{"id":93,"date":"2024-06-26T12:28:46","date_gmt":"2024-06-26T17:28:46","guid":{"rendered":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/?page_id=93"},"modified":"2026-08-07T15:31:45","modified_gmt":"2026-08-07T20:31:45","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.25.2″ _module_preset=”default” background_color=”#bfc0d1″ global_colors_info=”{}”][et_pb_row _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Bibliography” _builder_version=”4.25.2″ _module_preset=”default” title_font=”|600|||||||” title_font_size=”45px” custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_heading][et_pb_heading title=”The Research Journey” _builder_version=”4.25.2″ _module_preset=”default” title_level=”h5″ global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-content\/uploads\/sites\/1759\/2024\/07\/19_Oyeyama_0Front_Cropped.jpg” title_text=”19_Oyeyama_0Front_Cropped” _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.2″ _module_preset=”default” text_font_size=”15px” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n

Scholarship on crepe-paper books, or chirimen-bon<\/em>, tends to rely on the same few sources, such as Frederic Sharf’s seminal volume on Hasegawa Takejir\u014d.<\/p>\n

While works like these are important, we have tried to include many more voices and resources to make our research more complete. This includes the work of several researchers in Japan who are actively working on the medium.<\/p>\n

Below, you can filter<\/strong> our bibliography by general topic to find what you are looking for. We hope that our research helps other scholars interested in crepe-paper books or the fascinating network of people involved in their production.<\/p>\n

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CREPE-PAPER BOOKS<\/strong><\/span><\/p>\n

Franci, Riccardo. Takejiro: e le fiabe giapponesi del Museo Stibbert <\/span><\/i>[Takejiro: and the Japanese Fairy Tales of the Stibbert Museum]. Livorno, Italy: Sillabe, 2008.<\/span><\/strong><\/span><\/p>\n

Guth, Christine M. E.<\/strong> “Hasegawa\u2019s Fairy Tales: Toying with Japan.\u201d <\/span>RES: Anthropology and Aesthetics<\/span><\/em>, no. 53\/54 (2008): 266\u201381.<\/span><\/p>\n

Herring, Ann King.<\/strong> \u201cEarly Translations of Japanese Fairy-Tales and Children\u2019s Literature.\u201d <\/span>Phaedrus<\/span><\/i> 13 (1988): 97\u2013112.<\/span><\/p>\n

Otsuka, Nanae, Mayako Murai, and Shi-Lin Loh.<\/strong> “A Souvenir of Japan: The Cr\u00eape-Paper Book \u201dJapanese Fairy Tale Series\u201d in the Late 19th Century from the Special Collection of Kanagawa University Library” (2017)<\/span><\/span><\/p>\n

Sharf, Frederic A.<\/strong> <\/span>Takejiro Hasegawa: Meiji Japan\u2019s Preeminent Publisher of Wood-Block-Illustrated Crepe-Paper Books<\/span><\/em>. Vol. 130. Peabody Essex Museum Collections 4. Salem, Mass: Peabody Essex Museum, 1994.<\/span><\/span><\/p>\n

Tokuda, Kazuo.<\/span><\/strong>\u201cCultural Messages from 1885: Chirimen Books That Spread to Europe: Japanese Fairy Tales Series\u201d (1885\u5e74\u306e\u6587\u5316\u767a\u4fe1). The Gakushuin Journal of International Studies\u00a0<\/em>4 (March 2017): 35\u201351.<\/span><\/p>\n

<\/span><\/p>\n

GENERAL HISTORY<\/strong><\/span><\/p>\n

Altman, Albert A.<\/strong> \u201cThe Press.\u201d In Japan in Transition, from Tokugawa to Meiji.<\/span><\/em> E<\/span>dited by Marius B. Jansen and Gilbert Rozman, vol. 83. Princeton University Press, 2014. https:\/\/doi.org\/10.1515\/9781400854301<\/span><\/a>.<\/p>\n

Stalker, Nancy K.<\/strong> \u201cEdo Popular Culture The Floating World and Beyond: Late 17th to Mid-19th Centuries.\u201d In <\/span>Japan: History and Culture from Classical to Cool<\/span><\/em>. University of California Press, 2018. <\/span>https:\/\/doi.org\/10.1525\/9780520962835<\/span><\/a>.<\/span><\/span><\/p>\n

