{"id":6581,"date":"2022-09-21T23:58:53","date_gmt":"2022-09-22T04:58:53","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=6581"},"modified":"2022-09-21T23:58:53","modified_gmt":"2022-09-22T04:58:53","slug":"an-exploitative-explorer-emile-petitots-legacy","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/09\/21\/an-exploitative-explorer-emile-petitots-legacy\/","title":{"rendered":"An Exploitative Explorer: \u00c9mile Petitot\u2019s Legacy"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">CONTENT\/TRIGGER WARNING: sexual assault, pedophilia, sexual trauma<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I found this manuscript <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1 <\/sup><\/a>by \u00c9mile Petitot, a French missionary who conducted research among the Indigenous peoples of Northern Canada. His work looks much like that of Frances Densmore, with transcriptions of musics that he observed within the tribes. Accompanying each transcription is the tribe it comes from, a note about what kind of song\/dance\/game it is, and occasional extra notes. For example, in the screenshot provided, Petitot provides the tribe, \u201cTchippewayans,\u201d (or Chippewa\/Ojibwa), the type of song, \u201cjeu de mains\u201d (hand game- perhaps hand clapping?), and notes below explaining how they whistle the melody through their teeth, and that this example is possibly of Cree origin, though I could be translating the French incorrectly (Petitot, 3).<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6582\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM-300x274.jpg\" alt=\"\" width=\"300\" height=\"274\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM-300x274.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM-150x137.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM-768x700.jpg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM-329x300.jpg 329w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Screen-Shot-2022-09-21-at-6.47.10-PM.jpg 818w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><em>A sample of Petitot&#8217;s manuscript,<\/em> Chants Indiens Du Canada Nord-Ouest<em>, from 1862-1892, 1899.\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">Petitot completed significant research on the native languages of Northern tribes, and according to Savoie in 1982<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>2<\/sup><\/a>, it \u201cremains the best in the field\u201d (Savoie, 446). But however groundbreaking or useful Petitot\u2019s research was, his treatment of the Indigenous people was less than stellar. His notes seem to be overtly subjective and somewhat condescending, and according to L\u00e9vy,<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>3<\/sup><\/a> he also showed concerning sexual desires. He was rumored to engage in sexual relations with \u201cyoung indigenous people,\u201d as well as a woman who became so uncomfortable she attempted \u201cself-circumcision as a way of suppressing his sexual desires\u201d (L\u00e9vy, 2014). Clearly his methods were exploitative and harmful to those around him. L\u00e9vy also mentions that these acts eventually caught his missionary order\u2019s attention in France, so he was exiled back home to write his \u201cethnographic and geographical\u201d work (L\u00e9vy, 2014).<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><span class=\"Apple-converted-space\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Petitot.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6583\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Petitot-208x300.jpeg\" alt=\"\" width=\"208\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Petitot-208x300.jpeg 208w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Petitot-104x150.jpeg 104w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2022\/09\/Petitot.jpeg 415w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><\/a><\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><span class=\"Apple-converted-space\"><em>Petitot, wearing a priest&#8217;s collar <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>4<\/sup><\/a><br \/>\n<\/em>.\u00a0<\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">His research, controversy, and legacy is still discussed. In 2001, Struzik wrote an article <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>5 <\/sup><\/a>in the <em>Edmonton Journal<\/em> (Alberta, Canada) about the returning controversy surrounding Petitot. Buildings and parks named after him were quickly being renamed at the request and vote of Indigenous voices. Struzik exposes both sides of the controversy surrounding his sexuality and divergent sexual habits (Struzik, 2001). There are those who still consider him a genius for his work and research, and there are many who expose him for his exploitation, abuse, and madness. Some would say that any press is good press, but with all of his controversy exposed and the reason for his exile laid out in the open, I would say the legacy Petitot leaves behind is not one to be celebrated.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1 <\/a><span class=\"s1\">Petitot, \u00c9mile.\u00a0<\/span><span class=\"s2\"><i>Chants Indiens Du Canada Nord-Ouest<\/i><\/span><span class=\"s1\">. 1862-1892, 1899. Manuscript. Mackenzie: The Newberry Library, 2022. American Indian Histories and Cultures. Medium, <\/span><span class=\"s2\">https:\/\/www.aihc.amdigital.co.uk\/Documents\/Images\/Ayer_MS_715\/2. <\/span><span class=\"s1\">(accessed September 21, 2022)<\/span><\/p>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2 <\/a><span class=\"s1\">Savoie, Donat. \u201cEmile Petitot (1838-1916).\u201d\u00a0<i>Arctic<\/i>\u00a035, no. 3 (1982): 446\u201347. http:\/\/www.jstor.org\/stable\/40509367.<\/span><\/p>\n<div id=\"sdfootnote3\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\">3 <\/a><span class=\"s1\">L\u00e9vy, Joseph. &#8220;\u00c9ros Et Tabou. Sexualit\u00e9 Et Genre Chez Am\u00e9rindiens Et Les Inuit.&#8221;\u00a0<i>Recherches Am\u00e9rindiennes Au Qu\u00e9bec<\/i>\u00a044, no. 2 (2014): 170-174. https:\/\/www.proquest.com\/scholarly-journals\/\u00e9ros-et-tabou-sexualit\u00e9-genre-chez-am\u00e9rindiens\/docview\/1681918022\/se-2.<\/span><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\"><\/a><\/p>\n<div id=\"sdfootnote4\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote4anc\" name=\"sdfootnote4sym\">4<\/a> Image from &#8216;The Amerindians of the Canadian Northwest in the 19th Century, as seen by Emile Petitot. Volume 1: The Tchiglit Eskimos,&#8217; found on Inuvialuit Living History (https:\/\/www.inuvialuitlivinghistory.ca\/wiki_pages\/Father%20%20%C3%89mile%20Petitot).<\/p>\n<div id=\"sdfootnote5\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote5anc\" name=\"sdfootnote5sym\">5 <\/a><span class=\"s1\">Struzik, Ed.\u00a0<\/span><span class=\"s2\"><i>A genius \u2026 and a pariah: Emile Petitot left a legacy of controversy in Canada&#8217;s Arctic<\/i><\/span><span class=\"s1\">. Online Archive. Edmonton: CanWest Interactive, 2001. Edmonton Journal (Alberta). Medium, <\/span><span class=\"s3\">https:\/\/advance.lexis.com\/api\/document?collection=news&amp;id=urn:contentItem:45HN-N1D0-003N-14GF-00000-00&amp;context=1516831<\/span><span class=\"s2\">.<\/span><span class=\"s1\">(accessed September 21, 2022).<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CONTENT\/TRIGGER WARNING: sexual assault, pedophilia, sexual trauma I found this manuscript 1 by \u00c9mile Petitot, a French missionary who conducted research among the Indigenous peoples of Northern Canada. His work looks much like that of Frances Densmore, with transcriptions of &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2022\/09\/21\/an-exploitative-explorer-emile-petitots-legacy\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4590,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[712,1330,1329],"class_list":["post-6581","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-ethnography","tag-french-missionaries","tag-indigenous-peoples-of-canada"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1I9","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4590"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=6581"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6581\/revisions"}],"predecessor-version":[{"id":6592,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/6581\/revisions\/6592"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=6581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=6581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=6581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}