{"id":4160,"date":"2019-10-10T08:02:56","date_gmt":"2019-10-10T13:02:56","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=4160"},"modified":"2019-12-15T17:14:39","modified_gmt":"2019-12-15T23:14:39","slug":"elvis-didnt-steal-he-swears","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/10\/10\/elvis-didnt-steal-he-swears\/","title":{"rendered":"ELVIS DIDN&#8217;T STEAL, HE SWEARS"},"content":{"rendered":"<p>In class discussions, the topics of advertising someone based on their race has popped up in conversations multiple times. In our context, we\u2019ve only mentioned this in design of literal records. This article shows the same affect taking place or at least reinforcing that idea with a Teen Life magazine article written by Elvis Presley where he talks about his music. The preface to the article states, \u201cA young lad born in Mississippi and whose singular style of singing has skyrocketed him to fame in his own words tells the simple truths about how a star is born.\u201d<\/p>\n<p>The entire article from here on, tries to defend the \u201coriginal style\u201d that Elvis has made for himself. Elvis has become controversial in the past few years for his appropriation of music by black artists such as hound dog (originally recorded by Big Mama Thorton. He states in the article, \u201cA lot of people ask me where I got my singing style. Well, I didn\u2019t copy my style from anybody. I got nothing in common with Johnny Ray, except we both sing-if you want to call it singing\u201d (citation). As a modern audience, we can all agree this is not true at all.<br \/>\nThrough a simple search on YouTube, we can confirm that Elvis took music and musical styles from black artists such as Big Mama Thorton\u2019s original performance of the song \u201cHound Dog\u201d.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/lzQ8GDBA8Is?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/yoHDrzw-RPg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div id=\"attachment_4259\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4259\" class=\"size-medium wp-image-4259\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-300x191.png\" alt=\"\" width=\"300\" height=\"191\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-300x191.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-150x96.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-768x489.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-1024x653.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1-471x300.png 471w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/Untitled-1.png 1544w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-4259\" class=\"wp-caption-text\">Teen Life Article<\/p><\/div>\n<p>I doubt Elvis read the George Pullen Jackson we had to read for class and thought \u201cOh! Some of African American music comes from white countries, so it\u2019s okay that I do this\u201d.<\/p>\n<div id=\"attachment_4258\" style=\"width: 254px\" class=\"wp-caption alignright\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/168-Johnnie-Ray.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4258\" class=\"wp-image-4258 size-medium\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/168-Johnnie-Ray-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/168-Johnnie-Ray-244x300.jpg 244w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/168-Johnnie-Ray-122x150.jpg 122w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/10\/168-Johnnie-Ray.jpg 463w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><p id=\"caption-attachment-4258\" class=\"wp-caption-text\">Johnny Ray<\/p><\/div>\n<p>I can only think of two answers to Elvis\u2019 intentions when writing these words that contradict his actions. Either, he is a big fan of the works of George Pullen Jackson and believed the work to be his or due to multiple factors in the past decades, it was completely acceptable to just take work from black artists if you needed to support yourself and your family. In the article he focuses on how his success has helped him and his poor Mississippi family. Johnny Ray, a white singer who also borrowed from a lot of black artists, is the only one Elvis acknowledges might have a similar style.<\/p>\n<p>BIBLIOGRAPHY<\/p>\n<p>-Presley, Elvis. \u201cElvis Tells You His Own Story in His Own Words.\u201d Teen Life, Apri. 1959, pp. 15-15<\/p>\n<p>-Yiannis\/John. \u201cJohnnie Ray.\u201d Johnnie Ray, 1 Jan. 1970, gaycultureland.blogspot.com\/2016\/10\/johnnie-ray.html.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In class discussions, the topics of advertising someone based on their race has popped up in conversations multiple times. In our context, we\u2019ve only mentioned this in design of literal records. This article shows the same affect taking place or &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/10\/10\/elvis-didnt-steal-he-swears\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3315,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-4160","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-156","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/3315"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=4160"}],"version-history":[{"count":4,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4160\/revisions"}],"predecessor-version":[{"id":4939,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/4160\/revisions\/4939"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=4160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=4160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=4160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}