Stalker, Nancy K.<\/strong> \u201cFacing and Embracing the West, 1850s-1900.\u201d In Japan: History and Culture from Classical to Cool<\/span><\/em>. University of California Press, 2018. https:\/\/doi.org\/10.1525\/9780520962835<\/span><\/a>.<\/span> <\/span><\/p>\n

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CREPE-PAPER BOOKS (GENERAL)<\/b><\/span><\/p>\n

Harada, <\/span>Noriyuki, Masao Kurosaki, and <\/span>Yuko Kond\u014d.<\/strong> [\u201c<\/span>An Integrated Study of Chirimen-bon (Crepe-paper Books) from the Perspectives of Morphology, the History of Publishing Culture, and the Theory of Representational Culture<\/span><\/a>\u201d] (\u5f62\u614b\u8ad6\u3001\u51fa\u7248\u6587\u5316\u53f2\u3001\u8868\u8c61\u6587\u5316\u8ad6\u304b\u3089\u307f\u305f\u7e2e\u7dec\u672c\u306e\u7d71\u5408\u7684\u7814\u7a76). <\/span>Annals of the Institute for Comparative Studies of Culture, Tokyo Woman’s Christian University<\/span><\/i> 82 (2021), 1-47.<\/span><\/b><\/p>\n

Hasegawa, Takejir\u014d<\/b>.<\/strong> \u201cExport of Woodblock Prints\u201d (\u6728\u7248\u753b\u306e\u8f38\u51fa).\u00a0Bijutsu shinp\u014d<\/i>\u00a0(\u7f8e\u8853\u65b0\u5831) 13, no. 3 (January 1914), 26-30.<\/b><\/p>\n

Herring, Ann<\/b>.<\/strong> \u201cThe Dawn of International Publishing \u2013 Meiji Western Literature\u201d (\u56fd\u969b\u51fa\u7248\u306e\u66d9 \uff0d\u660e\u6cbb\u306e\u6b27\u6587\u8349\u53cc\u7d19).\u00a0Special Exhibition Crepe Books and Kusaz\u014dshi \u2013 Illustrated Japanese Books from the Late 19th Century<\/i>\u00a0(\u7279\u5225\u4f01\u753b\u5c55 \u3061\u308a\u3081\u3093\u672c\u3068\u8349\u53cc\u7d19\uff0d19\u4e16\u7d00\u5f8c\u534a\u306e\u65e5\u672c\u306e\u7d75\u5165\u672c). Fussa City Local Materials Room (October 1990), 1-44.<\/p>\n

Ishizawa, Saeko<\/b>.<\/strong>\u00a0Meiji-period Illustrated Books in Western languages: All About Crepe Books<\/i>\u00a0(\u660e\u6cbb\u306e\u6b27\u6587\u633f\u7d75\u672c : \u3061\u308a\u3081\u3093\u672c\u306e\u3059\u3079\u3066). Tokyo: Miyai Shoten, 2005.<\/p>\n

Ozaki, Rumi<\/b>.<\/strong> Japanese Fairy Tales: Wood-Block Illustrated Crepe-Paper Books of the Meiji Period (1868-1912)<\/span><\/i> (\u3061\u308a\u3081\u3093\u672c\u30fc\u6d77\u3092\u6e21\u3063\u305f\u65e5\u672c\u6614\u3070\u306a\u3057). Japanese translations by Nana Hamana. Tokyo: Tokyo Bijutsu, 2025.<\/span><\/p>\n

Ozaki, Rumi.<\/b> Japanese Fairy World by Lafcadio Hearn (\u3061\u308a\u3081\u3093\u672c\u30fc\u5c0f\u6cc9\u516b\u96f2\u306e\u3075\u3057\u304e\u306a\u6614\u8a71). Japanese translations by Nana Hamana. Tokyo: Tokyo Bijutsu, 2025.<\/span><\/p>\n

Tajima, Kazuo<\/b>.<\/strong> \u201cThe World of Chirimen Books\u201d [\u3061\u308a\u3081\u3093\u672c\u306e\u4e16\u754c]. In Medieval Stories about Death and the View of Tales<\/i> [\u4e2d\u4e16\u5f80\u751f\u4f1d\u8aac\u8a71\u306e\u8996\u754c]. Tokyo: Kasama shoin, 2015.<\/span><\/p>\n

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CREPE-PAPER BOOKS (SPECIFIC)<\/b><\/span><\/p>\n

