{"id":7821,"date":"2023-10-05T08:59:54","date_gmt":"2023-10-05T13:59:54","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=7821"},"modified":"2023-10-05T09:02:45","modified_gmt":"2023-10-05T14:02:45","slug":"leontyne-price-and-racism-in-opera","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/10\/05\/leontyne-price-and-racism-in-opera\/","title":{"rendered":"Leontyne Price and Racism in Opera"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_7823\" style=\"width: 219px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/images.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7823\" class=\"wp-image-7823 size-full\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/images.jpg\" alt=\"\" width=\"209\" height=\"242\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/images.jpg 209w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/images-130x150.jpg 130w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a><p id=\"caption-attachment-7823\" class=\"wp-caption-text\">Leontyne Price made her Metropolitan Opera debut in January 1961 as Leonora in Giuseppe Verdi&#8217;s <em>Il Trovatore<\/em>, pictured here.<\/p><\/div>\n<p><span style=\"font-weight: 400\">Leontyne Price is known as the first Black leading performer in opera. She was the first Black prina donna to gain an international reputation and become a singing superstar in the world of opera. Born as Mary Violet Leontyne Price on February 10, 1927, she grew up singing in the church choir and only decided to pursue music after she graduated from the College of Education and Industrial Arts, now Central State University.<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a> She then attended the Julliard School of Music and began her singing career on Broadway in 1952. She made her operatic debut in 1957 and continued traveling the world singing opera until 1985 when she switched to more recital work.<a class=\"sdfootnoteanc\" href=\"#sdfootnote2sym\" name=\"sdfootnote2anc\"><sup>2<\/sup><\/a>\u00a0 Her role in Verdi\u2019s <\/span><i><span style=\"font-weight: 400\">Aida<\/span><\/i><span style=\"font-weight: 400\"> remains her best-known work, and she is widely considered the most stunning <\/span><i><span style=\"font-weight: 400\">Aida<\/span><\/i><span style=\"font-weight: 400\"> this world will ever see (see video below). Price was an incredibly accomplished artist and received numerous awards, including 20 Grammys, the Presidential Medal of Freedom (1964), the Kennedy Center Honor (1980), the National Medal of the Arts (1985), and is a National Endowment for the Arts Opera Honoree. <a class=\"sdfootnoteanc\" href=\"#sdfootnote3sym\" name=\"sdfootnote3anc\"><sup>3<\/sup><\/a> Today, at age 96, she continues to inspire upcoming generations of Black classical musicians.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/G-W--M_VMIY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span style=\"font-weight: 400\">I found this snippet of a newspaper from the Kansas Whip in 1955 titled \u201cWhites Help Welcome Negro Soprano Home\u201d, describing the large mixed-race crowd that greeted Price for a benefit concert in her birth town of Laurel, Mississippi. <a class=\"sdfootnoteanc\" href=\"#sdfootnote4sym\" name=\"sdfootnote4anc\"><sup>4<\/sup><\/a> I found this title to be extremely diminishing of Price\u2019s accomplishments as an artist &#8211; according to the snippet, it was the largest gathering of White and Black people in Laurel\u2019s history. To title this as \u201cWhites Help Welcome Negro Soprano Home\u201d is centering White people once again in a story that should be centering Black voices and celebrating Price\u2019s artistry and accomplishments. It reminded me of the conversations we have had in class about White saviorism and White guilt &#8211; once again, White people are making themselves the heroes of someone else\u2019s story.<\/span><\/p>\n<div id=\"attachment_7822\" style=\"width: 299px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7822\" class=\"wp-image-7822 size-medium\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM-289x300.jpg\" alt=\"\" width=\"289\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM-289x300.jpg 289w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM-145x150.jpg 145w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM-768x797.jpg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2023\/10\/Screenshot-2023-10-05-at-7.58.50-AM.jpg 774w\" sizes=\"auto, (max-width: 289px) 100vw, 289px\" \/><\/a><p id=\"caption-attachment-7822\" class=\"wp-caption-text\">Article published in the Kansas Whip in Topeka, Kansas on April 1, 1955<\/p><\/div>\n<p><span style=\"font-weight: 400\"> We can only begin to comprehend the struggles that Price had to overcome as a Black woman in the opera industry, which is a racist and almost exclusively White-dominated industry to this day. Take the Met, for example. With a board of 45, only 3 managing directors are Black.