{"id":19,"date":"2020-05-19T13:59:25","date_gmt":"2020-05-19T18:59:25","guid":{"rendered":"https:\/\/pages.stolaf.edu\/artasian-398c-2020\/?page_id=19"},"modified":"2020-05-19T15:28:48","modified_gmt":"2020-05-19T20:28:48","slug":"our-reading-list","status":"publish","type":"page","link":"https:\/\/pages.stolaf.edu\/artasian-398c-2020\/our-reading-list\/","title":{"rendered":"Our Reading List"},"content":{"rendered":"\n

Our reading list<\/strong> was developed in collaboration with one another as a component of our independent research. Each week, we had one shared reading, and then Adele and Julianne completed individual readings on their own to bring to the discussion. We often discussed a wide variety of visual examples in conjunction with each reading.<\/em><\/p>\n\n\n\n

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Representing the Indigenous as Self and Other (Method)<\/strong><\/h4>\n\n\n\n

Charlotte Eubanks and Pasang Yangjee Sherpa, “We Are (Are We?) All Indigenous Here, and Other Claims about Space, Place, and Belonging in Asia,” Verge: Studies in Global Asias<\/em><\/strong> 4, no. 2 (2018): vi-xiv. <\/strong><\/p>\n\n\n\n

[Comparative Example 1] <\/strong>Deborah Poole, \u201cIntroduction,\u201d Vision, Race, and Modernity: A Visual Economy of the Andean Image World<\/em>, 3-24. Princeton: Princeton University Press, 2007. <\/strong><\/p>\n\n\n\n

[Comparative Example 2] <\/strong>Fatimah Tobing Rony, \u201cIntroduction\u201d and “Seeing Anthropology: Felix-Louis Regnault, the Narrative of Race, and the Performers at the Ethnographic Exposition,” in The Third Eye: Race, Cinema, and Ethnographic Spectacle<\/em>, 21-43. Durham: Duke University Press, 1996. <\/strong><\/p>\n\n\n\n

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Japan (Defining Japaneseness; Depicting the Other)<\/strong><\/h4>\n\n\n\n

Tessa Morris-Suzuki, “Introduction,” \u201cJapan,\u201d  and “Race.” In Re-Inventing Japan: Time, Space, Nation<\/em><\/strong>, 3-8; 9-34; 79-109. Armonk, NY: M.E. Sharpe, 1998. <\/strong><\/p>\n\n\n\n

Michael Weiner, \u201cSelf’ and ‘Other’ in Imperial Japan,\u201d in Japan’s Minorities: The Illusion of Homogeneity<\/em>. London: Routledge, 2009.<\/p>\n\n\n\n

John Lie, \u201cModern Japan, Multi Ethnic Japan,\u201d in Multi-Ethnic Japan<\/em>, 83-110. Cambridge: Harvard University Press, 2001. <\/strong><\/p>\n\n\n\n

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Japan: Ainu<\/strong><\/h4>\n\n\n\n

Tessa Morris-Suzuki, “Performing Ethnic Harmony: The Japanese Government’s Plans for a New Ainu Law,” The Asia Pacific Journal | Japan Focus<\/em><\/strong> 16, no. 2 (November 1, 2018), <\/strong>https:\/\/apjjf.org\/2018\/21\/Morris-Suzuki.html<\/strong><\/a><\/p>\n\n\n\n

Lisa Hiwasaki. \u201cEthnic Tourism in Hokkaido and the Shaping of Ainu Identity,\u201d Pacific Affairs<\/em> 73, no. 3 (Autumn 2000), 393-412.<\/p>\n\n\n\n

Ann-Elise Lewallen, \u201cThe Gender of Cloth: Ainu Women and Cultural Revitalization,\u201d Beyond Ainu Studies: Changing Academic and Public Perspectives<\/em>. Honolulu: University of Hawai\u2019i Press, 2014.<\/p>\n\n\n\n

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Japan: Zainichi<\/em> Korean<\/strong><\/h4>\n\n\n\n

Sonia Ryang, \u201cVisible and Vulnerable: The Predicament of Koreans in Japan,\u201d in Diaspora without Homeland: Being Korean in Japan<\/em><\/strong>, edited by Sonia Ryang and John Lie, 62-80. Berkeley: University of California Press, 2009. <\/strong><\/p>\n\n\n\n

John Lie, \u201cPreface,\u201d in Zainichi (Koreans in Japan): Diasporic Nationalism and Postcolonial Identity<\/em><\/strong>, ix-xiv. Berkeley: University of California Press, 2008. <\/strong><\/p>\n\n\n\n

Suh Kyungsik, \u201cJapan Through the Eyes of a \u2018Quasi-Refugee\u2019,\u201d Asia Pacific Journal: Japan Focus<\/em> 1, issue 2, (February 2003).<\/p>\n\n\n\n

Young Min Moon, \u201cCitizenship and North Korea in the Zainichi Korean Imagination: The Art of Insook Kim,\u201d Asia Pacific Journal: Japan Focus<\/em> 13, issue 5,  no. 3 (February 2015).<\/p>\n\n\n\n

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Japan: Nikkeijin<\/em> (Japanese Diaspora in S. America and US)<\/strong><\/h4>\n\n\n\n

