{"id":7871,"date":"2023-10-11T13:35:11","date_gmt":"2023-10-11T18:35:11","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=7871"},"modified":"2023-10-11T13:35:11","modified_gmt":"2023-10-11T18:35:11","slug":"ballet-and-minstrelsy","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/10\/11\/ballet-and-minstrelsy\/","title":{"rendered":"Ballet and Minstrelsy"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As someone who is not very familiar with both ballet or minstrelsy, I didn\u2019t think there was any relation between them. But more research led to clear connections between ballet and minstrelsy, primarily abroad in the current world. Closer to home but further in the past, it turns out that a minstrel themed ballet called <\/span><i><span style=\"font-weight: 400\">Blackface <\/span><\/i><span style=\"font-weight: 400\">was created by Lew Christensen, a choreographer who was the ballet master of several major ballet societies in the US.<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1 <\/sup><\/a><\/span><span style=\"font-weight: 400\">While described as a failure<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>2<\/sup><\/a><\/span><span style=\"font-weight: 400\"> (perhaps rightly so given its content), this ballet could say something about the connection between minstrelsy and ballet.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Talley Beatty and Betty Nichols are pictured below in Christensen\u2019s <\/span><i><span style=\"font-weight: 400\">Blackface<\/span><\/i><span style=\"font-weight: 400\">.<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>3<\/sup><\/a><\/span><span style=\"font-weight: 400\"> Both encountered racism in ballet, especially early in their careers in the 1940s. In fact, Betty Nichols was the first black student at the school of American Ballet.<a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Teally-Beatty-pic-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7874 alignright\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Teally-Beatty-pic-1.jpg\" alt=\"\" width=\"205\" height=\"258\" \/><\/a><a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>4<\/sup><\/a> <\/span><span style=\"font-weight: 400\">Interestingly enough, another picture by American Photographer Larry Colwell listed a similar picture (with clearly Talley\u2019s same dance partner, Betty) in the Library of Congress as \u201cBeatty, Talley, with unidentified partner.\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>5<\/sup><\/a><\/span><span style=\"font-weight: 400\"> This \u2018unidentified partner\u2019 is clearly Betty Nichols.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Searching up Lew Christensen\u2019s ballet <\/span><i><span style=\"font-weight: 400\">Blackface<\/span><\/i><span style=\"font-weight: 400\"> brought nothing up online. Was this censored, or taken down because of its content? Searching through sources, I could not find any that had detailed information on this ballet. This instance brings up a question for discussion: Are we to take down and forget a history of racism in our country, in order to get rid of it? While it is hard to generalize, in almost all cases the answer is the opposite. Instead of hiding a past history, it should be known so that we can realize the mistakes humans have made in the past, and learn from them. And if you didn&#8217;t know, t<\/span><span style=\"font-weight: 400\">here is actually a whole career path devoted to that: being a historian.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1 <\/a>\u00a0\u201cBetty Nichols and Lew Christensen.\u201d MoBBallet.org, https:\/\/mobballet.org\/index.php\/2022\/02\/21\/betty-nichols-orbit-lew-christensen\/<\/p>\n<div id=\"sdfootnote1\">\n<p><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">2 <\/a>\u201cLarry Colwell Dance Photographs.&#8221; <span style=\"font-weight: 400\">Library of Congress, https:\/\/www.loc.gov\/collections\/larry-colwell-dance-photographs-1944-to-1966\/about-this-collection\/<\/span><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">3<\/a> &#8220;Talley Beatty and Betty Nichols&#8221;.\u00a0<em>New York Public Library<\/em>\u00a0<em>Digital Collections<\/em>. Jerome Robins Dance Division souvenir program files, 1947. https:\/\/digitalcollections.nypl.org\/items\/b804aee0-cf3c-0136-0af7-5dc327e0d399<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">4 <\/a>Macaulay, Alastair. \u201cBetty Nichols &#8211; Black History Month in Dance, 14.\u201d 15 February. https:\/\/www.alastairmacaulay.com\/all-essays\/6csitm8yle894tttza30umd8vqsyyl<\/p>\n<div id=\"sdfootnote1\">\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">5 <\/a>\u201cLarry Colwell dance photographs: Studio or publicity photos: Beatty, Talley, with unidentified partner\u201d. <i>Library of Congress<\/i>. https:\/\/www.loc.gov\/item\/muscolwell-200224941\/<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As someone who is not very familiar with both ballet or minstrelsy, I didn\u2019t think there was any relation between them. But more research led to clear connections between ballet and minstrelsy, primarily abroad in the current world. Closer to &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/10\/11\/ballet-and-minstrelsy\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5148,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1397],"tags":[1467,1468,1307,1466],"class_list":["post-7871","post","type-post","status-publish","format-standard","hentry","category-fall-2023-mus-345-b","tag-ballet","tag-betty-nichols","tag-blackface-minstrelsy","tag-talley-beatty"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-22X","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/5148"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=7871"}],"version-history":[{"count":6,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7871\/revisions"}],"predecessor-version":[{"id":7890,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7871\/revisions\/7890"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=7871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=7871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=7871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}