{"id":6591,"date":"2022-09-22T00:12:52","date_gmt":"2022-09-22T05:12:52","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=6591"},"modified":"2022-10-30T13:45:44","modified_gmt":"2022-10-30T18:45:44","slug":"ethicality-of-researching-native-american-tribes","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/09\/22\/ethicality-of-researching-native-american-tribes\/","title":{"rendered":"Ethicality of Researching Native American Tribes"},"content":{"rendered":"

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Along the border of New Mexico and Arizona one can find the Zuni people, a North American Indian tribe. Believed to be the descendants of the prehistoric Ancestral Pueblo, they have a long history of connection to the Pueblo tribe, including the involvement in the Pueblo Rebellion against the spanish. Their culture is deeply rooted in religion, spirituality, and the earth, specifically being known as the \u201cSun Worshippers\u201d. Additionally the Zuni people, much like many other native tribes, utilize music in order to create a community space while completing activities like fire starting or welcoming the sunrise. The main primary source that I would like to share is a journal written by Casta\u00f1eda de N\u00e1jera as he described his journey to Cibola, New Mexico. The book begins with his departure from Compostela on February 23, 1540 to Cibola. This happened to be the \u201cpoor pueblo village of the Zuni Indians\u201d. There are also accounts of discovering as they travel America, but I will primarily focus on the Zuni tribe. Additionally, the later section of this book described the native american tribes including the making of their houses, customs, religion, agriculture, and dress. The book then ends with their unsuccessful expedition back to Mexico.<\/p>\n

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The infamous 16th century Spanish explorer Francisco Vasquez de Coronado led an important expedition in 1540 to New Spain in search of gold. Much like many other explorers of the time forced his way into many tribes including the Zuni tribe of Hawikuh, where modern New Mexico remains. This was the first discovery of native tribes for Coronado and it ultimately ended in violence as he attempted to take the town, which caused the tribe to flee their homes. This failure led to further exploration and several more battles with various tribes. As Coronado inserted himself into tribes such as the Tusayan, Triguez, and Acoma, he accounted for more and more traditions that the Native American tribes took part in, leading to the manuscript shown above. <\/p>\n

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Alongside the score that I have described, attached is a book written by Carlos Troyer entitled Indian Music Lecture published in 1913. This book encapsulates Troyer\u2019s life and experiences as he traveled various spaces in order to discover and share various tribes\u2019 religion, government, and lifestyle. Troyer is yet another example very similar to the primary source journal shown earlier in which an outsider takes initiative to research and implement their presence on a Native Tribe; interestingly enough both Coronado and Troyer both research the Zuni Tribe.<\/p>\n

Carlos himself is a musician born in Frankfurt in 1837 who then traveled to America at a young age and began teaching music, composing, and traveling to a variety of countries to learn and share native culture. His contact with the Zuni people occurred when he was entrusted to interpret their songs through his work in California. Instead, Troyer visited the tribe and learned of their sacred dances, ceremonies, and \u201ctraditional lore\u201d. His goal of the trip, just like his work with other tribes like the Incas, was to give insight to mainly American and European people about indigenous culture. <\/p>\n

While it can be said that he achieved his goal and spread awareness on the tribe\u2019s way of life, the way in which Troyer went about entering the tribe is questionable in terms of ethics. It appears that he gained permission and was well received, but one wording in a letter at the beginning of the book by Charles Cadman claimed that he \u201cconquered ” other tribes. Whether liked or not, it comes to reason that his privilege of power as a white man allowed him privileges to expect acceptance for researching the tribe. Lastly, there is the occasional phrasing that invokes a sense of superiority such as the title of the book which is \u201can address designed for reading at musical gatherings, describing the lives, customs, religions, occult practices, and the surprising musical development of the cliff dwellers of the south west\u201d. Wording like \u201csurprising\u201d gives indication that little was expected of the tribe and it places indigenous culture in an othering position. <\/p>\n

2019 Buffalo dance\/Pueblo of Zuni,NM @ Sa\u00f1to \u00d1ino<\/a><\/p>\n

Bibliography<\/p>\n

Casta\u00f1eda de N\u00e1jera, Pedro de. \u201cNarrative of the Expedition to Cibola Undertaken in 1540
\n[Manuscript]: Translated into English by Brantz Mayer.\u201d American Indian Histories and Cultures – Adam Matthew Digital. The Newberry Library, 1851. https:\/\/www.aihc.amdigital.co.uk\/Documents\/Images\/Ayer_MS_1058\/4. <\/p>\n

History.com Editors. \u201cFrancisco V\u00e1zquez De Coronado.\u201d History.com. A&E Television
\nNetworks, November 9, 2009. https:\/\/www.history.com\/topics\/exploration\/francisco-vazquez-de-coronado.<\/p>\n

Mateya. \u201c2019 Buffalo Dance\/Pueblo of Zuni,NM @ Sa\u00f1to \u00d1ino.\u201d YouTube, YouTube, 6 Jan. 2019, www.youtube.com\/watch?v=o74Z0ZZOTEI.<\/p>\n

Robert Stevenson. \u201cTroyer, Carlos.\u201d New Grove Dictionary of Music and Musicians, Oxford
\nUniversity Press, 2001, https:\/\/doi.org\/10.1093\/gmo\/9781561592630.article.28481.<\/p>\n

Stevenson, Robert. “Troyer, Carlos.” Grove Music Online. Oxford University Press. Date of
\naccess 22 Sep. 2022,
\nhttps:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001
\n.0001\/omo-9781561592630-e-0000028481<\/p>\n

Troyer, Carlos, and Charles Wakefield Cadman. Indian Music Lecture: The zun\u0303i Indians and
\nTheir Music: An Address Designed for Reading at Musical Gatherings, Describing the
\nLives, Customs, Religions, Occult Practices, and the Surprising Musical Development of
\nthe Cliff Dwellers of the South West. Theo. Presser Co., 1913.<\/p>\n","protected":false},"excerpt":{"rendered":"

Along the border of New Mexico and Arizona one can find the Zuni people, a North American Indian tribe. Believed to be the descendants of the prehistoric Ancestral Pueblo, they have a long history of connection to the Pueblo tribe, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":4389,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-6591","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1Ij","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4389"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=6591"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6591\/revisions"}],"predecessor-version":[{"id":6901,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6591\/revisions\/6901"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=6591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=6591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=6591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}