{"id":2594,"date":"2017-11-06T21:30:18","date_gmt":"2017-11-07T03:30:18","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=2594"},"modified":"2017-11-06T21:36:18","modified_gmt":"2017-11-07T03:36:18","slug":"dvorak-and-krehbiel","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2017\/11\/06\/dvorak-and-krehbiel\/","title":{"rendered":"Dvo\u0159\u00e1k and Krehbiel"},"content":{"rendered":"

In\u00a0Dvor\u00c3jk and His World<\/em>,\u00a0 Michael Beckerman collections of various correspondents between Dvo\u0159\u00e1k and critics and fan. I found one letter that stood out to me in particular was from\u00a0Henry Edward Krehbiel. He was writing with praise of\u00a0Dvo\u0159\u00e1k’s New World Symphony<\/em>.<\/p>\n

\"\"<\/a>

Second from the left: H.E. Krehbiel<\/p><\/div>\n

We know from Simon Plum’s blog post titled\u00a0Henry Edward Krehbiel<\/em> published on October 10th, 2017. We know from Simon’s post that Krehbiel was a musicologist and author known for his work on bringing black folk music into the spotlight to be recognized. He was born on\u00a0March 10, 1854 in Ann Arbor and passed\u00a0March 20, 1923.<\/p>\n

\"\"<\/a>

Correspondance from H.E. Krehbiel to A. Dvorak. From Berkerman’s collection.<\/p><\/div>\n

In this letter, composed by\u00a0Krehbiel on December 12th 1893 in New York invited Dvorak to attend a lecture he was giving at the “Women’s University Club<\/a>” on “Folk Songs in America”.\u00a0Krehbiel wanted to talk with Dvo\u0159\u00e1k about his New World Symphony to write an article on it for the New York Tribune<\/em>.<\/p>\n

After doing some additional research, I was able to find a newspaper article published 5 days later after the correspondence. While there is no author listed, it fits the style and time frame of\u00a0Krehbiel. It is a short article titled\u00a0Dr. Dvorak’s Symphony<\/a><\/em> located under the Music header of the Tribune.<\/p>\n

Work Cited<\/p>\n

Bain News Service, Publisher. Paderewski & wife and H.E. Krehbiel<\/cite>. Photograph. Retrieved from the Library of Congress, link<\/a>.<\/p>\n

Beckerman Michael, Dvor\u00c3jk and His World. Princeton University Press. Princeton, New Jersey. 1993.<\/p>\n

Plum Simon, Henry Edward Krehbiel<\/em>. Music 345: Race, Identity and Representation in American Music. Pages.StOlaf. link<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

In\u00a0Dvor\u00c3jk and His World,\u00a0 Michael Beckerman collections of various correspondents between Dvo\u0159\u00e1k and critics and fan. I found one letter that stood out to me in particular was from\u00a0Henry Edward Krehbiel. He was writing with praise of\u00a0Dvo\u0159\u00e1k’s New World Symphony. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2566,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[930,102,925,382,929,931],"class_list":["post-2594","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-antonin-dvorak","tag-folk-music","tag-henry-edward-krehbiel","tag-new-world-symphony","tag-new-york-tribune","tag-womens-university-club"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-FQ","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2566"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=2594"}],"version-history":[{"count":7,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2594\/revisions"}],"predecessor-version":[{"id":2618,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2594\/revisions\/2618"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=2594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=2594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=2594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}