{"id":3745,"date":"2019-09-16T22:09:45","date_gmt":"2019-09-17T03:09:45","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=3745"},"modified":"2019-09-16T22:09:45","modified_gmt":"2019-09-17T03:09:45","slug":"whats-in-a-fight-song","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/09\/16\/whats-in-a-fight-song\/","title":{"rendered":"What&#8217;s in a Fight Song?"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As an Iowan growing up in a college town, Saturday football games were unavoidable. I&#8217;m from Ames which is home to the Iowa State Cyclones, and the biggest game of the year is when we play our in-state rivals the University of Iowa Hawkeyes. This last weekend was the biggest rivalry game yet, when some 160,000 extra people came to town just to celebrate and watch football. So when I went searching for a text that stood out to me, I was stopped in my tracks by the words written for a celebratory song called &#8220;The Proud Hawkeye State&#8221; by Richard B.B. Wood. I found the lyrics as part of an 1884 reunion for \u201cThe Tri-State Old Settlers\u2019 Association of Illinois, Missouri, and Iowa\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1 <\/sup><\/a>to be performed after a series of speeches celebrating what it meant to be an \u201cOld Settler,\u201d or in this case, someone who lived in one of the states prior to 1860 or who had been there for the last 25 years. <\/span><span style=\"font-weight: 400\">Amid the triumphant chorus these lines stand out to me<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400\">They were long and tedious hours<\/span><\/p>\n<p><span style=\"font-weight: 400\">When we sought these western bowers<\/span><\/p>\n<p><span style=\"font-weight: 400\">Grown with rude uncultured flowers<\/span><\/p>\n<p><span style=\"font-weight: 400\">In that time long ago<\/span><\/p>\n<p><span style=\"font-weight: 400\">Now this happy land is beaming<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bright as angels that are dreaming<\/span><\/p>\n<p><span style=\"font-weight: 400\">With the harvest that is teeming<\/span><\/p>\n<p><span style=\"font-weight: 400\">On our own Hawkeye soil<\/span><\/p><\/blockquote>\n<p><a href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/39\/The_Last_of_the_Mohicans_%281920%29_-_Moving_Picture_World_1920.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/39\/The_Last_of_the_Mohicans_%281920%29_-_Moving_Picture_World_1920.jpg\" width=\"1448\" height=\"1883\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400\">Iowa became a state in 1846, only 38 years prior to the year the convention was held. While it is unclear, the general consensus by Iowa historians is that the \u201cHawkeye\u201d nickname comes from fans of \u201cThe Last of the Mohicans\u201d an 1826 novel by James Fenimore Cooper set during the French and Indian War in which \u201cAccording to Cooper&#8217;s story, the Delaware Indians bestowed the name of &#8220;Hawkeye&#8221; upon a white scout and trapper, who lived and hunted with them, who also braved their perils in war against the Iroquois and Hurons.\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>2<\/sup><\/a><br \/>\nIt seems absurd but the nickname was bestowed by white Iowan newspaper men, inspired by a story by a white writer, in which Native Americans give a white man a Native American name. In Iowa, almost all of the Indigenous population was forcibly removed by the government by 1930<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>3<\/sup><\/a>, except for the Meskwaki Tribe which still exists to this day, so when this reunion was held there were likely attendees who were very familiar with this history.<\/span><\/p>\n<div id=\"attachment_3757\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3757\" class=\"wp-image-3757 size-medium\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-300x243.png\" alt=\"\u201cThe Tri-State Old Settlers\u2019 Association of Illinois, Missouri, and Iowa\u201d\" width=\"300\" height=\"243\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-300x243.png 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-150x121.png 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-768x621.png 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-1024x828.png 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM-371x300.png 371w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2019\/09\/Screen-Shot-2019-09-16-at-9.43.32-PM.png 1484w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3757\" class=\"wp-caption-text\">The Tri-State Old Settlers\u2019 Association of Illinois, Missouri, and Iowa<\/p><\/div>\n<p><span style=\"font-weight: 400\">In Dan Blim\u2019s \u201cMacDowell\u2019s Vanishing Indians\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>4<\/sup><\/a><br \/>\nBlim explores the concept of the \u201cVanishing Indian\u201d as demonstrated in Edward MacDowell\u2019s compositions. Blim explains that by creating art that claimed to eliminate any threat from Native Americans, Europeans could incorporate that imagined other into their cultural heritage, and that by establishing that Native American culture had \u201cdied,\u201d it outlined white, European culture as something triumphant and unifying.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Similarly in these lyrics, Richard B.B. Wood celebrates\u00a0 \u201cOld Settlers\u201d as a powerful group of people who arose from some sort of tension to create a shining and glorious land on \u201ctheir own Hawkeye soil.\u201d However, while history is no doubt alluded to with racist coding like \u201crude uncultured flowers\u201d these tribes are never named. The song is more about proving the excellence of the \u201cOld Settlers\u201d whose identity is literally grounded in economic prosperity tied to the richness of the land.\u00a0<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/l4ANP8g8wrE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span style=\"font-weight: 400\">The act of singing a song meant to celebrate an identity in opposition to something is unifying. Anyone who cheers for a certain sports team can feel a sense of camaraderie with perfect strangers if they wear the same colors as us, hate the same people as us, and sing the same song as us. In the case of \u201cThe Proud Hawkeye State,\u201d the team is the \u201cOld Settlers\u201d and the opponent is effectively unworthy of a name since it was defeated. \u201cThe Proud Hawkeye State\u201d claims that something that once was &#8220;uncultured&#8221; has now been replaced to use\u00a0a farming analogy as Iowans love to-do, it was uprooted.\u00a0<\/span><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a><span style=\"font-weight: 400\">Tri-State Old Settlers\u2019 Association of Illinois, Missouri, and Iowa. 1884-1887. <\/span><i><span style=\"font-weight: 400\">Report of the first-[fourth] reunion of the Tri-State Old Settlers\u2019 Association, of Illinois, Missouri and Iowa<\/span><\/i><span style=\"font-weight: 400\">. Keokuk, Iowa: Tri-state Printing. Available through: Adam Matthew, Marlborough, American West.<\/span><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\"><\/a><\/p>\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\"><\/a><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">2<span style=\"font-weight: 400\">&#8220;Hawkeye&#8221; the Nickname for Iowans.&#8221; The Annals of Iowa 31 (1952), 380-381.<\/span><\/a><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">3<span style=\"font-weight: 400\">Mohr, James C.. Iowa History Reader. Iowa: University of Iowa Press, 2008. Accessed September 16, 2019. ProQuest Ebook Central.<\/span><\/a><\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">4<span style=\"font-weight: 400\">Blim, Daniel. \u201cMacDowell\u2019s Vanishing Indians.\u201d Paper presented at the Annual Meeting of the American Musicological Society and the Society for Music Theory, Vancouver, BC, November 2016.<\/span><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As an Iowan growing up in a college town, Saturday football games were unavoidable. I&#8217;m from Ames which is home to the Iowa State Cyclones, and the biggest game of the year is when we play our in-state rivals the &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2019\/09\/16\/whats-in-a-fight-song\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3054,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-3745","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-Yp","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/3054"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=3745"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3745\/revisions"}],"predecessor-version":[{"id":3767,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3745\/revisions\/3767"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=3745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=3745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=3745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}