{"id":665,"date":"2015-03-10T06:47:07","date_gmt":"2015-03-10T11:47:07","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=665"},"modified":"2015-03-15T18:18:52","modified_gmt":"2015-03-15T23:18:52","slug":"mahalia-jacksons-glori-fried-chicken","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/10\/mahalia-jacksons-glori-fried-chicken\/","title":{"rendered":"Mahalia Jackson&#8217;s Glori-Fried Chicken"},"content":{"rendered":"<p>Bach and Handel had the same eye doctor (who botched both their surgeries).\u00a0Brahms went to a tavern called The Red Hedgehog every day. Debussy loved cats.<\/p>\n<p>Sometimes we need to be reminded that the musicians we worship did not just compose, play, or sing. They were just like us. They had lives, they had other interests, and, in Mahalia Jackson&#8217;s case, they had fried chicken.<\/p>\n<div id=\"attachment_684\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-10-at-6.14.28-AM1.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-684\" class=\"  wp-image-684\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-10-at-6.14.28-AM1-300x69.png\" alt=\"Screen Shot 2015-03-10 at 6.14.28 AM\" width=\"650\" height=\"160\" \/><\/a><p id=\"caption-attachment-684\" class=\"wp-caption-text\">Chicago Defender, October 31, 1970.<\/p><\/div>\n<p>In 1968, Jackson, still at the height of her singing fame, started a fried chicken chain in Chicago,\u00a0meant to be the black counterpart to country comedian Minnie Pearl&#8217;s own chain as well as a competitor to Colonel Sanders&#8217;s rapidly expanding Kentucky Fried Chicken. Though we now claim Jackson as part of our shared American musical heritage, the intended\u00a0audience for this chain\u00a0implies a more limited\u00a0role for Gospel music in the 1960s. As an article in the African-American newspaper\u00a0<em>The<\/em>\u00a0<em>Chicago Defender\u00a0<\/em>noted, the chain was &#8220;black-owned, managed and staffed and is hiring in the communities in which it operates.&#8221;<\/p>\n<p>In this way, the chain was most definitely a product of the 1960s. In the midst of the Civil Rights Era, less than 15 years after the ruling in Brown v. Board of Education declaring segregation in public schools to be illegal, integration was still in progress. Black and white restaurants and neighborhoods, though not legally segregated, existed (and, in fact, still exist today).<\/p>\n<p>In the end, even with her name, fame, and star power, the restaurant chain was a bust. Both Minnie Pearl&#8217;s and Mahalia Jackson&#8217;s stores went out of business within a few years. A final restaurant bearing her name (Mayo&#8217;s Fried Pies and Mahalia Jackson&#8217;s Chicken in Nashville) closed in 2008.<\/p>\n<p>I don&#8217;t blame Richard Crawford for not including this story in our textbook, &#8220;American Musical Life.&#8221; There&#8217;s only so much you can include, and, however much I might like to say otherwise, knowledge of\u00a0Mahalia Jackson&#8217;s Glori-Fried Chicken is not essential to understand\u00a0Gospel music. But stories like this one put history in context and\u00a0show the humanity and depth of musicians.\u00a0They are people, just like us.<\/p>\n<p>Go grab some fried chicken and enjoy a performance by the Queen of Gospel.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/ZJg5Op5W7yw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<p>&#8220;2d Mahalia Jackson Chicken Shack Opens.&#8221; <i>Chicago Daily Defender (Big Weekend Edition) (1966-1973),<\/i> Oct 31, 1970. http:\/\/search.proquest.com\/docview\/493558307?accountid=351.<\/p>\n<p>Miller, Adrian. <em>Soul Food: The Surprising Story of an American Cuisine, One Plate at a Time.<\/em> Chapel Hill, NC: UNC Press. 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bach and Handel had the same eye doctor (who botched both their surgeries).\u00a0Brahms went to a tavern called The Red Hedgehog every day. Debussy loved cats. Sometimes we need to be reminded that the musicians we worship did not just &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/10\/mahalia-jacksons-glori-fried-chicken\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":775,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[188,151,193,93,180,185,190,179,178,113,183,184,110,181,187,189,182,192,186],"class_list":["post-665","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-amazing-grace","tag-chicago","tag-chicago-daily-defender","tag-chicago-defender","tag-chicken-shack","tag-colonel-sanders","tag-commercialization","tag-fried-chicken","tag-glori-fried-chicken","tag-gospel","tag-kentucky-fried-chicken","tag-kfc","tag-mahalia-jackson","tag-minnie-pearl","tag-nashville-tn","tag-restaurants","tag-segregation","tag-soul-food","tag-the-queen-of-gospel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-aJ","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/775"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=665"}],"version-history":[{"count":5,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/665\/revisions"}],"predecessor-version":[{"id":722,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/665\/revisions\/722"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}