{"id":6750,"date":"2022-10-10T23:53:44","date_gmt":"2022-10-11T04:53:44","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=6750"},"modified":"2022-10-10T23:53:44","modified_gmt":"2022-10-11T04:53:44","slug":"spirituals-at-a-teachers-festival-during-reconstuction","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/10\/10\/spirituals-at-a-teachers-festival-during-reconstuction\/","title":{"rendered":"Spirituals at a Teacher&#8217;s Festival during Reconstuction"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The Educational column of the Loyal Georgian written August 24th of 1867 describes a teachers festival in which the educators sent to the south by the New England Freedmen\u2019s Society get together to celebrate the education of the recently freedmen in various locations in the south such as Atlanta, Chattanooga, Nashville, and Memphis (\u201cTeacher\u2019s Festival\u201d). At this event, it is described that at least two \u201cNegro Spirituals\u201d were sung by various attendees of the event. One of the spirituals was sung by a mother and daughter with the lyrics \u201cI think I see sister Hannah, I know her by her garments, She\u2019s a blessing in the land.\u201d (\u201cTeacher\u2019s Festival\u201d). The title has proven difficult to find, but the story of Hannah is frequently used as a demonstration of the good fortune given by God (Klein). All members of the group concluded their meeting with the Hymn \u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=UXX_3nWbpTc\"><span style=\"font-weight: 400;\">Old Hundredth<\/span><\/a><span style=\"font-weight: 400;\">\u201d also known as \u201cAll People Who on Earth do Dwell\u201d (\u201cTeacher\u2019s Festival\u201d, \u201cTune: Old Hundredth\u201d).\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6751\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen-300x194.jpg\" alt=\"\" width=\"300\" height=\"194\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen-300x194.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen-150x97.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen-465x300.jpg 465w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/blog-freedmen.jpg 570w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/weekly-loyal-georgian.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6752\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/weekly-loyal-georgian.jpg\" alt=\"\" width=\"195\" height=\"258\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/weekly-loyal-georgian.jpg 195w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/10\/weekly-loyal-georgian-113x150.jpg 113w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Though the event itself did not have a musical nor necessarily spiritual focus, these pieces of music added great joy, celebration, and fellowship for those in attendance. This Teacher\u2019s Festival was happening to celebrate the work of those educators in the south during Civil War Reconstruction (\u201cTeacher\u2019s Festival\u201d). This event in itself is significant because it is one of the few positive effects of Reconstruction (freed people getting education) and it\u2019s very important both musically and historically to acknowledge the fact that African Americans were celebrating other African Americans with black music. This was not a performance for an audience but rather an act of fellowship for a group of people that had known and would continue to know great hardship.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This article brings to mind the words of W.E.B Du Bois when he said \u201cThey came out of the South, unknown to me, one by one, and yet at once I knew them as of me and of mine.\u201d (Du Bois). It is clear both in this column and for Du Bois that this music was of great importance in passing along and celebrating black community.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Sources<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Klein (Abensohn), Lillian. &#8220;Hannah: Bible.&#8221; <\/span><i><span style=\"font-weight: 400;\">Shalvi\/Hyman Encyclopedia of Jewish Women<\/span><\/i><span style=\"font-weight: 400;\">. 31 December 1999. Jewish Women&#8217;s Archive. (Viewed on October 11, 2022) &lt;<\/span><a href=\"https:\/\/jwa.org\/encyclopedia\/article\/hannah-bible\"><span style=\"font-weight: 400;\">https:\/\/jwa.org\/encyclopedia\/article\/hannah-bible<\/span><\/a><span style=\"font-weight: 400;\">&gt;.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Parkman, John, and W.E Stevenson. \u201cAppointment: The New England Freedmen&#8217;s Aid Society, a Teacher of Freed People in North Carolina.\u201d <\/span><i><span style=\"font-weight: 400;\">North Carolina Digital Archives<\/span><\/i><span style=\"font-weight: 400;\">, CONTENTdm, digital.ncdcr.gov\/digital\/collection\/p15012coll8\/id\/10779\/.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTeacher&#8217;s Festival.\u201d <\/span><i><span style=\"font-weight: 400;\">Daily Loyal Georgian<\/span><\/i><span style=\"font-weight: 400;\">, 24 Aug. 1867, p. 3.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTune: Old Hundredth.\u201d <\/span><i><span style=\"font-weight: 400;\">Old Hundredth<\/span><\/i><span style=\"font-weight: 400;\">, Hymnary.org, hymnary.org\/tune\/old_hundredth_bourgeois.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">W.E.B. Du Bois. \u201c&#8221;The Sorrow Songs,&#8221; from The Souls of Black Folk\u201d. Book excerpt, 1903. From Teaching American History. https:\/\/teachingamericanhistory.org\/document\/the-sorrow-songs\/ (accessed October 11, 2022).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Educational column of the Loyal Georgian written August 24th of 1867 describes a teachers festival in which the educators sent to the south by the New England Freedmen\u2019s Society get together to celebrate the education of the recently freedmen &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/10\/10\/spirituals-at-a-teachers-festival-during-reconstuction\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4629,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-6750","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1KS","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4629"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=6750"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6750\/revisions"}],"predecessor-version":[{"id":6753,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6750\/revisions\/6753"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=6750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=6750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=6750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}