{"id":2071,"date":"2017-10-17T16:41:57","date_gmt":"2017-10-17T21:41:57","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=2071"},"modified":"2017-10-18T12:12:23","modified_gmt":"2017-10-18T17:12:23","slug":"pete-seeger-american-or-un-american","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2017\/10\/17\/pete-seeger-american-or-un-american\/","title":{"rendered":"Pete Seeger: American or Un-American"},"content":{"rendered":"<div id=\"attachment_2193\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2193\" class=\"wp-image-2193 size-medium\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-300x232.jpg\" alt=\"\" width=\"300\" height=\"232\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-300x232.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-150x116.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-768x595.jpg 768w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-1024x793.jpg 1024w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050-387x300.jpg 387w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/20140131seeger-adv-obit-slide-9WAT-master1050.jpg 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-2193\" class=\"wp-caption-text\">Seeger performing on banjo<\/p><\/div>\n<p>Growing up, every first Friday of the month my mom and I would go to folk music sing-a-longs with groups of her folk music loving friends. It was always a lot of fun; we sang great tunes by Pete Seeger, Bill Staines, Bob Dylan, the Beatles and much more, accompanied by guitars, drums, and fiddles. As a kid I always thought Pete Seeger embodied what it meant to \u201cbe American.\u201d My mom worked with the Madison Folk Music Society, and actually met Pete Seeger a couple of times. Upon finding this video entitled \u201cFolk singers linked to alleged \u2018Communist Conspiracy\u2019\u201d I was shocked to learn that Pete Seeger was accused of being a communist (and didn\u2019t deny it,) mostly because I had heard such negative things about the ideology and such positive things about Pete Seeger from my mom. I was surprised that she never mentioned this to me.<\/p>\n<p style=\"text-align: left\">Many consider Pete Seeger to be the father of the folk music revival, and it\u2019s no wonder why. He was born into a musical and pacifist family in 1919, and spent his adolescence playing the ukulele and four-string banjo. After dropping out of Harvard at 19 to become a journalist in New York, Seeger discovered he was talented at playing the five-string banjo and knew he wanted to learn more about folk music. He then worked for Alan Lomax at the Archive of American Folksong at the Library of Congress. After meeting Woodie Guthrie in 1940 and traveling the country together playing music for gas money, Seeger and other folk musicians started Almanac Singers. This group aligned with left-wing social movements, as they specialized in anti-war and pro-union songs. A representative example of their political message is evident in the song \u201cWhich Side Are You On?\u201d While this song was originally written as a union organizing song for miners enduring a violent struggle with mine owners, its lyrics fit very well with Seeger\u2019s questioning of politics and his advocacy for radical social change. Here is a video with the original recording of the Almanac Singers &#8220;Which Side Are You On?&#8221;<\/p>\n<p style=\"text-align: center\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"400\" height=\"200\" src=\"https:\/\/www.youtube.com\/embed\/aJGleVt1UeM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>This leads me to the video that challenges Pete Seeger\u2019s folk ideals. In 1957 Seeger was cited on ten counts of contempt of Congress after he refused to testify before the House Committee on Un-American Activities (HUAC) in 1955. This video shows the original proposal to HUAC that Pete Seeger and his folk music were Un-American.<\/p>\n<p><a href=\"http:\/\/www.rockandroll.amdigital.co.uk\/video\/videodetails.aspx?documentId=664253&amp;videoSearch=Pete+Seeger\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-551 aligncenter\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-shot-2015-03-07-at-11.01.37-AM.png\" alt=\"Screen shot 2015-03-07 at 11.01.37 AM\" width=\"290\" height=\"233\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-shot-2015-03-07-at-11.01.37-AM.png 290w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2015\/03\/Screen-shot-2015-03-07-at-11.01.37-AM-150x121.png 150w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a><\/p>\n<p>An article entitled &#8220;<a href=\"https:\/\/search-proquest-com.ezproxy.stolaf.edu\/docview\/493013412?accountid=351.\">Congress Creates a Frankenstein<\/a>&#8221; published in the Chicago Defender in 1953 argues that HUAC,<\/p>\n<p><em>\u201cbegan to destroy the freedom expression, freedom of speech, freedom of action and freedom of thought when it pulled in some of the country\u2019s greatest artists, playrights, actors and producers to question them on their loyalty to their government.