{"id":5624,"date":"2021-10-11T23:45:05","date_gmt":"2021-10-12T04:45:05","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=5624"},"modified":"2021-10-11T23:45:05","modified_gmt":"2021-10-12T04:45:05","slug":"centering-black-voices","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/10\/11\/centering-black-voices\/","title":{"rendered":"Centering Black Voices"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As evident in Southern\u2019s book, <\/span><i><span style=\"font-weight: 400\">The Music of Black Americans<\/span><\/i><span style=\"font-weight: 400\">, music-making has always been an important part of African American culture in the United States. One aspect of Southern\u2019s writing that I found particularly interesting was her use of newspaper articles to highlight the values of a certain time, and how they related to music. During the time of slavery in the United States, most of the newspaper ads were written from a white enslaver\u2019s perspective, however, after the Civil War and the onset of African American-based newspapers, black American perspectives began to shine through.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">I chose to investigate a music advertisement from the <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette<\/span><\/i><span style=\"font-weight: 400\">, published in 1883, that highlights this change in perspective. Bold letters that capture the audience\u2019s attention read:<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400\">Lovers of music, secure at once a copy of the new edition of &#8220;Bright Eyes&#8221;.<\/span><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5627\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-300x107.png\" alt=\"\" width=\"300\" height=\"107\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-300x107.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-1024x366.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-150x54.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-768x274.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad-500x179.png 500w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/lovers-of-music-ad.png 1332w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5629\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-300x145.png\" alt=\"\" width=\"300\" height=\"145\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-300x145.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-1024x496.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-150x73.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-768x372.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score-500x242.png 500w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/be-true-bright-eyes-score.png 1144w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400\">Written by <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette<\/span><\/i><span style=\"font-weight: 400\"> editor Harry C. Smith, \u201cBe True Bright Eyes\u201d was a song for piano (or organ) with voice, and includes a score for four-part harmony. This push to buy piano and vocal music, in conjunction with other music related ads found in the <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette<\/span><\/i><span style=\"font-weight: 400\">, such as the piano ad below, demonstrate the different types of music-making that black Americans participated in during this time period.<\/span><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5626\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-300x120.png\" alt=\"\" width=\"300\" height=\"120\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-300x120.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-1024x410.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-150x60.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-768x307.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad-500x200.png 500w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/10\/upright-piano-ad.png 1332w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<span style=\"font-weight: 400\">We have seen in Southern\u2019s reading through newspaper ads that fiddle, banjo, and horn playing were popular instruments, and now through an African American lens, we also see the importance of piano playing with a vocal melody. Although primary sources written by white people, like the ads Southern uses, can give researchers important information, African American newspapers like the <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette <\/span><\/i><span style=\"font-weight: 400\">are necessary sources to include in research because they highlight the narrative of black Americans. Researchers must always look to sources like the <em>Cleveland Gazette<\/em> that center black voices and experiences.\u00a0<\/span><\/p>\n<p>Works Cited<\/p>\n<p><span style=\"font-weight: 400\">&#8220;Advertisement.&#8221; <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette<\/span><\/i><span style=\"font-weight: 400\"> (Cleveland, Ohio), October 18, 1884: 3. <\/span><i><span style=\"font-weight: 400\">Readex: African American Newspapers<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/infoweb.newsbank.com\/apps\/readex\/doc?p=EANAAA&amp;docref=image\/v2%3A12B716FE88B82998%40EANAAA-12CC2DCC9D4D1D28%402409468-12CBE5CDD45206C0%402-12E046B1ACAC4B68\"><span style=\"font-weight: 400\">https:\/\/infoweb.newsbank.com\/apps\/readex\/doc?p=EANAAA&amp;docref=image\/v2%3A12B716FE88B82998%40EANAAA-12CC2DCC9D4D1D28%402409468-12CBE5CDD45206C0%402-12E046B1ACAC4B68<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">&#8220;Advertisement.&#8221; <\/span><i><span style=\"font-weight: 400\">Cleveland Gazette<\/span><\/i><span style=\"font-weight: 400\"> (Cleveland, Ohio), October 18, 1884: 4. <\/span><i><span style=\"font-weight: 400\">Readex: African American Newspapers<\/span><\/i><span style=\"font-weight: 400\">. <\/span><a href=\"https:\/\/infoweb.newsbank.com\/apps\/readex\/doc?p=EANAAA&amp;docref=image\/v2%3A12B716FE88B82998%40EANAAA-12CC2DCC9D4D1D28%402409468-12CBE5CDD4E6F7A8%403-12E046B291DEDFF8\"><span style=\"font-weight: 400\">https:\/\/infoweb.newsbank.com\/apps\/readex\/doc?p=EANAAA&amp;docref=image\/v2%3A12B716FE88B82998%40EANAAA-12CC2DCC9D4D1D28%402409468-12CBE5CDD4E6F7A8%403-12E046B291DEDFF8<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Encyclopedia of Cleveland History | Case Western Reserve University. \u201cSMITH, HARRY CLAY,\u201d May 11, 2018. <\/span><a href=\"https:\/\/case.edu\/ech\/articles\/s\/smith-harry-clay\"><span style=\"font-weight: 400\">https:\/\/case.edu\/ech\/articles\/s\/smith-harry-clay<\/span><\/a><span style=\"font-weight: 400\">. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Smith, Harry C. Be True Bright Eyes. Smith, H. C., Cleveland, monographic, 1883. Notated Music. <\/span><a href=\"https:\/\/www.loc.gov\/item\/sm1883.01718\/\"><span style=\"font-weight: 400\">https:\/\/www.loc.gov\/item\/sm1883.01718\/<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Southern, Eileen. <\/span><i><span style=\"font-weight: 400\">The Music of Black Americans\u202f: a History.<\/span><\/i><span style=\"font-weight: 400\"> [1st edition]. New York: W. W. Norton, 1971.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As evident in Southern\u2019s book, The Music of Black Americans, music-making has always been an important part of African American culture in the United States. One aspect of Southern\u2019s writing that I found particularly interesting was her use of newspaper &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/10\/11\/centering-black-voices\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4158,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-5624","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1sI","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/4158"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=5624"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5624\/revisions"}],"predecessor-version":[{"id":5631,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5624\/revisions\/5631"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=5624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=5624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=5624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}