":"https:\/\/pages.stolaf.edu\/musicandreligion\/wp-content\/plugins\/seriously-simple-podcasting\/assets\/images\/no-album-art.png","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":[],"rssFeedUrl":"https:\/\/pages.stolaf.edu\/musicandreligion\/feed\/podcast\/st-olaf-podcasts-music-and-religion","embedCode":"<blockquote class=\"wp-embedded-content\" data-secret=\"LwB712zohz\"><a href=\"https:\/\/pages.stolaf.edu\/musicandreligion\/2016\/12\/06\/on-motivation-and-the-senior-slide\/\">On Motivation and the Senior Slide<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/pages.stolaf.edu\/musicandreligion\/2016\/12\/06\/on-motivation-and-the-senior-slide\/embed\/#?secret=LwB712zohz\" width=\"500\" height=\"350\" title=\"&#8220;On Motivation and the Senior Slide&#8221; &#8212; Music 345: Music and Religion\" data-secret=\"LwB712zohz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! 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