{"id":5299,"date":"2021-09-29T01:53:52","date_gmt":"2021-09-29T06:53:52","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=5299"},"modified":"2021-09-30T17:46:09","modified_gmt":"2021-09-30T22:46:09","slug":"hot-takes-with-henry-hanchett","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/09\/29\/hot-takes-with-henry-hanchett\/","title":{"rendered":"Hot Takes with Henry Hanchett"},"content":{"rendered":"<p><span style=\"font-weight: 400\">I have to commend Henry Granger Hanchett, a musician, doctor, and lecturer, on one thing: his choice of title for this piece, which was published in The Outlook (a New York magazine) in 1896. Posing the question, \u201cWhat is \u2018Good Music\u2019?\u201d in the title of an article implies to me that the author intended to answer that question to some degree of certainty within approximately one page, something most authors would be cautious of. In fact, Hanchett appears to have had few reservations about answering such large musicological questions, having also written during his lifetime a book with the title, \u201cThe Art of the Musician. A Guide to the Intelligent Appreciation of Music.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">In this particular article, \u201cWhat is \u2018Good Music\u2019?\u201d, Hanchett explores typical themes such as church music, the purpose of music, personal tastes, the roles of instruments and performers, and so on. However, what I found to be the most telling about Hanchett in this article, as well as the role of race and identity in his musical opinions, were his offhand comments about \u201cGospel Hymns\u201d. He uses the example of the song \u201cWay Down Upon the Suwanee [Swanee] River\u201d being performed by a beloved opera singer, Christine Nilsson, to illustrate that even the most inferior compositions can be made into good music through a virtuosic\u00a0 performance. In the midst of an article otherwise dominated by a casual and exploratory tone, Hanchett shifts to an exasperated condemnation of what he believes to be gospel music. He describes these \u201cGospel Hymns\u201d as \u201cnot really worth the paper upon which [they are] printed,\u201d having \u201cno musical sense or meaning,\u201d and overall, \u201cnot good music.\u201d <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/09\/Screen-Shot-2021-09-29-at-1.24.35-AM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-5300\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/09\/Screen-Shot-2021-09-29-at-1.24.35-AM-281x300.jpg\" alt=\"\" width=\"281\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/09\/Screen-Shot-2021-09-29-at-1.24.35-AM-281x300.jpg 281w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/09\/Screen-Shot-2021-09-29-at-1.24.35-AM-140x150.jpg 140w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2021\/09\/Screen-Shot-2021-09-29-at-1.24.35-AM.jpg 393w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/a><\/span><\/p>\n<p><span style=\"font-weight: 400\">As I attempted to get a clearer understanding of what Hanchett\u2019s definition of a \u201cGospel Hymn\u201d was, I searched for recordings of \u201cWay Down Upon the Swanee River\u201d (also called \u201cOld Folks at Home\u201d). This immediately led me to a video of Al Jolson, a popular minstrel show performer in the 1900s, performing the song in blackface in the movie <\/span><i><span style=\"font-weight: 400\">Swanee River<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/sSbvmHPq-5g?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span style=\"font-weight: 400\">Diving deeper into the background and the lyrics of this song, it turns out that \u201cWay Down Upon the Swanee River\u201d is, in fact, a minstrel song written by Stephen C. Foster (and currently the Florida state song??). In addition to being written by a white guy for other white guys in blackface to perform, the song makes no reference to religion or the gospel. I may not know a perfect definition of what a Gospel Hymn is, but I&#8217;m pretty sure that this is not it. All available evidence leads me to assume that Hanchett hates this particular song, as well as the musical style, not because it is rooted in the racist practice of minstrelsy but because he actually perceives it to be genuine Black music and he&#8217;s just super racist. Although Henry G. Hanchett had his knack for musicological confidence, behind that confidence was the privilege and ignorance that make his opinions irrelevant today.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Citations:<\/p>\n<p>Crawford, R. (2005). <i>America&#8217;s musical life: A history<\/i>. W.W. Norton.<\/p>\n<p>Goldstein, H. (2001, January 20). <i>Jolson, Al<\/i>. Grove Music Online. Retrieved September 28, 2021, from https:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-0000014435?rskey=pQuzQC.<\/p>\n<p>Hanchett, Henry G. &#8220;What is &#8220;Good Music&#8221;?&#8221; <i>Outlook (1893-1924), <\/i>Feb 15, 1896, 287, https:\/\/www.proquest.com\/magazines\/what-is-good-music\/docview\/136934140\/se-2?accountid=351.<\/p>\n<p>Martin, S. L. (2015, May 28). <i>Hanchett, Henry Granger<\/i>. Grove Music Online. Retrieved September 28, 2021, from https:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-1002283077?rskey=ittjn6.<\/p>\n<p><i>Old folks at home<\/i>. Song of America. (2018, July 16). Retrieved September 28, 2021, from https:\/\/songofamerica.net\/song\/old-folks-at-home\/.<\/p>\n<p>Root, D. L. (2013, October 16). <i>Foster, Stephen C(ollins)<\/i>. Grove Music Online. Retrieved September 28, 2021, from https:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-1002252809?rskey=Yle74c&amp;result=1.<\/p>\n<p>Southern, E. (1983). <i>The music of Black America: A history<\/i>. Norton.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have to commend Henry Granger Hanchett, a musician, doctor, and lecturer, on one thing: his choice of title for this piece, which was published in The Outlook (a New York magazine) in 1896. Posing the question, \u201cWhat is \u2018Good &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2021\/09\/29\/hot-takes-with-henry-hanchett\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3255,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[260,292,506,1047,800,871],"class_list":["post-5299","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-afro-american-gospel-genre","tag-american-music","tag-blackface","tag-blackface-minstrels","tag-musicology","tag-racism"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-1nt","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/3255"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=5299"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5299\/revisions"}],"predecessor-version":[{"id":5314,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/5299\/revisions\/5314"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=5299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=5299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=5299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}