Matsumura, Y\u016bko and <\/span>Maria Elena Tisi.<\/strong> [\u201c<\/span>On the Italian-language Editions of Crepe-paper Books<\/span><\/a>\u201d] (\u30a4\u30bf\u30ea\u30a2\u8a9e\u7248\u3061\u308a\u3081\u3093\u672c\u306b\u3064\u3044\u3066). <\/span>Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University <\/span><\/i>27 (March 2024), 153-168.<\/span><\/b><\/p>\n

Otsuka, Nanae<\/b>.<\/strong> \u201cFrom Myths to Heroic Tales \u2013 A Comparison of Retellings from the Kojiki by Chamberlain and Mrs. James in the Crepe Book Series \u2018Japanese Old Tales’\u201d (\u795e\u8a71\u304b\u3089\u82f1\u96c4\u8b5a\u3078\u2015\u3061\u308a\u3081\u3093\u672c\u300c\u65e5\u672c\u6614\u567a\u300d\u30b7\u30ea\u30fc\u30ba\u306b\u304a\u3051\u308b\u30c1\u30a7\u30f3\u30d0\u30ec\u30f3\u3068\u30b8\u30a7\u30a4\u30e0\u30b9\u592b\u4eba\u306b\u3088\u308b\u300e\u53e4\u4e8b\u8a18\u300f\u304b\u3089\u306e\u518d\u8a71\u306e\u6bd4\u8f03\u2015).\u00a0Bulletin<\/i>\u00a0of the\u00a0Institute<\/i>\u00a0for\u00a0Humanities Research\u00a0<\/i>80 (September 2023), 75-86.<\/p>\n

Otsuka, Nanae<\/b>.<\/strong> \u201cJapanese Woodblock Illustrated Books in the Paris Universal Exposition of 1900: \u2015The Cultural Impact of L\u2019\u00e9cole de village: Terakoya and Other Books in Europe\u2015<\/a>\u201d (\u6728\u7248\u633f\u7d75\u672c\u306e\u30a4\u30f3\u30d1\u30af\u30c8 \u20151900 \u5e74\u30d1\u30ea\u4e07\u535a\u306b\u51fa\u54c1\u3055\u308c\u305f\u300c\u5bfa\u5b50\u5c4b\u300d\u2015).\u00a0The Bulletin of the Graduate School of Social and Cultural Studies Nihon University<\/i>\u00a014 (2013), 13-19.<\/span><\/p>\n

Ozaki, Rumi<\/b>.<\/strong> \u201cBackground to the Birth of Kobunsha\u2019s Chirimen Book Series \u201cEuropean Japanese Old Tales\u201d \u2013 Collaboration between Hasegawa Takejiro, David Thompson, and Kobayashi Eitaku<\/span><\/a>\u201d (\u5f18\u6587\u793e\u306e\u3061\u308a\u3081\u3093\u672c\u300e\u6b27\u6587\u65e5\u672c\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u8a95\u751f\u306e\u80cc\u666f\u2015\u2015\u9577\u8c37 \u5ddd\u6b66\u6b21\u90ce\u30fb\u30c7\u30a4\u30d3\u30c3\u30c9\u30fb\u30bf\u30e0\u30bd\u30f3\u30fb\u5c0f\u6797\u6c38\u6fef\u306e\u5354\u50cd).\u00a0Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University<\/i>\u00a023 (March 2020), 19-38.<\/p>\n

Ozaki, Rumi<\/b>.<\/strong> \u201cDevelopment of Hasegawa Takejiro\u2019s Chirimen Book Publishing Activities: Until the \u201cEuropean Japanese Old Tales\u201d Series Reached 20 Volumes<\/span><\/a>\u201d (\u9577\u8c37\u5ddd\u6b66\u6b21\u90ce\u306e\u3061\u308a\u3081\u3093\u672c\u51fa\u7248\u6d3b\u52d5\u306e\u5c55\u958b\uff1a\u300e\u6b27\u6587\u65e5\u672c\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u304c20\u518a\u306b\u9054\u3059\u308b\u307e\u3067).\u00a0Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University<\/i>\u00a025 (March 2022), 29-54.<\/b><\/p>\n

Ozaki, Rumi<\/b>.<\/strong> \u201cFrom Kobunsha\u2019s Chirimen Book Series \u201cEuropean Japanese Old Tales\u201d Formation and Beginning of the \u201cWestern Old Stories\u201d Series<\/span><\/a>\u201d (\u5f18\u6587\u793e\u306e\u3061\u308a\u3081\u3093\u672c\u300e\u6b27\u6587\u65e5\u672c\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u5f62\u6210\u3068\u300e\u897f\u6d0b\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u958b\u59cb).\u00a0Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University<\/i>\u00a024 (March 2021), 1-34.<\/b><\/p>\n

