{"id":594,"date":"2015-03-09T00:18:45","date_gmt":"2015-03-09T05:18:45","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=594"},"modified":"2015-03-09T00:18:45","modified_gmt":"2015-03-09T05:18:45","slug":"bob-dylan-the-movie-star","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/09\/bob-dylan-the-movie-star\/","title":{"rendered":"Bob Dylan the Movie Star"},"content":{"rendered":"<p>Who knew that Bob Dylan was in a movie? I sure didn&#8217;t, until reading this clipping from\u00a0<em>Chicago Defender<\/em>&#8216;s issue released May 23, 1973. \u00a0Announcing the premier of\u00a0<em>Pat Garrett and Billy The Kid<\/em>, the author gives a short summary of the film and introduces the cast, which includes Bob Dylan. \u00a0About the actors, he writes, &#8220;The cast is&#8230;truly noteworthy and Peckinpah acknowledges that the process of finding the right actor for the right role was painstaking work.&#8221; <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a>\u00a0Peckinpah was the director of the film and had experienced success in the past, and he comments on the cast of stars with newcomer Bob Dylan to the scene. \u00a0He says &#8220;It pays off&#8230;with a great cast like this it&#8217;s almost gratuitous to say you&#8217;ve got a lot going for you.&#8221; <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-595 size-full\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping.jpg\" alt=\"bob dylan movie clipping\" width=\"905\" height=\"670\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping.jpg 905w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping-150x111.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping-300x222.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/bob-dylan-movie-clipping-405x300.jpg 405w\" sizes=\"auto, (max-width: 905px) 100vw, 905px\" \/><\/a><\/p>\n<p>It appears that Peckinpah was perhaps counting on the fame of Dylan to bring the same success to this movie as others, as his acting is far from winning any academy wards in this film&#8230; and you can see for yourself.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/gILYTdqqCo0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=55&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>The movie turned out to be a bust, and failed pretty miserably at the box office. \u00a0According to the IMDb website, it netted only $4.5 million in contrast with Peckinpah&#8217;s 1969 film <em>The Wild Bunch<\/em> which 4 years earlier netted $10.5 million. I find\u00a0it interesting that the author of the\u00a0<em>Chicago Defender<\/em> article, as well as Peckinbah, make no mention of Dylan&#8217;s musical contributions to the production. \u00a0After all, he provided much of the film score and music backing for the scenes, and perhaps the movie would have seen more success had it been advertised as having the music of Bob Dylan.<\/p>\n<p>There was one success in the film, however, and that was the writing of Dylan&#8217;s original &#8220;Knockin&#8217; on Heaven&#8217;s Door.&#8221; \u00a0Coming towards the end of the film, this song covers the scene in which a wife watches her husband die of a gunshot wound, and the lyrics and emotion are poignant.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/HzAN5qkVOZY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=140&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>This song saw a lot of success outside of the film, being performed on stage by Dylan himself, and covered by many other bands. \u00a0Some people forget that Dylan originally wrote the song, most often hearing covers by bands from\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=eVQIQRs4DMQ\" target=\"_blank\">Guns N&#8217; Roses<\/a>\u00a0to even <a href=\"https:\/\/www.youtube.com\/watch?v=o_5-Kf2CrLc\" target=\"_blank\">Avril Lavigne<\/a>.<\/p>\n<p>The final question remains: Why would Dylan even agree to be in a movie in the first place? \u00a0I could see him doing the score for a film when hired, but acting was something he had never done before. \u00a0I think people could use this as an example of Bob Dylan&#8217;s willingness to sell out for money. \u00a0It&#8217;s been said that he started writing and performing folk music in the first place because he saw there was an audience for it in New York. \u00a0After &#8220;going electric,&#8221; he revealed that he didn&#8217;t really like folk music all that much and preferred his plugged-in style. \u00a0If he was willing to sell out his musical style, why not be a terrible actor for money as well?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a>\u00a0&#8220;&#8216;Pat Garrett and Billy The Kid&#8217; premieres.&#8221;\u00a0<em>Chicago Defender<\/em>. May 23, 1973. Real Times, Inc. Accessed March 8, 2015. http:\/\/search.proquest.com\/hnpchicagodefender\/docview\/493996634\/fulltextPDF\/71673A8288A44921PQ\/1?accountid=351<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Who knew that Bob Dylan was in a movie? I sure didn&#8217;t, until reading this clipping from\u00a0Chicago Defender&#8216;s issue released May 23, 1973. \u00a0Announcing the premier of\u00a0Pat Garrett and Billy The Kid, the author gives a short summary of the &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/09\/bob-dylan-the-movie-star\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":452,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[92,90,93,96,95,94,91],"class_list":["post-594","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-billy-the-kid","tag-bob-dylan","tag-chicago-defender","tag-door","tag-heaven","tag-knockin-on-heavens-door","tag-pat-garrett"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-9A","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/452"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=594"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/594\/revisions"}],"predecessor-version":[{"id":634,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/594\/revisions\/634"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}