{"id":6845,"date":"2022-10-20T17:50:55","date_gmt":"2022-10-20T22:50:55","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=6845"},"modified":"2022-10-20T17:50:55","modified_gmt":"2022-10-20T22:50:55","slug":"h-t-burleigh-and-black-excellence-an-idea-of-freedom-through-hard-trials","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/10\/20\/h-t-burleigh-and-black-excellence-an-idea-of-freedom-through-hard-trials\/","title":{"rendered":"H.T. Burleigh and Black Excellence: An Idea of Freedom Through Hard Trials"},"content":{"rendered":"<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6846 aligncenter\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-227x300.jpeg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-227x300.jpeg 227w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-776x1024.jpeg 776w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-114x150.jpeg 114w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-768x1013.jpeg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-1164x1536.jpeg 1164w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220-1552x2048.jpeg 1552w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/25040946-53C5-468B-9320-9E971EF46220.jpeg 1940w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><\/a><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">Hard trials. Something every single person on this planet can relate to. When I think of hard trials the first thing that comes to mind is a difficult experience, finding yourself in a quagmire, if you will. In actuality, it is an unpleasant experience that attempts to prevent you from further reaching your desired goals. My question to you, dear reader, is how do your goals and desires differ from, or share similarities with, enslaved African Americans of the 16th, 17th and 18th century? I\u2019m sure there is a lot to say about the differences in end goals between enslaved African-American and members of today\u2019s current population, but a similarity I believe both parties would attest to in some way is the desire for freedom. Freedom comes in a variety of forms and entities, from the liberation African American slaves worked relentlessly to secure, to the inner landscape of one\u2019s mind, where the desire is to free the self from the turmoil we all encounter. What this all boils down to is that freedom in all aspects is a sacred thing, and hard trials can be the building blocks of our lives, as long as we respect and adhere to their lessons with all of our love and strength.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6850 alignleft\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-226x300.jpeg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-226x300.jpeg 226w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-772x1024.jpeg 772w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-113x150.jpeg 113w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-768x1019.jpeg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-1157x1536.jpeg 1157w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812-1543x2048.jpeg 1543w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/62A8CBFC-DFDA-492E-AA89-72A0259D7812.jpeg 1929w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">There is no better example of a composer who encapsulates aspects of freedom, hardship, faith and desire into his musical arrangements than H. T. Burleigh. H.T. Burleigh was one of the first African-American composers who utilized negro spirituals in his use of composing classical repertoire (both vocal and instrumental) and enjoyed public recognition and a high degree of success as a black composer. In Burleigh\u2019s arrangement of \u201cHard Trials,\u201d written in 1917 from his collection of Negroe Spirituals, the listener is likely to be deceived by the title in comparison to listening to the piece. Rather than a somber piece, it is almost cheerful in its tempo and lyrics. When you think of hard trials you may think of some of the examples I elaborated on above, trials accompanied by frustration and heartbreak, however Burleigh\u2019s arrangement of this spiritual is one that emphasizes joy and hope over frustration and heartbreak. The piece incorporates textual ideas supporting the strength found in religioius doctrines including the deeply held beliefs voiced by a Methodist slave. The piece speaks to the strength and preservation that religion offers an individual, especially one who is enslaved, through the lyrics, \u201cMethodis\u2019 is my name, Methodis\u2019 till I die, I\u2019ve been reciev\u2019d in the Methodis\u2019 church.\u201d I believe that the way these lyrics are arranged highlights the joy and promise of an afterlife that the singer aspires to, despite the brutality of white supremacy. The melody is written in E flat major, a key that brings a bright bounce and rhythm to it, painting the picture of a woman out on a leisurely stroll contemplating a brighter future and always moving forward despite the current harsh realities. It also depicts how religious faith is an aspect of one\u2019s life that positively uplifts yourself and others, helping you overcome hardships when face to face with a difficult situation.\u00a0<\/span><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6847 alignright\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-227x300.jpeg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-227x300.jpeg 227w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-776x1024.jpeg 776w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-114x150.jpeg 114w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-768x1013.jpeg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-1164x1536.jpeg 1164w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F-1552x2048.jpeg 1552w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/D2D184B2-9D5F-4CB4-9BB6-BAAE40795A6F.jpeg 1940w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><\/a>Inside the front cover of Burleigh\u2019s book of Negro Spirituals you will find notes Burleigh instructs the listener to read and reflect on before listening to his spirituals. An important aspect of this writing is the importance for the integration of both religion and music in one\u2019s life to create a deep seeded spiritual experience. This mindset is required in his eyes, while singing spirituals and folk songs. Burleigh refers to a sense of spirit one must have and its priority over a uniquely beautiful voice. To Burleigh, this sense of spirit is idolized through the \u201cspontaneous outburst of intense religious fervor.\u201d This outburst is similar to the notion within the baptist and other Christian faiths to \u201cget happy\u201d and accept Jesus Christ as their personal lord and savior. The spiritual musical score and its lyrics arranged by Burleigh are hopeful, aspirational and diametrically opposed to the harsh realities of day to day life as an enslaved person. The most compelling aspect of \u201cHard Trials\u201d is that it is all accomplished within the realm of classical music by a black composer, and in this recording, featuring a world renowned black contralto soloist, Ms. Marian Anderson.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/gamtGennknI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">Works Cited<\/span><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u201cH. T. Burleigh (1866-1949).\u201d The Library of Congress, <\/span><a href=\"https:\/\/www.loc.gov\/item\/ihas.200035730\"><span style=\"font-weight: 400\">https:\/\/www.loc.gov\/item\/ihas.200035730<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u201cSheet Music Consortium: Home.\u201d Sheet Music Consortium | Home, <\/span><a href=\"https:\/\/digital.library.ucla.edu\/sheetmusic\/#fieldquery=Slave%2520spirituals&amp;amp;searchType=regular&amp;amp;start=150&amp;amp;rows=10&amp;amp;keyword=Slave%2520spirituals&amp;amp;titles=false&amp;amp;names=false&amp;amp;places=false&amp;amp;publishers=false&amp;amp;subjects=false\"><span style=\"font-weight: 400\">https:\/\/digital.library.ucla.edu\/sheetmusic\/#fieldquery=Slave%2520spirituals&amp;amp;searchType=regular&amp;amp;start=150&amp;amp;rows=10&amp;amp;keyword=Slave%2520spirituals&amp;amp;titles=false&amp;amp;names=false&amp;amp;places=false&amp;amp;publishers=false&amp;amp;subjects=false<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: 400\">Simkin, John. Spartacus Educational, Spartacus Educational,\u00a0<\/span><a href=\"https:\/\/spartacus-educational.com\/USASsongs.htm\"><span style=\"font-weight: 400\">https:\/\/spartacus-educational.com\/USASsongs.htm<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hard trials. Something every single person on this planet can relate to. When I think of hard trials the first thing that comes to mind is a difficult experience, finding yourself in a quagmire, if you will. In actuality, it &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/10\/20\/h-t-burleigh-and-black-excellence-an-idea-of-freedom-through-hard-trials\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4584,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-6845","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1Mp","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4584"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=6845"}],"version-history":[{"count":3,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6845\/revisions"}],"predecessor-version":[{"id":6857,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6845\/revisions\/6857"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=6845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=6845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=6845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}