{"id":2838,"date":"2018-02-19T17:10:38","date_gmt":"2018-02-19T23:10:38","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=2838"},"modified":"2018-02-22T16:46:40","modified_gmt":"2018-02-22T22:46:40","slug":"trustworthiness-of-a-handwritten-recording","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2018\/02\/19\/trustworthiness-of-a-handwritten-recording\/","title":{"rendered":"Trustworthiness of a Handwritten Recording"},"content":{"rendered":"

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Looking through the papers of Eleazer Williams (1758-1858), I found sheet music written in the Iroquois language. The document was found amongst many other items within a scrapbook (1758-1846), and it most likely came from Williams\u2019 time in New York and Green Bay, Wisconsin, as a missionary to the Oneida Indians.1<\/sup><\/a>\u00a0When it comes to determining the trustworthiness of this source, one might look to the plausible objectives of Eleazer Williams at the time.<\/span><\/p>\n

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“Notes on the Iroquois language”<\/p><\/div>\n

Because the lyrics were written in the Iroquois language, it is possible he wrote down the music purely for his own benefit, rather than with the intentions of educating the white masses. Williams would have had to learn the language as a means to communicate with the American Indians and convert them, as was his mission. This personal endeavour of learning the language is evident by the \u201cNotes on the Iroquois language\u201d within the <\/span>Papers, 1758-1858<\/span><\/i>. Nevertheless, the objective of missionary work differs from the objectives of explorers and anthropologists\/ethnographers, some of whose writings and recordings we have read and heard.<\/span><\/p>\n

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Book by Eleazer Williams<\/p><\/div>\n

Anthropologists typically lived amongst a people to learn and understand their customs. Their recordings were intended for European readers\/listeners, and they were unknowingly biased. It is likely Williams saw the Oneida Indians as \u2018Other\u2019 and inferior to himself, as did the European explorers of his time; however, he wrote sermons and translated religious texts into the language of the Oneida. This is evident by his book <\/span>Prayers for\u00a0<\/span><\/i>families and for particular persons: selected from the Book of common prayer translated into the language of the Six Nations of Indians <\/span><\/i>(1788-1858), which translates a selection from the Episcopal Book of Common Prayer into Oneida.2<\/sup><\/a>\u00a0Because of this text, it can be assumed that Williams wrote for foreign ears, and any notes on the foreign language were probably written for his own study. Researchers should take the intended audience into account when determining the trustworthiness of this document, despite any biases that may appear in his papers.<\/span><\/p>\n

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Fagnani, Giuseppe. Eleazer Williams. 1853. Oil on canvas. National Portrait Gallery, Smithsonian Institution, Washington, DC.<\/p><\/div>\n

Furthermore, what makes Eleazer Williams especially unique in comparison to our previous readings are the facts that he \u201cwas of mixed Indian-white parentage\u201d, and \u201che envisaged an Indian empire west of Lake Michigan under his rule”.3<\/sup><\/a>\u00a0After hearing the first fact, one could argue his intentions of recording this music on paper could have been to better understand and relate to the culture. However, knowing his true motives were to take control over the people, he is seen in a much more negative light. Granted, wanting to rule over the Oneida Indians doesn\u2019t necessarily mean the music Williams wrote down was inaccurate\/inauthentic. Considering the sheet music was found amongst other language materials, it could have been one of his sources for learning the Iroquois language. The scrapbook within which it was archived could have been a collection of Eleazer Williams\u2019 personal mementos. Therefore, it is possible the music he recorded on paper is a trustworthy example of Oneida Indian music.<\/span><\/p>\n

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1<\/a>\u00a0Williams, Eleazar. <\/span>Papers, 1758-1858<\/span><\/i>. Available through: Adam Matthew, Marlborough, American Indian Histories and Cultures, <\/span>http:\/\/www.aihc.amdigital.co.uk\/Documents\/Details\/Ayer_MS_999<\/span><\/a>.<\/span><\/p>\n

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2<\/a>\u00a0Williams, Eleazer. <\/span>Prayers for Families and for Particular Persons Selected from the Book of Common Prayer<\/span><\/i>. Albany: Printed by G.J. Loomis and Co, 1816. Available through: Wisconsin Historical Society, Digital Public Library of America<\/span>, <\/span>https:\/\/dp.la\/item\/d957d82e178a2376606b7cea19cb06a1?back_uri=https%3A%2F%2Fdp.la%2Fsearch%3Fq%3DWilliams%252C%2BEleazer%26subject%255B%255D%3DNative%2BAmericans%26utf8%3D%25E2%259C%2593&next=2&previous=0<\/span><\/a>.<\/span><\/p>\n

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3<\/a>\u00a0\u201cWilliams, Eleazer 1788-1858.\u201d <\/span>Wisconsin Historical Society.\u00a0<\/span>August 3, 2012. www.wisconsinhistory.org\/Records\/Article\/CS1694.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Looking through the papers of Eleazer Williams (1758-1858), I found sheet music written in the Iroquois language. The document was found amongst many other items within a scrapbook (1758-1846), and it most likely came from Williams\u2019 time in New York … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2737,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[493,513],"class_list":["post-2838","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-native-american-music","tag-sheet-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-JM","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2737"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=2838"}],"version-history":[{"count":11,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2838\/revisions"}],"predecessor-version":[{"id":2979,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2838\/revisions\/2979"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=2838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=2838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=2838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}