Ozaki, Rumi<\/b>.<\/strong> \u201cKarl Florenz and Hasegawa Takejiro \u2014 Disseminating Japanese Poetry Overseas through Crepe Books<\/span><\/a>\u201d (\u5f18\u6587\u793e\u306e\u3061\u308a\u3081\u3093\u672c\u300e\u6b27\u6587\u65e5\u672c\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u5f62\u6210\u3068\u300e\u897f\u6d0b\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u958b\u59cb).\u00a0Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University<\/i>\u00a026 (March 2023), 57-99.<\/b><\/p>\n

Ozaki, Rumi<\/b>.<\/strong> \u201cResearch on B. H. Chamberlain\u2019s\u00a0Romanized Japanese Reader<\/i>\u00a0\u2013 Focusing on the Relationship with\u00a0The Matsuyama Mirror<\/i>\u00a0and\u00a0The Hare of Inaba<\/i>\u00a0in the Crepe Book \u2018European Japanese Folk Tales\u201d Series<\/a>\u2018\u201d (\u5f18\u6587\u793e\u306e\u3061\u308a\u3081\u3093\u672c\u300e\u6b27\u6587\u65e5\u672c\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u5f62\u6210\u3068\u300e\u897f\u6d0b\u6614\u567a\u300f\u30b7\u30ea\u30fc\u30ba\u306e\u958b\u59cb).\u00a0Studies of Research Center for Children\u2019s Literature and Culture, Shirayuri University<\/i>\u00a027 (March 2024), 27-60.<\/span><\/p>\n

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BASIL HALL CHAMBERLAIN<\/span><\/strong><\/p>\n

Chamberlain, Basil Hall<\/b>.<\/strong> Letters from Basil Hall Chamberlain to Lafcadio Hearn<\/i>. Tokyo: Hokuseido, 1936.<\/p>\n

Chamberlain, Basil Hall<\/b>.<\/strong> More Letters from Basil Hall Chamberlain to Lafcadio Hearn and Letters From M. Toyama, Y. Tsubouchi and Others<\/i>. Tokyo: Hokuseido, 1937.<\/strong><\/p>\n

\n
Espinosa, Jos\u00e9 Paz\u00f3.<\/strong> \u201c\u2018Cosas de Jap\u00f3n\u2019 de Basil H. Chamberlain: \u00bfla Primera Gu\u00eda Cultural Sobre Jap\u00f3n?\u201d Mirai<\/i> 1 (September 2017). https:\/\/doi.org\/10.5209\/mira.57105<\/a>.<\/div>\n
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\n
James, Grace.<\/strong> \u201cBasil Hall Chamberlain. Born 1850, Died February 15, 1935.\u201d In Japan Society London: Transactions and Proceedings<\/i>, XXXII. The Japan Society London, 1935.<\/div>\n

<\/span><\/p>\n<\/div>\n<\/div>\n

<\/span><\/p>\n<\/div>\n

<\/b><\/span><\/p>\n

LAFCADIO HEARN<\/span><\/strong><\/p>\n

Blanck, Jacob. <\/b>\u201cLafcadio Hearn.\u201d In Bibliography of American Literature<\/i>, 75\u2013106. New Haven: Yale University Press, 1955.<\/p>\n

Hearn, Lafcadio<\/b>.<\/strong> The Japanese Letters of Lafcadio Hearn<\/i>. Boston, New York, Houghton Mifflin Company, 1910.<\/p>\n

Hearn, Lafcadio<\/b>.<\/strong> The Life and Letters of Lafcadio Hearn<\/i>. Edited by Elizabeth Bisland. Boston, New York: Houghton, Mifflin and Company, 1906.<\/p>\n

Hearn, Lafcadio<\/b>.<\/strong> Some New Letters and Writings of Lafcadio Hearn<\/i>. Tokyo: Kenkyusha, 1925.<\/p>\n

Koizumi, Setsuko.<\/strong> Reminiscences of Lafcadio Hearn<\/em>. Houghton Mifflin, 1918.<\/p>\n

Lafcadio Hearn Memorial Museum.<\/strong> \u201cKoizumi Setsu\u2014Living as Lafcadio Hearn\u2019s Wife.\u201d Lafcadio Hearn Memorial Museum. Accessed June 21, 2024. https:\/\/www.hearn-museum-matsue.jp\/exhibition-setsu.html<\/span><\/a>.<\/p>\n