Takeyuki (Gaku) Tsuda, \u201cJapanese-Brazilian Ethnic Return Migration and the Making of Japan’s Newest Immigrant Minority,\u201d in Japan’s Minorities: The Illusion of Homogeneity<\/em><\/strong>, #-#. London: Routledge, 2009.<\/strong><\/p>\n\n\n\n

Takeyuki (Gaku) Tsuda, \u201cDomesticating the Immigrant Other: Japanese Media Images of Nikkeijin Return Migrants,\u201d Ethnology: An International Journal of Cultural and Social Anthropology<\/em> XLII, no. 4 (Fall 2003), 289-306.<\/p>\n\n\n\n

Takeyuki (Gaku) Tsuda, “Disconnected from the ‘Diaspora’: Japanese Americans and the Lack of Transnational Ethnic Networks,” Journal of Anthropological Research<\/em> 68, no. 1 (Spring 2012), 95-116.<\/p>\n\n\n\n

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Taiwan: Representations by Others<\/strong><\/h4>\n\n\n\n

Barclay, Paul D, \u201cIntroduction: Empires and Indigenous Peoples, Global Transformation and the Limits of International Society,\u201d in Outcasts of Empire: Japan’s Rule on Taiwan’s “Savage Border,” 1874-1945<\/em><\/strong>, 1-40. Oakland: University of California Press, 2018. <\/strong><\/p>\n\n\n\n

Barclay, Paul D, \u201cThe Geobodies with a Geobody: The Visual Economy of Race Making and Indigeneity,\u201d in Outcasts of Empire: Japan’s Rule on Taiwan’s “Savage Border,” 1874-1945<\/em>, 190-249. Oakland: University of California Press, 2018.<\/p>\n\n\n\n

Barclay, Paul D, \u201cTangled Up in Red: Textiles, Trading Posts, and Ethnic Bifurcation in Taiwan,\u201d in Outcasts of Empire: Japan’s Rule on Taiwan’s “Savage Border,” 1874-1945<\/em>, 161-189. Oakland: University of California Press, 2018.<\/p>\n\n\n\n

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Taiwan: Representing the Indigenous Community from Within<\/strong><\/h4>\n\n\n\n

Marzia Varutti, \u201cCrafting Heritage: Artisans and the Making of Indigenous Heritage in Contemporary Taiwan,\u201d International Journal of Heritage Studies<\/em> 21, no. 10 (December 2015), 1036\u20131049. <\/strong><\/p>\n\n\n\n

Chun-Liang Chen, “The True Native Beauty of Taiwan–An Extensive Aboriginal Art Collection,” International Journal of Arts<\/em> 3, no. 2 (2013), 18-29. http:\/\/article.sapub.org\/10.5923.j.arts.20130302.02.html<\/a><\/p>\n\n\n\n

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China: Ethnic Classification<\/strong><\/h4>\n\n\n\n

Thomas S. Mullaney, \u201cIntroduction,\u201d in Coming to Terms with the Nation\u202f: Ethnic Classification in Modern China<\/em><\/strong>, #-#. Oakland: University of California Press, 2011<\/strong>.<\/p>\n\n\n\n

Thomas S. Mullaney, \u201cCounting to Fifty-Six,\u201d in Coming to Terms with the Nation\u202f: Ethnic Classification in Modern China<\/em>, #-#. Oakland: University of California Press, 2011.<\/p>\n\n\n\n

Susan K. McCarthy, \u201cThe Bai and the Tradition of Modernity,\u201d in Communist Multiculturalism : Ethnic Revival in Southwest China<\/em>, 100-129. University of Washington Press, 2009.<\/p>\n\n\n\n

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China: Representations\/Categorization of Various Indigenous Groups<\/strong><\/h4>\n\n\n\n

Susan D. Blum, \u201cIntroduction: Against Authenticity: Self, Identity, and Nation Building\u201d and \u201cChina\u2019s Minorities through Han Eyes: A Preliminary Sketch,\u201d in Portraits of “Primitives\u201d: Ordering Human Kind in the Chinese Nation<\/em><\/strong>, #-#. Rowman & Littlefield Publishers, 2000.<\/strong><\/p>\n\n\n\n

Susan D. Blum, \u201cThe Fetishized Ethnic Other: the Dai\u201d and \u201cAlmost Us: the Bai Next Door,\u201d in Portraits of “Primitives\u201d: Ordering Human Kind in the Chinese Nation<\/em>, #-#; #-#. Rowman & Littlefield Publishers, 2000.<\/p>\n\n\n\n

Susan D. Blum, \u201cResistant Disliked Ethnic Others: Wa, Zang, and Hui\u201d and \u201cColorful, Harmless, Ethnic Others: Naxi and Yi,\u201d in Portraits of “Primitives\u201d: Ordering Human Kind in the Chinese Nation<\/em>, #-#; #-#. Rowman & Littlefield Publishers, 2000.<\/p>\n\n\n\n

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Photo credit: <\/strong>Photograph of an Ainu retara kapara amip<\/em> robe taken at the Nibutani Ainu Culture Museum by Prof. Spiker in 2011. Made with elm bark, applique, and embroidery.<\/p>\n","protected":false},"excerpt":{"rendered":"

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