{"id":8125,"date":"2023-11-02T09:54:17","date_gmt":"2023-11-02T14:54:17","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=8125"},"modified":"2023-11-02T09:54:17","modified_gmt":"2023-11-02T14:54:17","slug":"george-gershwin-and-the-culture-of-composer-celebrities","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/11\/02\/george-gershwin-and-the-culture-of-composer-celebrities\/","title":{"rendered":"George Gershwin and the culture of composer celebrities"},"content":{"rendered":"<p>George Gershwin was a composer in the early 1900s that was caught up in the culture of celebrity composer. In a letter to his brother Ira, he is excited to announce that he has finally been recognized by a stranger in public as he had just released one of his more successful songs (the musical theater number La-La-Lucille!).<\/p>\n<div id=\"attachment_8126\" style=\"width: 236px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/11\/gershwin-letter.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8126\" class=\"size-full wp-image-8126\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/11\/gershwin-letter.jpeg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/11\/gershwin-letter.jpeg 226w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/11\/gershwin-letter-113x150.jpeg 113w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a><p id=\"caption-attachment-8126\" class=\"wp-caption-text\">Letter from George Gershwin to Ira Gershwin, February 18, 1923, 60\/61, George and Ira Gershwin Collection<\/p><\/div>\n<p>At this point in time, Gershwin was enjoying the pop culture phenomenon of celebrity composers. As sheet music was making its way across the US in traveling shows, purchased in staggering numbers<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a> (Gershwin&#8217;s own composition \u201cSwanee\u201d sold well over a million copies), the composer was becoming something of a celebrity<a class=\"sdfootnoteanc\" href=\"#sdfootnote2sym\" name=\"sdfootnote2anc\"><sup>2<\/sup><\/a>. This seems strange today as we are so well accustomed to singers being the faces of a song\u2014 many people are under the impression that they are the sole writer of the song in the first place\u2014 but in an era before visual media, the composer was king. Some looking back at history point to the American Songbook as the launch point for composer celebration, as it enjoyed massive commercial success. Indeed even well established performers like Ella Fitzgerald devoted records or albums to composers, a sign of their high culture status<a class=\"sdfootnoteanc\" href=\"#sdfootnote3sym\" name=\"sdfootnote3anc\"><sup>3<\/sup><\/a>.<\/p>\n<p>Despite their increased visibility it may be argued that celebrity status held composers back in some ways. They became more tied to the commercial success of their music and were more pressured to reproduce previous hits rather than venture into new territory. This is maybe less true of Gershwin and more so of the Tin Pan Alley composers such as Irving Berlin. And this phenomenon didn&#8217;t last long\u2014 soon rock and roll and other popular genres shifted the focus to the performers and away from the composers. But at this point, we see Gershwin&#8217;s excitement over his emerging fame.<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a><br \/>\nEpstein, Louis. \u201cWorthless and Priceless: Popular Sheet Music, 1890-1930.\u201d \u201cWorthless and Priceless: Popular Sheet Music, 1890-1930,\u201d 1 Nov. 2023, Northfield Mn, Northfield Mn.<\/p>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2<\/a><br \/>\nUtzig. \u201cThe Culture of the Composer.\u201d <i>Medium<\/i>, Medium, 18 June 2021, utzig.medium.com\/the-culture-of-the-composer-8e7f82e9f17a.<\/p>\n<div>\n<div id=\"sdfootnote3\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\">3<\/a><br \/>\nMicucci, Matt, et al. \u201cThe Genius of George Gershwin: Retracing His Legacy in Six Songs.\u201d <i>JAZZIZ Magazine<\/i>, JAZZIZ, 26 Sept. 2018, www.jazziz.com\/the-genius-of-george-gershwin-retracing-his-legacy-in-six-songs\/.<\/p>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>George Gershwin was a composer in the early 1900s that was caught up in the culture of celebrity composer. In a letter to his brother Ira, he is excited to announce that he has finally been recognized by a stranger &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/11\/02\/george-gershwin-and-the-culture-of-composer-celebrities\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5141,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[1517,392,364],"class_list":["post-8125","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-celebrity","tag-composer","tag-george-gershwin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-273","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/5141"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=8125"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8125\/revisions"}],"predecessor-version":[{"id":8138,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/8125\/revisions\/8138"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=8125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=8125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=8125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}