{"id":5948,"date":"2021-11-01T16:23:55","date_gmt":"2021-11-01T21:23:55","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=5948"},"modified":"2021-11-01T16:23:55","modified_gmt":"2021-11-01T21:23:55","slug":"white-people-things-smothering-peaceful-protests-with-violence","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/11\/01\/white-people-things-smothering-peaceful-protests-with-violence\/","title":{"rendered":"White People Things: Smothering Peaceful Protests With Violence"},"content":{"rendered":"<p>Let\u2019s talk about the Ghost Dance.<\/p>\n<p>The Ghost Dance began as the result of a series of visions by a Paiute elder around 1869 that the Earth would experience healing and the Paiute people would receive help. Twenty years later, another Paiute leader had visions of land being restored to all native people, and Europeans leaving native people alone. He believed that this dance would help his visions become reality. Representatives from different tribes came to hear from this Paiute leader, causing the Ghost Dance to spread, evolve, and be performed as a means of peaceful protest in different native languages<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a>.<\/p>\n<p>(I tried embedding recordings of the Ghost Dance, but was unsuccessful, so you can listen <a href=\"https:\/\/www.loc.gov\/item\/2014655251\/?loclr=blogflt\" target=\"_blank\" rel=\"noopener\">here<\/a>.<a class=\"sdfootnoteanc\" href=\"#sdfootnote2sym\" name=\"sdfootnote2anc\"><sup>2<\/sup><\/a>)<\/p>\n<p>But naturally, when white people learned about the spread of this dance across different native groups and the meaning behind the dance, they felt threatened.<\/p>\n<p>An article published on Oct. 28, 1890 in the Chicago Tribune, found through the American Indian Histories and Cultures database, illustrates the fear that white people were trying to stir up about the Ghost Dance. The article begins by discussing the visions that led to the dance, saying of the visions, \u201cthey promise\u2026 that the white man will be annihilated and the Indian restored to his former power and prestige\u201d. The article then goes on to describe the \u201cEvil Influences of Sitting Bull\u201d, a Lakota chief in South Dakota. The article quotes Agent James McLaughlin, a US Indian Service Agent, who says of Sitting Bull, \u201cHe is a man of low cunning, devoid of a single manly principle in his nature, or an honorable trait of character\u201d. The article also informs readers that McLaughlin sent a Lieutenant to tell Sitting Bull \u201cthat his insolence and bad behavior would not be tolerated longer and that the \u2018ghost dance\u2019 must not be continued.\u201d Sitting Bull told the Lieutenant \u201cthat he was determined to continue the ghost dance\u201d, since the Great Spirit said they must do so. McLaughlin seemed determined that he could change Sitting Bull\u2019s mind<a class=\"sdfootnoteanc\" href=\"#sdfootnote3sym\" name=\"sdfootnote3anc\"><sup>3<\/sup><\/a>.<\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.13.50-PM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5951\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.13.50-PM-300x109.jpg\" alt=\"\" width=\"300\" height=\"109\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.13.50-PM-300x109.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.13.50-PM-150x55.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.13.50-PM.jpg 456w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5952\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM-300x67.jpg\" alt=\"\" width=\"300\" height=\"67\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM-300x67.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM-150x33.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM-500x112.jpg 500w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/11\/Screen-Shot-2021-11-01-at-4.14.01-PM.jpg 502w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>On Dec. 15th, 1890, less than two months later, when police came to put an end to the Ghost Dance ceremony, Sitting Bull disagreed and was killed. Between 150 and 300 Lakota men, women, and children who tried to escape to safety were killed in what is known now as the Wounded Knee Massacre, but referenced in many outdated history books as \u201cThe Battle of Wounded Knee\u201d. The U.S. soldiers who killed Lakota men, women, and children received the Congressional Medal of Honor<a class=\"sdfootnoteanc\" href=\"#sdfootnote4sym\" name=\"sdfootnote4anc\"><sup>4<\/sup><\/a>.<\/p>\n<p>All of this violence occurred over what? A dance. A dance that seems to have been effectively smothered over time, as I could not find any sources of it still being performed today.<\/p>\n<p>What can we learn from this? We can learn to be wary of news sources which describe people or cultural practices in heightened, emotional language. We can learn to ask ourselves when we feel threatened, and why. We can learn to ask what musical practices we have suppressed in the past because they made us uncomfortable, and what musical practices we suppress today.<\/p>\n<p>&nbsp;<\/p>\n<p>Footnotes<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1 <\/a>Hall, Stephanie. \u201cJames Mooney Recordings of American Indian Ghost Dance Songs, 1894.\u201d <i>James Mooney Recordings of American Indian Ghost Dance Songs, 1894 | Folklife Today<\/i>, 17 Nov. 2017, https:\/\/blogs.loc.gov\/folklife\/2017\/11\/james-mooney-recordings-ghost-dance-songs\/.<\/p>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2 <\/a>Mooney, James, and Smithsonian Institution. Bureau Of Ethnology.\u00a0<cite>James Mooney recordings of American Indian Ghost Dance songs<\/cite>. [Washington, D.C.: E. Berliner, 1894] Audio. https:\/\/www.loc.gov\/item\/2014655251\/.<\/p>\n<div id=\"sdfootnote3\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\">3 <\/a>Parker, Ely Samuel (1828-1895). 1828-1894.\u00a0<i>Ely Samuel Parker scrapbooks: Vol 10<\/i>. Available through: Adam Matthew, Marlborough, American Indian Histories and Cultures, http:\/\/www.aihc.amdigital.co.uk\/Documents\/Details\/Ayer_Modern_MS_Parker_VL10 [Accessed November 01, 2021].<\/p>\n<div id=\"sdfootnote4\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote4anc\" name=\"sdfootnote4sym\">4 <\/a>Hall, Stephanie. \u201cJames Mooney Recordings of American Indian Ghost Dance Songs, 1894.\u201d <i>James Mooney Recordings of American Indian Ghost Dance Songs, 1894 | Folklife Today<\/i>, 17 Nov. 2017, https:\/\/blogs.loc.gov\/folklife\/2017\/11\/james-mooney-recordings-ghost-dance-songs\/.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Let\u2019s talk about the Ghost Dance. The Ghost Dance began as the result of a series of visions by a Paiute elder around 1869 that the Earth would experience healing and the Paiute people would receive help. Twenty years later, &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/11\/01\/white-people-things-smothering-peaceful-protests-with-violence\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4163,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-5948","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1xW","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4163"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=5948"}],"version-history":[{"count":2,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5948\/revisions"}],"predecessor-version":[{"id":5954,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5948\/revisions\/5954"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=5948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=5948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=5948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}