<\/b><\/span><\/p>\n

MRS. T. H. (KATE) JAMES<\/span><\/strong><\/b><\/p>\n

James, Grace. <\/b>\u201cJapanese Fairytales and Folklore.\u201d In Japan Society London: Transactions and Proceedings<\/i>, XXX:29\u201338. 42. London: The Japan Society London, 1932.<\/p>\n

\n
James, Grace.<\/strong> Japan: Recollections and Impressions<\/i>. G. Allen & Unwin, 1936.<\/div>\n

<\/span><\/p>\n<\/div>\n

Koyama, Nobor<\/b>u.<\/strong> \u201cGrace James (1882-1965) and Mrs T.H. (Kate) James (1845-1928): Writers of Children\u2019s Stories.\u201d In Britain & Japan Biographical Portraits<\/i>, IX: 472\u201380. Amsterdam: Amsterdam University Press, Renaissance Books, 2015. https:\/\/doi.org\/10.1017\/9781898823278.043<\/span><\/a>.<\/p>\n

<\/b><\/span><\/p>\n

DAVID THOMPSON<\/span><\/strong><\/p>\n

Presbyterian Church (U.S.A.).<\/strong> \u201cGuide to the David D. and Mary Parke Thompson Family Papers.\u201d Accessed August 7, 2026. https:\/\/pcusa.org\/historical-society\/collections\/research-tools\/guides-archival-collections\/rg-497<\/a>.\u00a0<\/p>\n

<\/span><\/strong><\/p>\n

JAMES CURTIS HEPBURN<\/span><\/strong><\/p>\n

Ion, Hamish.<\/strong> \u201cJames Curtis Hepburn and the Translation of the New Testament into Japanese: A Case Study of the Impact of China on Missions beyond Its Borders.\u201d Social Sciences and Missions<\/em> 27, no. 1 (2014): 56\u201385. ATLAn3798127. https:\/\/doi.org\/10.1163\/18748945-02701004<\/a>.<\/p>\n

<\/span><\/strong><\/p>\n

GONZALO JIMEN\u00c9Z DE LA ESPADA (Spanish Versions)<\/span><\/strong><\/b><\/p>\n

\u201c\u30fc \u5927\u5b66\u6587\u66f8\u9928 \u6226\u5f8c70\u5e74\u4f01\u753b\u5c55\u00a0 \u6771\u4eac\u5916\u56fd\u8a9e\u5927\u5b66\u3068\u6226\u6642\u4e0b\u306e\u5b66\u751f\u305f\u3061”[120 Years of Spanish Language Education at Tokyo University of Foreign Studies]. TUFS Archives. <\/i>Tokyo: Tokyo University of Foreign Studies, 2017.<\/p>\n

Espinosa, Jos\u00e9 Paz\u00f3<\/strong> and V. David Almaz\u00e1n Tom\u00e1s. <\/strong>\u201cGonzalo Jim\u00e9nez de La Espada: A Meiji-Era Spanish Professor and Translator in Japan.” In Cultural Hybrids of (Post)Modernism: Japanese and Western Literature, Art and Philosophy. <\/i>Edited by Beatriz Penas-Ib\u00e1\u00f1ez and Akiko Manabe. Bern: Peter Lang, 2017.<\/p>\n

Tom\u00e1s, V. David Almaz\u00e1n.<\/strong> \u201cUna joya bibliogr\u00e1fica hispano-japonesa: los cuentos y leyendas del Jap\u00f3n de Gonzalo Jim\u00e9nez de la Espada editados como chirimen-bon por T. Hasegawa (Tokio, 1914).\u201d Artigrama<\/i>, no. 23 (December 2008): 781\u2013801.\u00a0 https:\/\/doi.org\/10.26754\/ojs_artigrama\/artigrama.2008237825<\/a>.<\/p>\n

<\/em><\/h6>\n

SALVATORE FIORAVANTI CHIMENZ\u00a0(Italian Versions)<\/span><\/strong><\/p>\n

Franci, Riccardo<\/strong>. <\/strong>Au Nippon: studio su Salvatore Chimenz : fra due secoli e due mondi<\/em>.<\/i> Trento: Edizioni del Faro, 2014.<\/p>\n

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WOODBLOCK PRINTING PROCESS<\/span><\/strong><\/p>\n

