{"id":3278,"date":"2018-03-20T13:49:59","date_gmt":"2018-03-20T18:49:59","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=3278"},"modified":"2018-03-20T13:49:59","modified_gmt":"2018-03-20T18:49:59","slug":"the-history-and-reception-of-roll-jordan-roll","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2018\/03\/20\/the-history-and-reception-of-roll-jordan-roll\/","title":{"rendered":"The History and Reception of &#8220;Roll Jordan, Roll&#8221;"},"content":{"rendered":"<div class=\"bibliography-item-info\">\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">After a discussion on the origins of black spirituals I was left questioning the origins of specific spirituals like &#8220;Roll Jordan, Roll&#8221;. I found, although not very surprising, that &#8220;Roll Jordan, Roll&#8221; was created by an european man by the name of Charles Wesley in the eighteenth century. He was a methodist preacher and after reading the articles by Jackson and Krehbiel, which have the goal of tackling this question of origin, I was not at all surprised that the origins of the song came from a white, protestant background. What I am left wondering is how &#8220;Roll Jordan, Roll&#8221; made it&#8217;s way to the slave south of the mid to late nineteenth century.<\/div>\n<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">What I have found through my search in pursuit of answering my wonder is that the song may have been used as an effort to christianize the slaves. What I mean is the song wasn&#8217;t the sole proprietor in christianizing but was apart of a curriculum in doing so. It seems that the song had gone through an evolution and rather than being a christianizing song to the slaves, it was turned into a song of sorrow or conduit for abolitionism.<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">The religious allegories of the song had become a story of escaping slavery. There are many adaptations of the song, but the idea of the song being one of being delivered from slavery remains. The photo below is a documentation of one adaptation of the song. It was recorded into the\u00a0<em>Slave Songs of the United States (1867).\u00a0<\/em><\/p>\n<div id=\"attachment_3310\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3310\" class=\"size-medium wp-image-3310\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1-300x203.jpg\" alt=\"\" width=\"300\" height=\"203\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1-300x203.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1-150x102.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1-443x300.jpg 443w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/ss1.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3310\" class=\"wp-caption-text\"><em>Slave Songs of the United States<\/em>\u00a0by William Francis Allen<\/p><\/div>\n<\/div>\n<div class=\"bibliography-item-info\">\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">&#8220;Roll Jordan, Roll&#8221; was eventually widely accepted as a former slave song rather than methodist spiritual. Below is a excerpt from a newspaper article from 1880. Whomever wrote it acknowledges that the songs sung by the Jubilee Singers, included &#8220;Roll Jordan, Roll&#8221; originated from &#8220;slavery times&#8221;, not the old English Methodists.<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/Screen-Shot-2018-03-20-at-12.12.47-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3311\" src=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/Screen-Shot-2018-03-20-at-12.12.47-PM-163x300.png\" alt=\"\" width=\"163\" height=\"300\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/Screen-Shot-2018-03-20-at-12.12.47-PM-163x300.png 163w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/Screen-Shot-2018-03-20-at-12.12.47-PM-81x150.png 81w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2018\/03\/Screen-Shot-2018-03-20-at-12.12.47-PM.png 488w\" sizes=\"auto, (max-width: 163px) 100vw, 163px\" \/><\/a><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">I suppose for me &#8220;Roll Jordan, Roll&#8221; can not be owned by any race. It is a black spiritual as well as a Methodist hymn.<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">Works Cited and Consulted:<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div id=\"copy-target-677913868\" class=\"bibliography-item-copy-text content\" data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">&#8220;The National Capital. Wether&#8211;Society&#8211;The Jubilee Singers.&#8221; <i>Weekly Louisianian<\/i> (New Orleans), March 20, 1880. Accessed March 20, 2018. African American Newspapers.<\/div>\n<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">&#8220;Roll Jordan Roll: A Community in Song and Sound.&#8221; The Black Atlantic. March 18, 2014. Accessed March 20, 2018. https:\/\/sites.duke.edu\/blackatlantic\/2014\/03\/18\/roll-jordan-roll-a-community-in-song-and-sound\/.<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">&#8220;The River Jordan in Early African American Spirituals by Daniel L. Smith-Christopher.&#8221; River Jordan in Early African American Spirituals. Accessed March 20, 2018. http:\/\/www.bibleodyssey.org\/places\/related-articles\/river-jordan-in-early-african-american-spirituals.<\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\"><\/div>\n<div data-clipboard-target=\"copy-target-677913868\" data-redirect-target=\"\/items\/677913868\/copy\" data-style-code=\"chicagob\">&#8220;Slave Songs of the United South.&#8221; William Francis Allen, 1830-1889, Charles Pickard Ware, 1840-1921, and Lucy McKim Garrison, 1842-1877. Slave Songs of the United States. Accessed March 20, 2018. http:\/\/docsouth.unc.edu\/church\/allen\/allen.html#slsong1.<\/div>\n<div class=\"bibliography-item-actions\">\n<div class=\"biblio-item-left\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>After a discussion on the origins of black spirituals I was left questioning the origins of specific spirituals like &#8220;Roll Jordan, Roll&#8221;. I found, although not very surprising, that &#8220;Roll Jordan, Roll&#8221; was created by an european man by the &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2018\/03\/20\/the-history-and-reception-of-roll-jordan-roll\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2743,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[1058,1072,1083,154,159,25],"class_list":["post-3278","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-black-spiritual","tag-black-spirituals","tag-roll-jordan-roll","tag-slave-songs","tag-slave-songs-of-the-united-states","tag-the-jubilee-singers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-QS","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2743"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=3278"}],"version-history":[{"count":2,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3278\/revisions"}],"predecessor-version":[{"id":3313,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/3278\/revisions\/3313"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=3278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=3278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=3278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}