{"id":6620,"date":"2022-09-22T23:37:11","date_gmt":"2022-09-23T04:37:11","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=6620"},"modified":"2022-09-22T23:37:11","modified_gmt":"2022-09-23T04:37:11","slug":"wampum-and-its-importance-to-eastern-woodland-native-americans","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/09\/22\/wampum-and-its-importance-to-eastern-woodland-native-americans\/","title":{"rendered":"Wampum and its importance to Eastern Woodland Native Americans"},"content":{"rendered":"<p style=\"text-align: left\"><span style=\"font-weight: 400\">Wampum is a traditional shell bead of the Native American tribes of the Eastern Woodlands. The beads are harvested from the shells of Western North Atlantic hard-shelled clams and are typically white and purple. Native Americans would harvest the clams in the summer and eat their contents before working on the shells. The process of creating wampum was long and hard, usually taking a full day to make just one bead. Shells would be ground or drilled down very carefully using rocks. Not only was the process difficult, but it was also somewhat dangerous, fine dust from the shaved off shells could cut up the lungs if ingested so Native Americans would often use water to limit the dust.<\/span><\/p>\n<div id=\"attachment_6621\" style=\"width: 248px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6621\" class=\"size-medium wp-image-6621\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt-238x300.jpeg\" alt=\"\" width=\"238\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt-238x300.jpeg 238w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt-119x150.jpeg 119w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt.jpeg 304w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/a><p id=\"caption-attachment-6621\" class=\"wp-caption-text\">Wampum belt made of shell beads, buckskin, &amp; ribbon. Anthro #A738.1<\/p><\/div>\n<p><span style=\"font-weight: 400\">After the beads were made, they were placed on strings made of either plant fibers or animal tendons. They were often worn decoratively and sometimes even formed into belts which were used to tell stories and mark agreements between peoples. There were usually only two colors of wampum, white and purple, each having their own meanings. White wampum usually denoted purity or light while purple wampum typically represented war, grieving, and death. The two colors would often be combined to represent the duality of the world.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6622 alignright\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/wampum_belt2-81x300.jpeg\" alt=\"\" width=\"109\" height=\"376\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Wampum strings and belts had many uses such as currency, gifts, and a means of telling stories. Tribes would often trade wampum with each other in exchange for other goods. Due to the meaning of each color of bead, wampum was also used as a gift, white wampum being given to celebrate things like births or marriages and purple wampum being used for condolences after the loss of loved ones. Moreover, mixed belts, which represented the duality of the world, were given as peace treaties and used to tell stories to others and future generations.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6623 alignleft\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter1-253x300.jpeg\" alt=\"\" width=\"300\" height=\"354\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter1-253x300.jpeg 253w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter1-126x150.jpeg 126w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The worth of wampum was also recognized by many European settlers. A letter written to Thomas Penn from James Logan in 1937 shows that the Europeans knew the significance of wampum. In a proposal to meet the chiefs of the Six Nations at Albany, Logan proposed that Governor Gooche accompany his letter with 2 to 3 fathoms of wampum as a peace offering. Wampum beads and belts even became a commodity in Europe. In a receipt written from Isaac Low in 1769, a paper bundle of wampum was sold to someone in Europe for<\/span><span style=\"font-weight: 400\"> \u00a315 11s. 6d.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6624\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_1-251x300.jpeg\" alt=\"\" width=\"251\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_1-251x300.jpeg 251w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_1-125x150.jpeg 125w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_1.jpeg 635w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/a> <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6625\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_2-250x300.jpeg\" alt=\"\" width=\"250\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_2-250x300.jpeg 250w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_2-125x150.jpeg 125w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/letter2_2.jpeg 633w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p>Although the significance of wampum has dwindled for non-Native Americans, wampum and the process of making it is still unquestionably important to the culture and traditions of Native Americans. <a href=\"https:\/\/www.pbs.org\/video\/traditional-wampum-belts-gy05in\/\" target=\"_blank\" rel=\"noopener\">This video<\/a> shows the traditional process of making wampum by hand, still followed by Native Americans today.