{"id":1533,"date":"2017-09-25T15:29:49","date_gmt":"2017-09-25T20:29:49","guid":{"rendered":"https:\/\/pages.stolaf.edu\/americanmusic\/?p=1533"},"modified":"2017-09-25T15:29:49","modified_gmt":"2017-09-25T20:29:49","slug":"george-clutesi-and-a-nootka-farewell-song","status":"publish","type":"post","link":"https:\/\/pages.stolaf.edu\/americanmusic\/2017\/09\/25\/george-clutesi-and-a-nootka-farewell-song\/","title":{"rendered":"George Clutesi and a Nootka Farewell Song"},"content":{"rendered":"<p><span style=\"font-weight: 400\">The Nookta Native American tribe has its origins in modern day British Columbia. The <\/span><i><span style=\"font-weight: 400\">Nootka Farewell Song<\/span><\/i><span style=\"font-weight: 400\"> performed by George Clutesi is not only a fine example of a conscious effort to preserve the Native cultures of the region but also it is an example of traditional Native American music being given some light in the mainstream culture of today. Clutesi was the first Tseshaht mainstream celebrity in Canada. He was a multitalented artist who acted, wrote, and was an expert on native cultures. As a child, Clutesi was forced into participating in an educational system where one\u2019s native heritage and culture was seen as a negative attribute and whose goal was to erase it. Fortunately, even as a young child Clutesi knew that there was something fundamentally wrong with this ideology and rejected it completely through his artistic talents. The song I\u2019ve linked below is a representation of what Nootka music sounded like during the 20th century. Notable features of the song include an ad libbed introduction sung as a solo, then when the main tune kicks in the drum beat starts pounding a steady beat that continues until the ad lib outro. At the same time, as the drum beat beings we hear a choir singing in unison quietly in the background. If it weren\u2019t for Clutesi and his activist contributions to the preservation of Native societies\u2019 cultures there would be many songs such as this one which would be lost in the universe, never to be heard again.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/S6N6BTrp7IE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Nookta Native American tribe has its origins in modern day British Columbia. The Nootka Farewell Song performed by George Clutesi is not only a fine example of a conscious effort to preserve the Native cultures of the region but &hellip; <a href=\"https:\/\/pages.stolaf.edu\/americanmusic\/2017\/09\/25\/george-clutesi-and-a-nootka-farewell-song\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1433,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1533","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7jEhR-oJ","_links":{"self":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/1533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/users\/1433"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/comments?post=1533"}],"version-history":[{"count":1,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/1533\/revisions"}],"predecessor-version":[{"id":1534,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/posts\/1533\/revisions\/1534"}],"wp:attachment":[{"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/media?parent=1533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/categories?post=1533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.stolaf.edu\/americanmusic\/wp-json\/wp\/v2\/tags?post=1533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}