{"id":4306,"date":"2019-10-14T16:17:59","date_gmt":"2019-10-14T21:17:59","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=4306"},"modified":"2019-10-14T16:24:20","modified_gmt":"2019-10-14T21:24:20","slug":"slave-songs-journey-through-hollywood","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/10\/14\/slave-songs-journey-through-hollywood\/","title":{"rendered":"Slave Songs&#8217; Journey Through Hollywood"},"content":{"rendered":"<p>\u201cNobody knows the trouble I see, Lord,<\/p>\n<p>Nobody knows the trouble I see,<\/p>\n<p>Nobody knows like Jesus\u201d<\/p>\n<p>Did you hear the tune in your heard as you read these lyrics? A tune that looks something like this?<\/p>\n<p><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4307\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-300x291.png\" alt=\"\" width=\"300\" height=\"291\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-300x291.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-150x146.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-768x746.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-1024x995.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM-309x300.png 309w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Screen-Shot-2019-10-14-at-12.14.59-PM.png 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>This image is from the collection of songs, \u201cJubilee Songs and Plantation Melodies,\u201d published in 1885 by H.B. Thearle. According to the introduction by Harry Hanaford, the songs in the collection \u201cwere not \u2018composed\u2019 after the manner or ordinary music, but came to life ready-made, seemingly during the working and singing on the plantation\u201d and that they are \u201cgiving a truthful representation of the negro as he appeared in the days of slavery\u201d <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1 <\/sup><\/a><\/p>\n<p>The image above is the song \u201cNobody Knows the Trouble I See, Lord,\u201d the first song in the \u201cJubilee Songs and Plantation Melodies\u201d book. Based on the introduction, this song is meant to be regarded as a slave song, a bit of history in musical form.<\/p>\n<p>Although since then, \u201cNobody Knows the Trouble I See\u201d has been taken to Hollywood, where it has been used in movies such as <em>The Lion King<\/em>. The Hollywoodization of this song, among others, has caused the songs to lose their original motivation and meaning.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/vifVEg7NepI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>For example, in this clip from <em>The Lion King, <\/em>Zazu sits in a carcass and sings \u201cNobody Knows the Trouble I See\u201d as he sits in captivity. After the first two lines, Scar throws a bone at Zazu and says, \u201cOh do lighten up, Zazu. Sing something with a little bounce to it,\u201d to which Zazu humorously starts singing \u201cIt\u2019s a Small World After All.\u201d This scene is meant to be humorous and, although it\u2019s an interesting parallel to slavery being that Zazu is in captivity, the fact that \u201cNobody Knows the Trouble I See\u201d is presented as a method for humor negates this parallel.<\/p>\n<p>On the flipside, other movies such as \u201cTwelve Years a Slave\u201d have redefined some slaves songs back to their original meaning and motivation. For example, in \u201cTwelve Years a Slave,\u201d the song \u201cRoll, Jordon, Roll\u201d is used at what appears to be a funeral. It is often seen as the scene where the main character, Plat, gives in to his situation (being kidnapped and sold into slavery) and releases of all his emotions since his kidnapping. Unlike\u00a0<em>The Lion King, <\/em>this clip uses music not for a laugh from the audiences, but to help demonstrate the situational pain.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/D0mZgvLVwbI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>According to Henry Krehbiel in his book \u201cAfro-American Folksongs,\u201d he would argue that only the movies that are reclaiming slave songs and using them to demonstrate situational pain are the appropriate space to use these songs. He writes that white, Western inhabitants lack \u201cthe emotionaol elements which existed in the slave life of the plantations in the South and which invited celebration in song\u2014grace and gay.\u201d <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>2<\/sup><\/a><\/p>\n<p>Although we can\u2019t put a race on Zazu as he\u2019s a bird, we can assume that he has not experienced the same trauma that, for example, Plat has in \u201cTwelve Years a Slave\u201d that would give Zazu the motivation to sing \u201cNobody Knows the Trouble I See,\u201d therefore demonstrating how Hollywood has taken slave songs and shifted their motivation.<\/p>\n<p>Bibliography:<\/p>\n<p><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a>\u00a0Thearle, H.B.\u00a0<em>Jubilee Songs and Plantation Melodies.\u00a0<\/em>University of Tennessee, 1885.<\/p>\n<div id=\"sdfootnote1\">\n<p><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">2 <\/a>Krehbiel, Henry Edward. \u201cSongs of the American Slaves\u201d in\u00a0<em>Afro-American Folksongs: A Study in Racial and National Music\u00a0<\/em>(New York: Frederick Ungar Publishing Co., 1914), 11-28.<\/p>\n<p>CornBugles. YouTube. Oct. 14, 2019. https:\/\/www.youtube.com\/watch?v=vifVEg7NepI.<\/p>\n<p>MetaPhysicsalJesus. Youtube. Oct. 14, 2019. https:\/\/www.youtube.com\/watch?v=D0mZgvLVwbI.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cNobody knows the trouble I see, Lord, Nobody knows the trouble I see, Nobody knows like Jesus\u201d Did you hear the tune in your heard as you read these lyrics? A tune that looks something like this? This image is &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/10\/14\/slave-songs-journey-through-hollywood\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2520,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-4306","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-17s","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2520"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=4306"}],"version-history":[{"count":2,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4306\/revisions"}],"predecessor-version":[{"id":4310,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4306\/revisions\/4310"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=4306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=4306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=4306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}