<a class=\"sdfootnoteanc\" href=\"#sdfootnote5sym\" name=\"sdfootnote5anc\"><sup>5 <\/sup><\/a>Bass-baritone Morris Robinson said in a New York Times article about representation in opera: <\/span><span style=\"font-weight: 400\">\u201cIn 20 years, I\u2019ve never been hired by a Black person; I\u2019ve never been directed by a Black person; I\u2019ve never had a Black C.E.O. of a company; I\u2019ve never had a Black president of the board; I\u2019ve never had a Black conductor,\u201d Mr. Robinson said. \u201cI don\u2019t even have Black stage managers. None, not ever, for 20 years.\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote6sym\" name=\"sdfootnote6anc\"><sup>6<\/sup><\/a><\/span><\/p>\n<p><span style=\"font-weight: 400\">Representation in opera is still a huge issue today and racism is prevalent, especially considering the mostly old and white audience that opera attracts. Hopefully, as time goes on, we will center Black artists in the world of opera. Artists like Leontyne Price are an inspiration, but also a reminder of how far we still have to go to achieve equity in the world of opera.\u00a0\u00a0<\/span><\/p>\n<blockquote><p>\u201cI am here and you will know that I am the best and will hear me. The colour of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to.\u201d &#8211; Leontyne Price<\/p>\n<p><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u00a0 <\/span><span style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Nimbus Sans L', sans-serif;font-style: normal\">\u00a0<\/span><\/p><\/blockquote>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1 <\/a>Britannica, T. Editors of Encyclopaedia. &#8220;Leontyne Price.&#8221; Encyclopedia Britannica, October 3, 2023. https:\/\/www.britannica.com\/biography\/Leontyne-Price.<\/p>\n<\/div>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2 Ibid.<\/a><\/p>\n<\/div>\n<div id=\"sdfootnote3\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\">3 Ibid.<\/a><\/p>\n<\/div>\n<div id=\"sdfootnote4\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote4anc\" name=\"sdfootnote4sym\">4 &#8220;Whites Help Welcome Negro Soprano Home.&#8221;\u00a0<em>Kansas Whip<\/em>\u00a0(Topeka, Kansas) 18, no. 44, April 1, 1955: [1].\u00a0<em>Readex: African American Newspapers<\/em>. https:\/\/infoweb.newsbank.com\/apps\/readex\/doc?p=EANAAA&amp;docref=image\/v2%3A12ACD9E685B77CD5%40EANAAA-12C5FD6F41BAB7F0%402435199-12C5FD6F493F5AF8%401-12C5FD6F72CA74E8.<\/a><\/p>\n<\/div>\n<div id=\"sdfootnote5\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote5anc\" name=\"sdfootnote5sym\">5 <\/a>Barone, Joshua. \u201cOpera Can No Longer Ignore Its Race Problem.\u201d <i>The New York Times<\/i>, The New York Times, 16 July 2020, www.nytimes.com\/2020\/07\/16\/arts\/music\/opera-race-representation.html.<\/p>\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote5anc\" name=\"sdfootnote5sym\"><\/a><\/p>\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote5anc\" name=\"sdfootnote5sym\"><\/a><\/p>\n<\/div>\n<div id=\"sdfootnote6\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote6anc\" name=\"sdfootnote6sym\">6 Ibid.<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Leontyne Price is known as the first Black leading performer in opera. She was the first Black prina donna to gain an international reputation and become a singing superstar in the world of opera. Born as Mary Violet Leontyne &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/10\/05\/leontyne-price-and-racism-in-opera\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5146,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1397],"tags":[1449,1448,393,871,936],"class_list":["post-7821","post","type-post","status-publish","format-standard","hentry","category-fall-2023-mus-345-b","tag-black-opera","tag-leontyne-price","tag-opera","tag-racism","tag-underrepresentation"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-229","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/5146"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=7821"}],"version-history":[{"count":3,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7821\/revisions"}],"predecessor-version":[{"id":8300,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7821\/revisions\/8300"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=7821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=7821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=7821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}