{"id":3454,"date":"2018-04-30T17:16:19","date_gmt":"2018-04-30T22:16:19","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=3454"},"modified":"2018-05-03T07:52:22","modified_gmt":"2018-05-03T12:52:22","slug":"well-never-turn-back-gaining-sympathy-and-forcing-intervention-in-the-voter-registration-struggle","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2018\/04\/30\/well-never-turn-back-gaining-sympathy-and-forcing-intervention-in-the-voter-registration-struggle\/","title":{"rendered":"&#8220;We&#8217;ll Never Turn Back&#8221;: Gaining Sympathy and Forcing Intervention in the Voter Registration Struggle"},"content":{"rendered":"<div id=\"attachment_3457\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/04\/Souths-War-Against-Negro-Votes.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3457\" class=\"wp-image-3457 size-medium\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/04\/Souths-War-Against-Negro-Votes-240x300.png\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/04\/Souths-War-Against-Negro-Votes-240x300.png 240w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/04\/Souths-War-Against-Negro-Votes-120x150.png 120w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/04\/Souths-War-Against-Negro-Votes.png 459w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-3457\" class=\"wp-caption-text\">John Poppy, \u201cThe South\u2019s War Against Negro Votes\u201d in <em>Look<\/em> vol. 27, no. 10. May 21, 1963, http:\/\/content.wisconsinhistory.org\/cdm\/ref\/collection\/p15932coll2\/id\/5401, accessed April 29, 2018.<\/p><\/div>\n<p>Discouraged by the violence and disappointment, a 21-year-old woman sings with tears in her eyes. She sings of the horrors she has witnessed. She sings of the friends and leaders she has lost. She sings of her hopes for the future. Bertha Gober\u2019s singing of \u201cWe\u2019ll Never Turn Back\u201d in the Student Non-violent Coordinating Committee Atlanta field office exemplifies the struggle and dedication of the fieldworkers trying to register black voters in the Deep South. Furthermore, the news article featuring the description of her performance works to gain the sympathies of readers.<\/p>\n<p>John Poppy opens his article with the emotional scene of Gober singing. He uses her singing to usher in his discussion of the hardships and barriers, such as violence and withdrawal of aid, which fieldworkers and anyone who talks to them face in the Deep South. Poppy then inserts the question: \u201cWhy does Bertha Gober sing, \u2018We\u2019ve had to walk all by ourselves\u2019\u201d.<a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a> He uses this lyric to emphasize the fieldworkers\u2019 demand and need for federal intervention and their frustration that they have not received help at this point.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/6p7TTd9sa4U?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>As an article published in Look, a popular magazine covering anything from sports and fashion to \u201csocial issues such as the Civil Rights Movement and women\u2019s changing roles,\u201d<a class=\"sdfootnoteanc\" href=\"#sdfootnote2sym\" name=\"sdfootnote2anc\"><sup>2<\/sup><\/a><br \/>\nit had the power to reach people across the United States. The use of music in the article demonstrates how SNCC and their demonstrators utilized music as a tool of propaganda. Poppy illustrates the students\u2019 determination and passion through describing a young woman\u2019s performance of a freedom song. The poignant account of Gober singing \u201cWe\u2019ll Never Turn Back\u201d and working alongside her fellow young volunteers to gain equality, worked to gain the sympathies of readers, shifting popular opinion and eventually forcing the federal government to intervene.<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a>John Poppy, \u201cThe South\u2019s War Against Negro Votes\u201d in <em>Look<\/em> vol. 27, no. 10. May 21, 1963, <a href=\"http:\/\/content.wisconsinhistory.org\/cdm\/ref\/collection\/p15932coll2\/id\/5401\"><span class=\"s1\">http:\/\/content.wisconsinhistory.org\/cdm\/ref\/collection\/p15932coll2\/id\/5401<\/span><\/a>, accessed April 29, 2018.<\/p>\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\"><\/a><\/p>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2<\/a> Library of Congress, \u201cAbout This Collection,\u201d\u00a0<em> Look Collection<\/em>, <a href=\"https:\/\/www.loc.gov\/collections\/look-magazine\/about-this-collection\/\"><span class=\"s1\">https:\/\/www.loc.gov\/collections\/look-magazine\/about-this-collection\/<\/span><\/a>, accessed April 30, 2018.<\/p>\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\"><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Discouraged by the violence and disappointment, a 21-year-old woman sings with tears in her eyes. She sings of the horrors she has witnessed. She sings of the friends and leaders she has lost. She sings of her hopes for the &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2018\/04\/30\/well-never-turn-back-gaining-sympathy-and-forcing-intervention-in-the-voter-registration-struggle\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2746,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[958,86,743,1140],"class_list":["post-3454","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-african-american-music","tag-civil-rights-movement","tag-freedom-songs","tag-sncc"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-TI","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2746"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=3454"}],"version-history":[{"count":8,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3454\/revisions"}],"predecessor-version":[{"id":3463,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3454\/revisions\/3463"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=3454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=3454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=3454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}