\u201d<\/em><\/p>\n<div id=\"attachment_2196\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2017\/10\/pete-seeger-huac.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2196\" class=\"wp-image-2196 size-medium\" src=\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2017\/10\/pete-seeger-huac-300x180.jpg\" alt=\"\" width=\"300\" height=\"180\" srcset=\"https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/pete-seeger-huac-300x180.jpg 300w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/pete-seeger-huac-150x90.jpg 150w, https:\/\/pages.stolaf.edu\/americanmusic\/wp-content\/uploads\/sites\/593\/2017\/10\/pete-seeger-huac.jpg 460w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-2196\" class=\"wp-caption-text\">Seeger refusing to testify before HUAC<\/p><\/div>\n<p>This committee was part of the second Red Scare, which refers to the fear of communism and its destruction of true American politics, culture, and society that spread across the country in the 40s and 50s. This critical opinion of the committee identifies fundamental problems with HUAC \u2013 it its pursuit of the \u201canti-American\u201d it engaged in an essentially anti-American activity. Pete Seeger would certainly agree with this perspective. He refused to testify, as he believed that the questioning of his musical and political endeavors was his own business as an American, and the government had no right interfere.<\/p>\n<p>So, how has Pete Seeger remained so \u201cAmerican\u201d after all this time? Can we divorce a person and their art from their politics? Why do we still view communism as so distinctly at odds with Seeger\u2019s message of peace? We often separate his communist ideology with his message of peace, but why can we not see these political views as an integral part of his message.<\/p>\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">Sources<\/span><\/p>\n<ol>\n<li><em>Folk singers linked to alleged &#8216;Communist Conspiracy&#8217;<\/em>. Popular Culture in Britain and America, 1950-1975. August 19, 1963. <a href=\"http:\/\/www.rockandroll.amdigital.co.uk.ezproxy.stolaf.edu\/video\/videodetails.aspx?documentId=664253&amp;videoSearch=folk\">http:\/\/www.rockandroll.amdigital.co.uk.ezproxy.stolaf.edu\/video\/videodetails.aspx?documentId=664253&amp;videoSearch=folk<\/a>.<\/li>\n<li>&#8220;Notable &amp; Quotable; the New York Sun Recalls Pete Seeger&#8217;s Soaring Music&#8211;and His Late-in-Life Confession about Failing to Confront Communism.&#8221; 2014.<em>Wall Street Journal (Online)<\/em>, Jan 28. <a href=\"https:\/\/search.proquest.com\/docview\/1492135733?accountid=351\">https:\/\/search.proquest.com\/docview\/1492135733?accountid=351<\/a>.<\/li>\n<li>&#8220;Congress Creates A Frankenstein.&#8221; 1953.<em>The Chicago Defender (National Edition) (1921-1967)<\/em>, Nov 21, 2. <a href=\"https:\/\/search-proquest-com.ezproxy.stolaf.edu\/docview\/493013412?accountid=351\">https:\/\/search-proquest-com.ezproxy.stolaf.edu\/docview\/493013412?accountid=351<\/a>.<\/li>\n<li>Anne Dhu McLucas . &#8220;Seeger, Pete R..&#8221; <em>Grove Music Online<\/em>. <em>Oxford Music Online<\/em>. Oxford University Press, accessed October 15, 2017, <a href=\"http:\/\/www.oxfordmusiconline.com\/subscriber\/article\/grove\/music\/A2259314\">http:\/\/www.oxfordmusiconline.com\/subscriber\/article\/grove\/music\/A2259314<\/a>.<\/li>\n<li>Bromberg, Minna and Gary Alan Fine. 2002. &#8220;Resurrecting the Red: Pete Seeger and the Purification of Difficult Reputations.&#8221; <em>Social Forces<\/em> 80 (4): 1135-1155. <a href=\"https:\/\/search-proquest-com.ezproxy.stolaf.edu\/docview\/229870616?accountid=351\">https:\/\/search-proquest-com.ezproxy.stolaf.edu\/docview\/229870616?accountid=351<\/a>.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Growing up, every first Friday of the month my mom and I would go to folk music sing-a-longs with groups of her folk music loving friends. It was always a lot of fun; we sang great tunes by Pete Seeger, &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2017\/10\/17\/pete-seeger-american-or-un-american\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2567,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[77,102,851,75,84,852],"class_list":["post-2071","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-communism","tag-folk-music","tag-huac","tag-pete-seeger","tag-second-red-scare","tag-un-american"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-xp","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/2567"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=2071"}],"version-history":[{"count":19,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2071\/revisions"}],"predecessor-version":[{"id":2227,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/2071\/revisions\/2227"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=2071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=2071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=2071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}