![\"2.2002-Lucas\"](\"https:\/\/pages.stolaf.edu\/wp-content\/uploads\/sites\/593\/2015\/04\/2.2002-Lucas.jpg\")
interesting challenge. Continuing the the trend of asking questions, what do these patterns mean? \u00a0From what culture do they come from? \u00a0How does it connect to American music?<\/p>\nThroughout this course we have looked at American history through the lens of music, but there is non-musical art that tells a uniquely American story. \u00a0While perusing a collection of art owned by St. Olaf this work of pottery, sculpted by Steven Lucas, jumped out as an iinteresting challenge. Continuing the the trend of asking questions, what do these patterns mean? \u00a0From what culture do they come from? \u00a0How does it connect to American music?<\/p>\n
In doing a little research, these patterns belong to the Native American tribe known as the Hopi. The Hopi people reside in northeastern Arizona where their ancestors thrived on a life sustained by corn, spiritual connections, and art. The artist, Steven Lucas, is a descendent of Nampeyo, the great female potter of the Hopi tribe, and is known as one of the great potters of the modern era.<\/p>\n
So what can we pull from this pot? \u00a0The colors follow a strict family of earthen tones to represent the deep connection that the Hopi people have with the land. There are also a series of patterns that are common in Hopi pottery. \u00a0The first is located in the center of the image and it is known at the migration pattern. Represented by the repeating feathers, the migration pattern is for the flexibility of the Hopi people to move when demanded by the land. The second pattern present on this particular pot (on the left) is the Butterfly Maiden, which represents fertility.<\/p>\n
So how does all of this come back to relate to American music history? \u00a0Native American elements have been implemented into music for centuries and these influences varied in historical accuracy. \u00a0More often then not, musical style characteristics identified as sounding Native American are primitive and quite degrading. \u00a0If we take the initiative to extend our view point to ethnomusicological evidence, we see a different story. Art, in all senses, is tied together through the people’s deep connection to the earth. \u00a0The same concepts that are seen in the visual art of pottery are experienced in dance as dancers focus their motions into the ground and in the incorporation of natural elements into ceremonial dress. \u00a0Music also has a deep connection to the earth. \u00a0Musical instruments are constructed from the land and the subject matter of many Native American songs directly involve nature or the higher powers that govern and control the earth.<\/p>\n
I believe the take away message of this piece in particular is its connectiveness to the people and how regardless of form, art serves as an expression of culture for a group of people.<\/p>\n
\n","protected":false},"excerpt":{"rendered":"
Throughout this course we have looked at American history through the lens of music, but there is non-musical art that tells a uniquely American story. \u00a0While perusing a collection of art owned by St. Olaf this work of pottery, sculpted … Continue reading