{"id":7553,"date":"2023-09-21T00:16:07","date_gmt":"2023-09-21T05:16:07","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=7553"},"modified":"2023-09-21T00:16:07","modified_gmt":"2023-09-21T05:16:07","slug":"fredrick-starrs-progressive-views-on-navajo-culture","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/09\/21\/fredrick-starrs-progressive-views-on-navajo-culture\/","title":{"rendered":"Fredrick Starr&#8217;s &#8220;Progressive&#8221; Views on Navajo Culture"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b0\/Frederick_Starr.jpg\/1280px-Frederick_Starr.jpg\" alt=\"Photo of Fredrick Starr circa 1909 AD.\" width=\"1280\" height=\"1522\" \/>&#8220;Legends and Music of the Navajos&#8221; is an article written by Fredrick Starr and published in <\/span><i><span style=\"font-weight: 400\">The Dial <\/span><\/i><span style=\"font-weight: 400\">in 1897. Starr was an academic and anthropologist active during the late 19th century and early 20th century. As an academic from the late 19th century, Starr demonstrates the commonly held opinions and beliefs of the academic community surrounding Native American cultures. Throughout the article, Starr prides himself on his abandonment of antiquated views, such as the spelling of \u201cNavaho,\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a> which Starr cleverly corrects to the modern spelling, \u201cNavajo.\u201d For innovations such as these, as well as the suggestion that the Navajo people were an \u201cadvanced tribe,\u201d Starr was likely seen as progressive for legitimizing the study of Indigenous Americans throughout the United States and Mexico. However, this \u201cforward thinker\u201d has become a prime example of the pervasiveness of dehumanizing and eurocentric ideas surrounding the study and treatment of Indigenous Americans in America in the 19th and 20th centuries.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Starr claims that \u201cThe Navajo are the most advanced tribe in the Athapascan family of Indians.\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>2<\/sup><\/a> This claim is based on the fact that the creation stories within Navajo culture align more closely with the Christian creation story of Adam and Eve, where man and woman are created out of the earth. Starr also cites the true historical nature of other aspects of the Navajo creation story as merits towards their \u201cadvanced\u201d status among the tribes. Both a conformity to Christian beliefs and a historical non-fiction account of the past are eurocentric ideas that have been imposed as a standard for \u201cadvancement\u201d by an almost exclusively white European academic class.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Starr\u2019s true sentiments about Navajo culture are most apparent when talking about music towards the end of his article. Starr states that Navajo music is largely emblematic of all Indigenous American music, namely, it applies \u201c&#8230; Those peculiarly favorite devices among savage and barbarous races\u2026\u201d.<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>3<\/sup><\/a>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">While Starr and Densmore are both examples of antiquated and exploitative anthropologists who dehumanized Indigenous Americans, this example from Starr paints Densmore\u2019s work in a different light. When Densmore began her research, Indigenous American music was considered \u201csavage\u201d and \u201cbarbaric\u201d and considered to have no value. Densmore\u2019s work helped to legitimize the study and value of Indigenous music for white academics, despite her flawed methods and eurocentric claims as to <\/span><i><span style=\"font-weight: 400\">why <\/span><\/i><span style=\"font-weight: 400\">the music was valuable.\u00a0<\/span><\/p>\n<p><br style=\"font-weight: 400\" \/><br style=\"font-weight: 400\" \/><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a> Starr, Frederick. 1897. &#8220;LEGENDS AND MUSIC OF THE NAVAJOS.&#8221; The Dial; a Semi &#8211; Monthly Journal of Literary Criticism, Discussion, and Information (1880-1929), Sep 16, 146. <a href=\"https:\/\/www.proquest.com\/magazines\/legends-music-navajos\/docview\/89650110\/se-2.\" target=\"_blank\" rel=\"noopener\">https:\/\/www.proquest.com\/magazines\/legends-music-navajos\/docview\/89650110\/se-2.<\/a><\/p>\n<\/div>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">2<\/a> Ibid.<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">3<\/a> Ibid.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Legends and Music of the Navajos&#8221; is an article written by Fredrick Starr and published in The Dial in 1897. Starr was an academic and anthropologist active during the late 19th century and early 20th century. As an academic from &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2023\/09\/21\/fredrick-starrs-progressive-views-on-navajo-culture\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5150,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1397],"tags":[],"class_list":["post-7553","post","type-post","status-publish","format-standard","hentry","category-fall-2023-mus-345-b"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1XP","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/5150"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=7553"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7553\/revisions"}],"predecessor-version":[{"id":7561,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/7553\/revisions\/7561"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=7553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=7553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=7553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}