Mokudez.<\/strong> \u201cHow to Make a Woodblock Print, Part 1: Designing.\u201d\u00a0YouTube<\/i>, YouTube, www.youtube.com\/watch?v=VXF5NnppPgA&t=1s.<\/a> 6 Oct, 2022.<\/p>\n

Mokudez.<\/strong> \u201cJapanese Woodblock Print: ‘Lone Peak’ My Printing Process Start to Finish.\u201d YouTube<\/i>, YouTube, https:\/\/www.youtube.com\/watch?v=QxXa8RQ_5IE<\/a>.\u00a0 6 November, 2021.<\/p>\n

Bull, David.<\/strong> “Ukiyoe Heroes (12): Fox Moon – carving the key block\u201d YouTube<\/i>, YouTube, https:\/\/www.youtube.com\/watch?v=QGe06AOy-Jg&t=47s. <\/a>\u00a0 13 October, 2012.<\/strong><\/p>\n

Vollmer, April.<\/strong> Japanese Woodblock Print Workshop: A Modern Guide to an Ancient Art<\/i>. Watson-Guptill Publications, 2015.<\/p>\n

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WEB DATABASES<\/strong><\/span><\/p>\n

Chirimen Crepe Books Database<\/a>. International Research Center for Japanese Studies<\/strong> (Nichibunken).<\/span><\/strong><\/p>\n

Digital Archive, Chirimen Crepe Book Collection<\/a>. Institute for Comparative Studies of Culture, Tokyo Woman’s Christian University<\/strong> (2026).<\/span><\/strong><\/p>\n

<\/span><\/strong><\/p>\n

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CATALOGUES<\/strong><\/span><\/p>\n

\u201c<\/span><\/i>Collection Book List<\/a>\u201d from <\/span>[Small Exhibition] Chirimen Books and International Exchange<\/span><\/i>. Japan Foundation<\/strong>\u00a0(May 2022).<\/span><\/strong><\/p>\n

Crepe-paper Books and Woodblock Prints at the Dawn of the Cultural Enlightenment in Japan<\/i><\/a>. Kyoto University of Foreign Studies<\/strong>, The 60th Anniversary Rare Books Exhibition (2007).<\/span><\/strong><\/p>\n

Ishihara, Toshi. \u201cCrepe Paper Books Owned by Kansai University Library<\/strong><\/a>\u201d (\u95a2\u897f\u5927\u5b66\u56f3\u66f8\u9928\u6240\u8535\u3061\u308a\u3081\u3093\u672c\u306e\u6574\u7406). Bulletin of the Faculty of Foreign Studies<\/i> 2 (March 2010), 49-72.<\/span><\/strong><\/p>\n

Otsuka, Nanae, Mayako Murai, and<\/span><\/strong> Shi-Lin Loh<\/span>. A Souvenir of Japan: The Cr\u00eape-Paper Book \u201dJapanese Fairy Tale Series\u201d in the Late 19th Century\u00a0 from Kanagawa University Library<\/a>.<\/em>\u00a0Kanagawa University Library<\/strong>, 2017.<\/span><\/strong><\/p>\n

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BOOK\/PRINT SELLERS<\/strong><\/span><\/p>\n

Bakumatsuya, <\/strong>“Japanese crepe paper books and related publications<\/a>.”<\/p>\n

George C. Baxley<\/strong>, “Takejiro Hasegawa\/Kobunsha Publications “Chirimen-bon” (Crepe Paper Books) And Plain Paper Books<\/a>,” Baxley Stamps.<\/p>\n

Marc Kahn<\/strong>, “Hasegawa Takejiro and Nishinomiya Yosaku<\/a>,” Shotei Gallery.<\/p>\n

Japanese Creative Book Store<\/strong>, “Japanese Crepe Paper Books<\/a>.”<\/span><\/span><\/p>\n

[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Scholarship on crepe-paper books, or chirimen-bon, tends to rely on the same few sources, such as Frederic Sharf’s seminal volume on Hasegawa Takejir\u014d. While works like these are important, we have tried to include many more voices and resources to make our research more complete. This includes the work of several researchers in Japan who […]<\/p>\n","protected":false},"author":1531,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-93","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/pages\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/users\/1531"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":43,"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/pages\/93\/revisions"}],"predecessor-version":[{"id":2542,"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/pages\/93\/revisions\/2542"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/crepepaperbooks\/wp-json\/wp\/v2\/media?parent=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}