<\/p>\n<p>References:<\/p>\n<p><span style=\"font-weight: 400\">Manuscripts and Archives Division, The New York Public Library. &#8220;Letter to [Jelles Fonda, Caghnawaga]&#8221; New York Public Library Digital Collections. Accessed September 23, 2022. <\/span><a href=\"https:\/\/digitalcollections.nypl.org\/items\/b8a373ad-28d8-942d-e040-e00a18065263\"><span style=\"font-weight: 400\">https:\/\/digitalcollections.nypl.org\/items\/b8a373ad-28d8-942d-e040-e00a18065263<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Manuscripts and Archives Division, The New York Public Library. &#8220;Letter to the Proprietary [Thomas Penn]&#8221; New York Public Library Digital Collections. Accessed September 23, 2022. <\/span><a href=\"https:\/\/digitalcollections.nypl.org\/items\/bb4ebb8a-0e86-c85e-e040-e00a18063bc4\"><span style=\"font-weight: 400\">https:\/\/digitalcollections.nypl.org\/items\/bb4ebb8a-0e86-c85e-e040-e00a18063bc4<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Scott Dressel-Martin. Wampum belt. 7\/26\/2010. Retrieved from the Digital Public Library of America, https:\/\/dmns.lunaimaging.com\/luna\/servlet\/detail\/DMNSDMS~4~4~11333~100798. (Accessed September 20, 2022.)<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Traditional Wampum Belts<\/span><\/i><span style=\"font-weight: 400\">. <\/span><i><span style=\"font-weight: 400\">PBS<\/span><\/i><span style=\"font-weight: 400\">. Public Broadcasting Service, 2018. https:\/\/www.pbs.org\/video\/traditional-wampum-belts-gy05in\/.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Tweedy, Ann C. \u201cFrom Beads to Bounty: How Wampum Became America&#8217;s First Currency-and Lost Its Power.\u201d ICT. ICT, October 5, 2017. https:\/\/indiancountrytoday.com\/archive\/from-beads-to-bounty-how-wampum-became-americas-first-currencyand-lost-its-power.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Tweedy, Ann C. \u201cFrom Beads to Bounty: How Wampum Became America&#8217;s First Currency-and Lost Its Power.\u201d ICT. ICT, October 5, 2017. <\/span><a href=\"https:\/\/indiancountrytoday.com\/archive\/from-beads-to-bounty-how-wampum-became-americas-first-currencyand-lost-its-power\"><span style=\"font-weight: 400\">https:\/\/indiancountrytoday.com\/archive\/from-beads-to-bounty-how-wampum-became-americas-first-currencyand-lost-its-power<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Wallace, Anthony F C. \u201cThe Iroquois Wampum Belts.\u201d Anthropology News (Arlington, Va.) 12, <\/span>4 (1971): 7\u20137. <a href=\"https:\/\/doi.org\/10.1111\/an.1971.12.4.7.2\">https:\/\/doi.org\/10.1111\/an.1971.12.4.7.2<\/a>.<\/p>\n<p><span style=\"font-weight: 400\">Wampum Belt. 1682. Retrieved from the Digital Public Library of America, https:\/\/dlgadmin.galileo.usg.edu\/iiif\/2\/dlg%2Fguan-dpla%2Fartsus%2Fguan-dpla_artsus_in26%2Fguan-dpla_artsus_in26-00001.jp2\/full\/1000,\/0\/default.jpg. (Accessed September 20, 2022.)<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wampum is a traditional shell bead of the Native American tribes of the Eastern Woodlands. The beads are harvested from the shells of Western North Atlantic hard-shelled clams and are typically white and purple. Native Americans would harvest the clams &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/09\/22\/wampum-and-its-importance-to-eastern-woodland-native-americans\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4588,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[677,1333,1334,1336,1335],"class_list":["post-6620","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-native-american","tag-native-american-culture","tag-wampum","tag-wampum-beads","tag-wampum-belt"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1IM","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4588"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=6620"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6620\/revisions"}],"predecessor-version":[{"id":6626,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6620\/revisions\/6626"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=6620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=6620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=6620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}