{"id":8569,"date":"2024-10-01T12:57:21","date_gmt":"2024-10-01T17:57:21","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=8569"},"modified":"2024-10-01T12:59:33","modified_gmt":"2024-10-01T17:59:33","slug":"american-music-at-the-fair-a-white-mans-suggestions-on-concerts-opera-art-and-education","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2024\/10\/01\/american-music-at-the-fair-a-white-mans-suggestions-on-concerts-opera-art-and-education\/","title":{"rendered":"American Music At The Fair: A White Man&#8217;s Suggestions on Concerts, Opera, Art, and Education"},"content":{"rendered":"<div style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/csoarchives.wordpress.com\/wp-content\/uploads\/2018\/04\/wce-1893.jpg?w=640\" width=\"640\" height=\"531\" \/><p class=\"wp-caption-text\">Poster advertising the World&#8217;s Columbian Exposition, hosted in Chicago, IL in 1893<\/p><\/div>\n<p><span style=\"font-weight: 400\">As the pinnacle of culture and phenomena, the World\u2019s Fair serves as a global platform for innovation and cultural exchange, showcasing the latest advancements and celebrating the diverse traditions of nations worldwide. At the turn of the 20th century, the World&#8217;s Fair was hosted in Chicago, Illinois in 1893<\/span><span style=\"font-weight: 400\"> as the World&#8217;s Columbian Exposition, from May 1st to October 30th. While the World\u2019s Fair is a place to display the world\u2019s accomplishments, there are also instances where criticisms and suggestions hog the spotlight. Enter \u201cAmerican Music At The Fair: Mr. Stanton\u2019s Suggestions As To Concerts And Operas\u2013Education And Art\u201d<\/span><span style=\"font-weight: 400\">.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This primary source was found in a magazine article entitled \u201cThe Musical Visitor\u201d, whose primary purpose was to report on music literature and news during the latter part of the 19th century. In this article, the author is not listed, however, the interviewee is the more appealing topic of discussion. Edmund C. Stanton was the Secretary and Managing Director of the Metropolitan Opera House in New York City, New York from 1884 to 1891. Throughout his career, Stanton was well-known in the music and operatic circles for bringing notable European artists (such as Lilly Lehman, Max Alvary, and Ivan Fischer) to sing for American audiences, as well as taking risks and introducing French, Italian, and German operas to New York \u201csurpassed by none [other than Stanton] in the world\u201d<\/span><span style=\"font-weight: 400\">. Through his efforts, Stanton contributed significantly to the American opera scene through his administrative and musical influence.\u00a0<\/span><\/p>\n<div style=\"width: 237px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fa\/Edmund_C._Stanton.png\/800px-Edmund_C._Stanton.png\" width=\"227\" height=\"345\" \/><p class=\"wp-caption-text\">Edmund C. Stanton, Managing Director &amp; Secretary of The Metropolitan Opera House, New York, NY (from 1884-1891).<\/p><\/div>\n<p><span style=\"font-weight: 400\">At the time the article was written, Stanton had been \u201cappointed to represent the amusement interests on the World\u2019s Fair committee\u201d, where he spoke with a reporter and shared his opinions on what the exhibition ought to \u201caccomplish\u201d. Included in the article are multiple quotations from Stanton:<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cI think that the fair ought to be made to show to Europeans what America has accomplished in education, in music, and in art\u2026 [But] I think that American composers and American musicians ought to have such a chance to show the world what they can do as they have never had before.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cI would suggest a large concert hall on the grounds of the fair, where daily concerts should be given. Of course, they would not be confined to the works of Americans, but most of them are naturalized or are likely to be, and they could represent the music of the country. There might be orchestral concerts and vocal and choral concerts, and I would not leave out the military bands such as Gilmore\u2019s, Cappa\u2019s, and others. I think they do a great deal to popularize good music.\u201d\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2024\/10\/AMERICANMUSICFAIR.pdf\">AMERICAN MUSIC AT THE FAIR.: MR. STANTON&#8217;S SUGGESTIONS AS TO CONCERTS AND OPERAS&#8211;EDUCATION AND ART.<\/a><\/p>\n<p><span style=\"font-weight: 400\">In the readings on Monday by Thompson and Shadle, European influence in American music has often overshadowed the development of a distinct identity of American music. Stanton\u2019s suggestions further enforce the idea that \u201cwhite music traditions\u201d (concert halls, military bands, etc) should be recognized and celebrated on the world&#8217;s stage. Therefore, European influence in American music is a defining hallmark of the general public\u2019s understanding of\u00a0 \u201cAmerican\u201d music, omitting the rich diversity of sounds and traditions that come from non-white groups.\u00a0<\/span><\/p>\n<p>WORKS CITED<\/p>\n<p>&#8220;AMERICAN MUSIC AT THE FAIR.: MR. STANTON&#8217;S SUGGESTIONS AS TO CONCERTS AND OPERAS&#8211;EDUCATION AND ART.&#8221;<i>\u00a0The Musical Visitor, a Magazine of Musical Literature and Music (1883-1897)<\/i>, vol. 18, no. 11, 11, 1889, pp. 287<i>. ProQuest<\/i>, https:\/\/www.proquest.com\/magazines\/american-music-at-fair\/docview\/137493784\/se-2.<\/p>\n<p>\u201cEDMUND C. STANTON DEAD: One Time Managing Director of the Metropolitan Opera House Company Passes Away in England.\u201d <i>The New York Times<\/i>, The New York Times, timesmachine.nytimes.com\/timesmachine\/1901\/01\/22\/101177358.html?pageNumber=9.<\/p>\n<p>\u201cLibguides: World\u2019s Fair Collection: Chronological List by Decades.\u201d <i>Chronological List by Decades &#8211; World\u2019s Fair Collection &#8211; LibGuides at California State University Fresno<\/i>, Fresno State Library, guides.library.fresnostate.edu\/c.php?g=289187&amp;p=1928035.<\/p>\n<p>\u201cThe Metropolitan Opera Archives .\u201d <i>Metropolitan Opera Archives<\/i>, The Metropolitan Opera, archives.metopera.org\/MetOperaSearch\/search.jsp?q=%22Edmund+C.+Stanton%22&amp;src=browser&amp;sort=PDATE.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the pinnacle of culture and phenomena, the World\u2019s Fair serves as a global platform for innovation and cultural exchange, showcasing the latest advancements and celebrating the diverse traditions of nations worldwide. At the turn of the 20th century, the &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2024\/10\/01\/american-music-at-the-fair-a-white-mans-suggestions-on-concerts-opera-art-and-education\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4334,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1563],"tags":[292,609,1577,1576,1493,393,445],"class_list":["post-8569","post","type-post","status-publish","format-standard","hentry","category-fall-24-mus-345b","tag-american-music","tag-art","tag-concert","tag-edmund-c-stanton","tag-education","tag-opera","tag-worlds-fair-of-1893"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-2ed","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4334"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=8569"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8569\/revisions"}],"predecessor-version":[{"id":8581,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8569\/revisions\/8581"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=8569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=8569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=8569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}