{"id":554,"date":"2015-03-10T07:19:26","date_gmt":"2015-03-10T12:19:26","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=554"},"modified":"2015-03-16T19:26:08","modified_gmt":"2015-03-17T00:26:08","slug":"development-of-folk-pre-civil-war-to-civil-rights-movement","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/10\/development-of-folk-pre-civil-war-to-civil-rights-movement\/","title":{"rendered":"Development of Folk: Pre-Civil War to Civil Rights&#8217; Movement"},"content":{"rendered":"<p>Folk music is one that draws many questions from American music historians. Questions like, &#8220;who owns folk music?&#8221;, &#8220;where did these tunes originate?&#8221;, and &#8220;what is a folk song?&#8221;. \u00a0One perspective that is particularly interesting and\u00a0comes to a strong conclusion is that the origin of American folk music is based upon African Tradition. An article in The Chicago Defender claims that from African Americans and slave music, the genre of folk\u00a0emerged. The argument is that the melodies of African American music prior to the Civil war were considered true American folk songs. Some original, but also based on African traditional music. The English, French, and Spanish all brought their own style of song to the United States, so their music isn&#8217;t naturally American. Oscar Saffold wrote in his article, &#8220;There is, however, a real indisputable folk song in America, an American production, born in the hearts of slaves &#8212; expressing a part of the life of our country.&#8221; This can be argued against, saying that the music of the slaves is originally\u00a0from Africa, but Saffold&#8217;s argument is moreover strong, in that the African American traditional music had a large influence on proceeding music\u00a0styles\u00a0such as the blues and then jazz.<\/p>\n<p>During the time of the Civil Rights&#8217; Movement, there were many protests in southern United States, to express the desires and rights of equality among people; To blur the racial lines. These protests were filled with demonstrations that used art to promote equality, and the folk song emerged as an effective protest song. This incorporated the melodies of the old slave songs, but with new words. For example:<\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-575 aligncenter\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM-300x187.png\" alt=\"Screen Shot 2015-03-08 at 1.16.50 PM\" width=\"300\" height=\"187\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM-300x187.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM-150x94.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM-481x300.png 481w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.16.50-PM.png 654w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-576 aligncenter\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM-300x186.png\" alt=\"Screen Shot 2015-03-08 at 1.17.10 PM\" width=\"300\" height=\"186\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM-300x186.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM-150x93.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM-483x300.png 483w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-Shot-2015-03-08-at-1.17.10-PM.png 615w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>This type of folk song is called a freedom song. It was used as a way to unite a community of people during the Civil Rights&#8217; Movement, and was thought to communicate and express sentiments when words weren&#8217;t enough. This is tied into the work songs of slaves during the Antebellum South.<\/p>\n<p>A poignant quote from the article says, &#8220;while there is no American folk song in the sense of expressing American life as a whole, still there is a folk song in America, and that is the music of the Negro&#8221; (Saffold). The roots of American folk music\u00a0go deep into the history of the African American slaves of Southern American, and\u00a0since, folk music has taken on many other attributes with the Folk Revival of the late 20th Century.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bibliography<\/strong><\/p>\n<p>Saffold, Oscar E. &#8220;How american folk songs started.&#8221;\u00a0<i>The Chicago Defender (National edition) (1921-1967)<\/i>, 25 Feb. 1933. http:\/\/search.proquest.com\/docview\/492356076?accountid=351<\/p>\n<p>&#8220;Songs seen Vital in Albany Demonstrations.&#8221;\u00a0<i>Chicago Daily Defender (Daily Edition) (1960-1973),<\/i>\u00a022 Aug. 1962. http:\/\/search.proquest.com\/docview\/493909703?accountid=351.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Folk music is one that draws many questions from American music historians. Questions like, &#8220;who owns folk music?&#8221;, &#8220;where did these tunes originate?&#8221;, and &#8220;what is a folk song?&#8221;. \u00a0One perspective that is particularly interesting and\u00a0comes to a strong conclusion &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2015\/03\/10\/development-of-folk-pre-civil-war-to-civil-rights-movement\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":720,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[197,93,86,115,102,79,196,198],"class_list":["post-554","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-american-folk","tag-chicago-defender","tag-civil-rights-movement","tag-folk","tag-folk-music","tag-folk-revival","tag-freedom-song","tag-swing-low"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-8W","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/720"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=554"}],"version-history":[{"count":5,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/554\/revisions"}],"predecessor-version":[{"id":686,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/554\/revisions\/686"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}